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"Seam", Adaya Godlevsky's debut release on Interval Recordings, marks yet another challenging release of the label's ongoing musical output. Along its 13 chapters, Godlevsky uses her Celtic harp and voice to gently constitute seams; seams as boarder lines between strumming and scratching a string, between tapping the sound box and an arpeggio flow, between a classically notated composition and improvised music derived from a graphic score.
The seam is always and already the boarder line, presence in this release as a result of Godlevsky's different artistic practices; performance, composition, playing and singing.
