[WITH_TEETH] was released on 3rd May 2005 by Nothing Records / Interscope Records. It was the fourth studio album produced by Nine Inch Nails frontman Trent Reznor and long-time collaborator Alan Moulder. Reznor recorded the album at Nothing Studios in New Orleans, the last release he recorded at the location before permanently relocating to Los Angeles. Former Nirvana drummer and current Foo Fighters frontman Dave Grohl contributed drums and live percussion on seven of the album's tracks.

After the band's critically acclaimed double album The Fragile (1999) and following tour Trent Reznor returned to New Orleans. During this time, Reznor became increasingly addicted to alcohol and drugs, resulting in depression and writer's block. After Reznor decided to go to rehab, he began work on the new album. In line with some of NIN’s previous material, the record features notably introspective songwriting, influenced by Reznor's battle with and recovery from alcohol and drug abuse. It’s audible that Reznor was also heavily inspired by the use of more analog electronic effects and instruments, specifically tape delay and modular synthesizers

The album generated three singles, The Hand That Feeds, Only and Every Day Is Exactly the Same.

Upon release, [WITH_TEETH] was well-received by critics, albeit less than their previous work.

[WITH_TEETH] became NIN’s second album to reach number one in the US, and was eventually certified as a golden record.

The album was released as a standard CD, double vinyl, a DualDisc and a CD/DVD combo. In addition to 5.1 surround and stereo mixes of the songs, the DualDisc (and DVD) contain the video for The Hand That Feeds, an interactive discography and a slide show of album artwork

In June 2015, an instrumental version of the album was released to Apple Music.

[WITH_TEETH] debuted at number one on the US Billboard 200, selling 272,000 copies in its first week. The album has been certified gold in the United States and the United Kingdom and platinum in Canada.

[WITH_TEETH] (HALO 19 - CD-Digipak)

DISCOGS

Videos of the title track [WITH_TEETH] seem hard to find, still we found some blurry but good sounding fan-filmed/made live versions, check them below!

On this day, 36 years ago, The Cure released their 8th studio album Disintegration (Fiction Records, 2 May 1989). The record marks a return to the introspective and gloomy style the band had established in the early 1980s. As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the group's pop successes with a more enduring work. This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album. The Cure recorded Disintegration in Oxfordshire, with co-producer David M. Allen who was The Cure’s producer from late 1988 to early 1989. Following the completion of the mixing of the album, founding member Lol Tolhurst was fired from the band. Disintegration is characterized by a significant usage of synthesizers and keyboards, slow, "droning" guitar progressions and Smith's introspective vocals.

Disintegration became the band's first commercial peak, charting at number three in the United Kingdom and at number 12 in the United States, and producing several hit singles including "Lovesong", which peaked at number two on the Billboard Hot 100. It remains The Cure's highest selling record to date, with more than three million copies sold worldwide.

Disintegration - Tracklist

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This month, 47 years ago, Throbbing Gristle released their debut 7” single “United/Zyklon B Zombie" (May 1978) through the band's own label, Industrial Records. After approximately 20,000 sales, re-pressing was taken over by Rough Trade although be it with a different mix making Cosey Fanni Tutti's guitars sound louder in the centre section of "Zyklon B Zombie" as an improvement upon the original version.

A third pressing was in white vinyl (1,000 copies) and clear vinyl (1,000 copies) and features around two minutes of rain and train sounds at the end of side two.

"United" was featured on Throbbing Gristle's second studio album D.o.A: The Third and Final Report of Throbbing Gristle, be it in a sped-up version lasting only 16 seconds.

Both tracks were later released on the CD re-version of The Second Annual Report (1991) in their original versions.

The single reached 39th position in the UK Indie Chart

United (7")
1. United 4:03
2 Zyklon B Zombie

DISCOGS

Throbbing Gristlle:

Cosey Fanni Tutti
Chris Carter
Genesis P-Orridge († 14/03.2020)
Peter Christopherson († 24/11.2010)

Following the success of their single, "Sauerstoff", Spanish industrial metal band, HASSWUT is proud to announce the arrival of their highly-anticipated, release also titled, Sauerstoff.
The album, Sauerstoff represents the internal struggle against anxiety, depression, and emotional oppression. Its title refers to the sensation of lacking oxygen, that pain in the chest that paralyzes us and prevents us from moving forward. Through each song, HASSWUT explores different aspects of both personal and social struggles.
Each song is a cry of rebellion, a surge of intensity that urges you to breathe, break your chains, and face the world with newfound strength. From the relentless aggression of “Koloss” to the dark melancholy of “Eigengrau”, Sauerstoff is an album that leaves no one indifferent. Sauerstoff is an explosion of energy, rage and emotion that will grip you from the very first note. It’s a powerful fusion of industrial metal and electronic music,
HASSWUT's new album, Sauerstoff is available for pre-order on CD and vinyl LP editions as well as on all major digital platforms worldwide. Release date is April 21 on Negative Gain Productions.
Order HERE: https://hasswut.bandcamp.com/

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On this day, 47 years ago, Kraftwerk released their iconic album The Man-Machine or Die Mensch-Maschine as the original german pressing was called. The Man-Machine is Kraftwerk’s seventh studio album and was released on 28 April 1978 by their own label Kling Klang. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms and less minimalistic arrangements. It includes some of Kraftwerk’s best known singles ‘The Model’ and ‘The Robots’.

In Germany the album peaked at the 12th position in the Offizielle Album Top 100 and reached the 26st position in the German Offizielle Top 100 year-end album charts. The first German pressing was on red vinyl.

In the UK the albums took a slow start, peaking at the 9th position of the UK Albums Chart only 8 months later in February 1982, making The Man-Machine Kraftwerk’s band's second highest-peaking album in the United Kingdom since Autobahn (1974).

The Man-Machine was certified gold by the British Phonographic Industry (BPI) on 15 February 1982, denoting shipments in excess of 100,000 copies.

The Man-Machine is the first Kraftwerk album to have Karl Bartos co-credited as a composer along with Ralf Hütter and Florian Schneider. Emil Schult co-wrote the lyrics for 'The Model'. AllMusic described the album as 'closer to the sound and style that would define early new wave electro-pop', and noted its 'feel of a divided concept album', with some songs (such as the title track and 'The Robots') exploring the science fiction-esque links between humans and technology', and others (such as 'Neon Lights' and 'Metropolis') celebrating “the glamour of urbanization.

The artwork for the cover was produced by Karl Klefisch, based on the work of the Russian suprematist El Lissitzky. The back cover image is an adaptation of a graphic from Lissitzky's book for children About Two Squares: A Suprematist Tale of Two Squares in Six Constructions.[9][10]

Reviewing the album in 1978, NME stated: 'The Man-Machine stands as one of the pinnacles of 70's rock music', adding that 'the sparsity of the lyrics leaves the emphasis squarely on those robot rhythms, chilling tones and exquisite melodies.'

AllMusic wrote that the album is 'less minimalistic in its arrangements and more complex and danceable in its underlying rhythms' than the group's previous works, and noted its 'tremendous impact' on subsequent synth-pop artists.

In October 2009, a remastered edition of the album was released on CD and digitally by Mute Records (EU) and by Astralwerks (US) United States, followed shortly after by heavyweight vinyl editions.

DISCOGS