It's Valentine's day.
And the best topical item by far is this new video from No Tears.
We love you.
German underground label Afmusic are releasing a compilation featuring works by many of their bands.
Early impressions here at Peek-a-boo is that we're going to have a major bunfight to review it, cause it's fantastic.
Don't wait for the review - listen now on Bandcamp.
Official release data around 13th March.
Track listing
1. Principe Valiente - In My Arms
2. The Foreign Resort - Take A Walk
3. The Transisters - Confuse-a-cat
5. Winter Severity Index - The Wiser
6. Rhombus - Timeless And Elegant
7. Christine Plays Viola - Permutations
9. The Knutz - Ghost Dance Party
13. (((S))) - Hole In My Heart
14. The Search - The Heart Is A Lonely Hunter
15. Emerald Park - At the Mall
16. Danish Daycare - A Purpose To My Sins
17. Tobias Borelius - Arkitekten
18. Deied - A Shell Full Of Scars
19. Eternal Nightmare - The Worst Day In History
afmusic.bandcamp.com/album/join-the-dark-side-we-have-the-music
The Hands showcase festival is complete and as always twelve bands are on display that will make you move like an electric eel on dry land. Here is the line-up, spread over two days:
MONO NO AWARE
NEEDLE SHARING (extended performance)
MS GENTUR
S.K.E.T. (extended performance)
13TH MONKEY
16PAD NOISE TERRORIST
SYNTECH
NULLGRAD
<1979>
DIRTY K
SATURMZLIDE
SYLVGHEIST MAËLSTRÖM
More info on the website: Forms Of Hands 2012
There are several ways to try to sum up the history of MOTOR. Chronologically listing all of the releases, significant events, enthusiastic critics and superlative comments, awards won and goals achieved in a comparatively short period of time would be one of them. It would certainly be a quite impressive list, but it would not fully pay justice to the phenomenon of MOTOR, as this phenomenon is clearly more than just the sum of its parts. Sometimes less is more, and that is why this brief history more than anything focuses on some of the milestones in the rise of MOTOR, as well as some seemingly random anecdotes, which at the end of the day impressively stand for the very essence of this extraordinary act.
But first of all, the good news: MOTOR is about to release another album, which opens a new chapter in the history of the band. After completing three massively successful and critically acclaimed techno albums, Bryan Black and Oly Grasset, who together form the duo MOTOR, have shifted gears and recorded a song-based vocal album by the name of “Man Made Machine”. The album was conceived during their world tour with Depeche Mode in 2009 when Dave Gahan fell ill and the band found themselves in a hotel in Berlin with time on their hands. It features the vocalists Martin L. Gore (Depeche Mode), Gary Numan, Billie Ray Martin (S'Express, Electribe 101) and Motown's rising new star Reni Lane.
Just recently, when MOTOR secretly played the first single from the upcoming album (also titled “Man Made Machine”) on a BBC radio broadcast, it got over 10,000 views within hours of being ripped and broadcasted on Youtube. The reactions from Depeche Mode and MOTOR fans are absolutely ecstatic. One online comment, which has often been quoted and agreed to, is that “Man Made Machine” sounds like the modern version of the Depeche Mode track “Personal Jesus” - a royal honour for the guys from MOTOR. Sometimes music critics are still having difficult times grasping or quantifying just exactly how significant MOTOR´s contribution to modern music actually was and is, but there is hope that the upcoming album “Man Made Machine” will add to a deeper understanding of the importance of this unique act. It is no coincidence that the album features some of the key figures in the evolution of electronic music. MOTOR have played as the main support act on sold out tours for Gary Numan, Nitzer Ebb and Depeche Mode and have been considered one of their best received support acts. They have performed on the main stages of all the top festivals with acts like Daft Punk, Kraftwerk, Soulwax, Justice, etc. They are known for having one of the most explosive and entertaining live shows in dance music.
As an almost logical consequence of their uncompromising attitude and trend-setting style, the fashion world has also taken notice of this powerful act. Raf Simons uses MOTOR music on his website and in his catwalk shows and Rick Owens used the MOTOR track "Ice" for the presentation of his 2012 Menswear collection. It is interesting that a fashion designer who´s look has been described as "glamour-meets-grunge" and who says about his own work that "It's about an elegance tinged with a bit of the barbaric, …" chose the music of MOTOR as soundtrack for his latest fashion show. Other than that, MOTOR’s music has been featured on various HBO and Showtime TV programs, in films and in several Playstation and Nintendo video games. Their impressive list of remixes includes “Precious” by Depeche Mode and in Mixmag 2006, Depeche Mode actually listed this one as their favourite DM remix of all time.
This should in itself be enough to create some pleasant anticipation of the upcoming album and tour from these unconventional techno pioneers. Just one more remarkable aspect regarding the long-player “Man Made Machine” is the fact that it is going to be released on a new sub-division of Chris Liebing´s CLR (Create Learn Realize) label, one of the leading German techno imprints. The branch is called CLRX and is out to explore new sonic universes of a musically more complex, song-structured nature. The founding of CLRX shall help people to distinguish easily between the classic CLR sound and the slightly different one of this new venture.
Bryan Black just released his first, tremendously successful and critically acclaimed solo EP (Black Asteroid - Engine 1) on CLR. After working together so successfully on this project, the label and artist started talking about also working together on the release of the new MOTOR album and finally came to the conclusion to go for it. Chris Liebing had always been inspired by the “out of the ordinary” techno approach of MOTOR and shares many of the same influences. He and the label team are highly thrilled about this collaboration. The accompanying video for the first single “Man Made Machine” is a spectacle in itself and is the perfect introduction to the dark and mysterious world featured on the breath-taking new LP, “Man Made Machine”.
Tracklisting:
1. Messed Up
2. Hyper Lust (feat. Billie Ray Martin)
3. Man Made Machine (feat. Martin L. Gore)
4. Control
5. Pleasure In Heaven (feat. Gary Numan)
6. Automne
7. Autographic
8. The Knife (feat. Douglas McCarthy)
9. Hello
10. In The Dark
11. Between The Night
Killing Joke will release their new album, ’2012′, on April 2nd. Of course this is no April "joke"... According to the band, "2012 is the perfect year for us to be releasing an album that is as dense and as dark as the surrounding swirls of madness in the world. At a time when the news is fast-forward and the planet seems to be descending into madness, who better than Killing Joke to reflect this?"...
Jaz Coleman seems to be in an apocalyptic mood. He says "we are heading towards the Eschaton and no-one really knows what’s going to happen". The album will reflect this dark vision, but Jaz Coleman sees the great change in a more positive light – the dawning of the Age Of Aquarius…“This year is about getting our collective dreams in order, restoring the biosphere, the idea of well-being as opposed to economic growth, the idea of partnership and co-creation with fellow human beings, moving away from national boundaries and more towards what Schiller and Beethoven were saying in some of their work.”
Jaz describes the album tracks as follows: ‘Fema Camp’ is about the concentration camps they have been building in America; ‘Corporate Elect’ needs no explanation; ‘Rapture’ is the way I perceive a Killing Joke concert – it’s a spiritual experience for myself to get into that state of grace… music is the theme of mantra. I’m not into organised religion at all, but I’ve always liked what Fela Kuti did in Nigeria, playing music like it was a temple. Maybe we will evolve into a time where we will be performing for ritualistic and spiritual reasons alone and not for monetary reasons?”
“There’s a song called ‘On All Hallows Eve’, which is about my belief in ancestor worship, backed up by quantum theories that there is no death. You only ever remember the time-line that you are alive in – you can’t remember being dead because you never were. ‘Colony Collapse’ is about what’s happening, what’s going on out there. ‘Poleshift’ is the first track on the album and about the potential polar shift of the earth’s magnetic field, its erratic behaviour, and also the polar shift that will be needed.”
To celebrate the album’s release, Killing Joke has published the track ‘Rapture’ as a taster on YouTube.
According to the band, ‘2012’ is a dense and multi-layered work. Killing Joke have never sounded so intense. The songs are great washes of sound – a death disco with huge slabs of guitar that soundtracks these dangerous times... Looking forward to discovering this new album!
Track-listing
1.Pole Shift
2.Fema Camp
3.Rapture
4.Colony Collapse
5.Corporate Elect
6.In Cythera
7.Primobile
8.Glitch
9.Trance
10. On All Hallow’s Eve
Itunes exclusive track
11. New Uprising
Pre-order the CD on play.com
