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NEWS Darkwave Band DICHRO Unveils The Soulful New Single & Video: “Mercy”

Darkwave Band DICHRO Unveils The Soulful New Single & Video: “Mercy”

12th of June 2024, 17:17

Darkwave band, DICHRO has just unveiled their latest single & video, "Mercy" from the forthcoming full-length album due out in August via Distortion Productions. The song carries a message that we should have mercy not just in our every day encounters, but free one another from judgement for choosing how to believe, if we believe, and what we believe. If we can start seeing one another with empathic eyes and hearts, perhaps we can rid our global atmosphere of so much fear and uncertainty. "Mercy" is an outreach piece.

Says vocalist, Charmaine Freemonk: “We are reaching out to ask that everyone calm down a bit, take a breath, and be more conscientious of our actions. It is a heartfelt plea that we consider whether we are helping or harming one another, practice empathy, and if we cannot help, to at least not harm."

The video for the single was created to accompany the song’s story. It focuses on the breaking free of indoctrination, a Kansas-to-Oz kind of transition into the light of spiritual freedom and exploration.

www.facebook.com/dichroband


NEWS REVISER Addresses Internal & External Struggles Of Power With Two New Singles

REVISER Addresses Internal & External Struggles Of Power With Two New Singles

11th of June 2024, 13:17

Darkwave band, REVISER recently dropped two new tracks via all major digital outlets - "Assassins" & "Burn It Out".

"Assassins" and "Burn It Out" are twin singles that address two sides of the same coin: "Assassins" addresses fighting the imposition of external power that wants to control us as individuals, and "Burn It Out" addresses finding power within ourselves, and to wield it wisely. Like all of REVISER lyrics, however, their interpretations are up to the listener.

"Assassins" is an unrelenting stomper, with catchy and haunting guitar and keyboard hooks, and "Burn It Out" is a bass-driven powerhouse that’s fit for the dance-floor and midnight-drives, alike.

"Assassins" & "Burn It Out" are both available on all major digital outlets including Bandcamp and Spotify. produced by Paul Malinowski of SHINER.

open.spotify.com/artist/17x9SER6CU4Gxm4KrYZgZg


NEWS 33 years of Kraftwerk in The Mix

33 years of Kraftwerk in The Mix

11th of June 2024, 00:00

On this day, 33 years ago, Kraftwerk released their remix album The Mix. It was released on 11 June 1991 and featured re-recorded and, in some cases, re-arranged versions of a selection of songs which were released on their previous albums.

Ralf Hütter stated in interviews that he regarded The Mix as a type of live album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The band had made a return to the stage in 1990, after a nine-year hiatus from touring, and since then the band's live setlist has used arrangements drawn from The Mix rather than the original recordings. As the band didn't want to release a traditional "Greatest Hits" or "Best of" collection they opted for 'The Mix'.

At the time, the band were in the process of reconfiguring their Kling Klang studio from analog to digital recording technology; integrating MIDI into their setup and creating sound archives from their original master tapes that were stored onto computers. This proved to be an ongoing task, as new upgrades and equipment were continually made available in the years following the album project. Despite no new, original recorded material or live tours outside of Europe, Ralf Hütter did not want Kraftwerk to appear defunct to the public.

The album's production is credited to Ralf Hütter, Florian Schneider, and Fritz Hilpert, the latter of whom had replaced percussionist and stage set designer Wolfgang Flür after Flür left the group in 1987. Karl Bartos also left the band in 1991 and was replaced by Fernando Abrantes. Bartos claimed in later interviews that much of his programming work was still featured on The Mix, uncredited.

The album received rather mixed reception on its release. Although many music magazines and citric rated the album from good to very good, many fans were disappointed at the lack of new compositions and, moreover, the production values of the re-recorded tracks did not strike many listeners as particularly cutting edge, something which Kraftwerk had previously been renowned for. The Mix was created entirely digitally, albeit during a period when the technology had yet to reach its maturity, and thus featured a sound which many listeners tend to find somewhat "sterile" compared to the analogue electronics employed on most of Kraftwerk's previous recordings of these songs. Nevertheless, The Mix placed first in The Wire's year-end poll, the first time the magazine—previously known for its focus on jazz—opened up an all-genre category.

The album has been released in both an English and German sung version and on various different formats like double 12" vinyl, Cassette and CD and was officially re-released in 2009.

The Mix - Tracklist

1. The Robots / Die Roboter 8:56

2. Computer Love / Computerliebe 6:35

3. Pocket Calculator / Taschenrechner 4:32

4. Dentaku / Calculator 3:27

5. Autobahn 9:27

6. Radioactivity / Radioaktivität 6:53

7. Trans-Europe Express 3:20

8. Abzug 2:18

9. Metal on Metal / Metall auf Metall 4:58

10.Home Computer / Heimcomputer") 8:02

11.Music Non Stop / Musik Non-Stop 6:38

DISCOGS


EMPTY - PLEASE USE FIRST

10th of June 2024, 09:00


NEWS 33 years of Family Man!

33 years of Family Man!

10th of June 2024, 00:00

On this day, 29 years ago, Nitzer Ebb released the 'As Is' EP (10 June 1991), prior to their fourth studio album 'Ebbhead', on 7" vinyl, 12" Vinyl, CD, and cassette through Mute Records (MUTE122).

The EP features four tracks, each mixed by a different artist / producer. The first track, 'Family Man' is the only one which was also featured on Ebbhead album, albeit in a different version. It was mixed by Jaz Coleman, vocalist and frontman of Killing Joke. The second track, 'Lovesick' was mixed by Flood who produced the band's second and third albums, Belief and Showtime as well as the previously mentioned Ebbhead. The third track, 'Come Alive' was mixed by Alan Wilder of Depeche Mode, who would eventually be hired to co-produce the Ebbhead album. The last track, 'Higher' was mixed by Barry Adamson and Paul Kendall (PK). Barry Adamson was the bassist for Howard Devoto's Magazine and Nick Cave and the Bad Seeds and PK is an engineer/producer who has worked mainly for Mute Records on various Depeche Mode and Flood projects.

As Is (tracklist)

1. Family Man 3:56
2. Lovesick 4:00
3. Come Alive 6:12
4. Higher 5:50

Nitzer Ebb

Bon Harris – programming
Douglas McCarthy – vocals
Julian Beeston – additional drums and percussion


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Darkwave Band DICHRO Unveils The Soulful New Single & Video: “Mercy”
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REVISER Addresses Internal & External Struggles Of Power With Two New Singles
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