Dark electro-industrial act SPANKTHENUN picks up where The Bunker Tapes Vol. I and the closing track, "Dominate" left us.

Now, The Bunker Tapes Vol. II continues the journey of mid 90s-influenced industrial beats and moves into a more dark electro territory, then finally to a pure EBM vision with tracks like "Industrial Beats" and "Lockdown". Like the previous album, Vol. II includes original tracks and remixes of the fan favourites like the face-ripping "Off Beatings", the introspective "I Self Me" and "Right Father".

Indeed the album is more substantial than its feel of late 90s dark electro. "The Smoking Gun" is a stark reflection of the political nightmare that turned a deadly disease into a worldwide pandemic, once only thought possible in sci-fi films. "Lockdown" takes the EBM vibe down a darker path in its idea that "we are part of the broken machine."

But the stylistic diversity of SPANKTHENUN is expressed with the fun and quirky vibe of "I Am The Fire" juxtaposed with the aforementioned tracks that maintain a more conceptual seriousness.

The physical CD carries an additional track from The Bunker Tapes Vol I - "Fight and Breed" with a special dual remix from Upon Eventual Collapse and Leaether Strip, bringing an unexpected new vibe to the track... only on the CD.

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Former Tungsten Coil Artist & Actor ERIC OBERTO has just unveiled his new single, "Darkness Never Lies"

"Darkness Never Lies" is about the lies people tell and the fears that rule their lives. It's a warning to live honestly, intently, and urgently. In your final darkness, all untold truths become your last regrets.

Eric’s new song Darkness Never Lies is featured in the motion picture- Amityville Cult. His debut as a Director and Editor are spotlighted in his music video for- Darkness Never Lies, which is a bonus feature on the Amityville Cult DVD/Blu-ray national Walmart release on November 16th.

What makes Eric's composition truly unique is his ability to embrace his diagnosis of synesthesia and right ear deafness. This has created a technique for composition that is nothing short of original.

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Horror-electro act CUCURBITOPHOBIA has unveiled their haunted house-themed full-length album, Four Doors Of Your Deepest Fears.

Just in time for Halloween, Four Doors Of Your Deepest Fears is a concept album involving a fictional haunted house which rests at the end of an amusement park. Few people dare to tread past the gate into the house. Even fewer have made it through the entire house without running out the way they entered. But all who have entered, whether they’ve made it through to the end or not, were never the same again.

Each door within the haunted house portrays a reflection of a deepest, darkest fear within the mind of the individual. From vivid imagery which depicts infernos of fire and lava, poisonous insects, vicious storms and floods, or a maze of mirrors reflecting the most unbearable parts of a person’s inner soul, Four Doors Of Your Deepest Fears represents the experience, the journey, and the darkest thoughts of one individual who has made it through the house ‘til the very end.

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Movement is the debut album by New Order, released on 13 November 1981 by Factory Records. The album was produced by Martin Hannett who also produced the previous Joy Division albums and releases. At the time of its release, the album was not particularly well-received by critics or audiences, only peaking at number 30 on the UK Albums Chart. However, retrospective critical reception has been very positive.

After the suicide of Joy Division's singer Ian Curtis in May 1980, and the subsequent shock for those surrounding him, remaining members Bernard Sumner, Peter Hook and Stephen Morris elected to carry on, albeit under a new name – New Order. With the exception of two songs, "Ceremony" (first played live at Joy Division's very last gig, a bit more than two weeks before Curtis's death) and "In a Lonely Place" (unreleased, but demoed in the studio), all the material played would be new.

A couple of songs on Movement stem from the initial songwriting session the band undertook in the summer of 1980.

Bernard Sumner took the main vocalist role with Peter Hook as back-up though the latter sang lead on "Dreams Never End" and "Doubts Even Here”.

Musically the album situated in between Joy Division's post-punk sound and the synth-pop style that would happen to define New Order and influence pop music for decades".[10]

In 2008 and 2015 the album was remastered and released in different formats (Digital/CD/12”).

References to Ian Curtis appear on the songs "ICB" (rumored to be an acronym for 'Ian Curtis Buried', but confirmed by Peter Hook in a 2013 interview) and "The Him".

The album cover was designed by Peter Saville and is based on a poster by the Italian Futurist Fortunato Depero.

The shape created by the top three lines is an 'F' (lying on its back), which refers to Factory Records/Factory Communications Limited and the bottom two lines create an 'L' (lying on its front), the Roman numeral 50, the original catalogue was FACT 50.

Movement - Tracklist

DISCOGS

The Scream is the debut album by Siouxsie and the Banshees. It was an almost instant commercial success, peaking at No. 12 on the UK Albums Chart and was recorded in only one week and mixed in three during August 1978. The album was released on 13 November 1978 by Polydor. Before the album's release, the band had developed a strong reputation as a live act, and had achieved a Top 10 UK single with "Hong Kong Garden”, a track which did not appear on the original album, but was added not much later to most others issues of Scream.

Upon release, The Scream was widely acclaimed by critics. It was also a commercial success, peaking at No. 12 in the UK Albums Chart. The album is regarded as a landmark of post-punk.

Late 1977 and early 1978, Siouxsie and the Banshees received major press coverage but failed to secure a recording deal. A fan undertook a graffiti campaign in London, spraying the walls of the major record companies with the words "Sign the Banshees: do it now".[2] Polydor finally signed them in June.

J. G. Ballard and William Burroughs provided the reference points for the lyrics of The Scream.

Since its release, The Scream has received a number of accolades from the music press. NME rated it at No. 57 in their "Writers All Time 100 Albums" list in 1985. Uncut magazine placed it at No. 43 in their list of the 100 greatest debut albums. It was featured in the book 1001 Albums You Must Hear Before You Die.

The Scream placed the group among the pioneers of post-punk, as Robert Smith of the Cure said:

"When The Scream came out, I remember it was much slower than everybody thought. It was like the forerunner of the Joy Division sound. It was just big-sounding."

Joy Division's Peter Hook, who saw the band in concert in Manchester in 1977, said about The Scream: "Siouxsie And The Banshees were one of our big influences, The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing."

The Scream had a strong impact on other musicians. Massive Attack covered and sampled "Metal Postcard (Mittageisen)" on their song "Superpredators (Metal Postcard)" in 1997.

Scream (1978 LP) - Tracklist

DISCOGS