Today, Peter Hook (Born Peter Woodhead) of Joy Division and New Order turns 65 years of age. Celebrating his career in music is near impossible with respect to the remarkable success he achieved with the aforementioned bands, however that moment in time at the start of his career may perhaps be the place that sums up Hooky the best. Something he has taken to revisit in recent years with his band Peter Hook And The Light, again touring the individual albums this year which will see him perform the albums Technique and ‘Republic’ in their entirety. Keeping the flame burning brightly as his own unique support act at all shows where he performs a selection of Joy Division numbers in his own faithful style.

Transmission

The pulsing bass , the thunder of the drums, the synthesiser and bass working perfectly as a unit, and then Ian Curtis singing in his low-larynx-gothic projection;
"When the routine bites hard
And ambitions are low
And the resentment rides high
But emotions won't grow",

'Love will tear us apart', perhaps one of the most memorable songs by Joy Division,their calling card,released posthumously after Ian's death.The lyrics a mirror of his frame of mind and his failing marriage to Deborah(Deborah Woodruff).

To say one song was all there was to Joy Division,that they can be defined by three minutes and eighteen minutes of dark thumbing brilliance or even their two studios albums of perfect surreal-starkness-,'Unknown Pleasures' 1979 and 'Closer' 1980.
The metamorphosis that happened with New Order does not define anything that happened before either.

Joy Division were a sum of everything that was good about Punk and 70s music in general. Iggy Pop, Lou Reed and certainly David Bowie and his Berlin era, with 'Low' and 'Heroes' an inspiration, after all pre-Joy Division were called Warsaw taken from the Bowie song of the same name.
But Curtis injected his own vision and distinctive voice to it, Joy Division have influenced so much about today's modern music from The Cure to Radiohead.

Manchester

One of the biggest influences on the Manchester scene was the infamous gig by the Sex Pistols at the Lesser Free Trade Hall on the 6th-of -June 1976 as part of the Anarchy tour. In the audience that night were, apart from Curtis, future members of the Buzzcocks were present, whose founder member Pete Shelley organized the gig and even opened for the Pistols. But more importantly to the story the two founders of Factory Records Martin Hannet and Tony Wilson. On a side note however. also present and influenced was Mark E. Smith of The Fall, Mick Hucknall of Frantic Elevators and much later Simply Red and one Steven Patrick Morrissey, who would form The Smiths. The influence that one night had on the late 70's and early 80's music industry is staggering.

The goth-injected, controlled passion of Joy Divisions second and final album 'Closer',is in essence a brilliant rock album, some have gone as far to say the best rock album of the-eighties. Released posthumously on July-the-18th 1980 almost two months after the death of Ian Curtis.
Unloved by Sumner and Hook, unhappy again with Martin Hannets mix, very hard to imagine why as Hannet, both genius and madman, has managed to merge the bands sound into a more positive and melodic experience than on 'Unknown Pleasures'.

Peter Hook and New Order exist as two separate entities now, but their sound is rooted as it always will be very much in the past.

Phil Western (°12 August, 1971, † 9 February, 2019) was a producer/engineer/composer and programmer who has been active in music for close to 20 years and has close to 40 albums released to date.

He is known for his collaborative work with his close friend Cevin Key (Skinny Puppy) in the electronic music projects like Download and PlatEAU, as well as his own solo albums, many of which have been released on his own label, The Record Company. His production and engineering work includes remixes for Skinny Puppy, Nine Inch Nails, Monster Magnet and many others.

May he rest in peace.
DISCOGS

Drones appear throughout the early history of music, across many cultures. They reflect nature’s most elemental hum, the chord that threads its way through creation, said to be the sound of the universe as it stretches out into the infinite unknown. Channelled in Indian spiritual music, through the battlefields of Scotland and on through the minimalism of pioneers like La Monte Young and Phil Niblock, the drone is a universal constant in music, one that instils a sense of vibrating in perfect synchronicity with the energy that surrounds us.

For Spiritual Friendship – the pairing of hip-hop beatmaker and producer Nick Hook (Run The Jewels, 50 Backwoods, Gangsta Boo) and fellow producer and noise maker Gareth Jones (Depeche Mode, Nick Cave, John Foxx) – the idea of creating a suite of drones was not informed by their own shared spiritualities or an awareness of the transcendent properties these sonic devices possess; instead, it was the electrical hum of a hot tub the pair were sharing one balmy night in Asheville, North Carolina that coincided with a eureka moment from Gareth.
The pair were in Asheville in the summer of 2017 for a week-long residency at the Moog Sound Space. Previous collaborations between the pair had taken place either at Nick’s studio in Brooklyn or Gareth’s studio in London, whereas for what became DRONES they were sharing an apartment together in Asheville, and the experience of being away from each other's normal equipment proved to be inspiring. They decided to build a fort out of vintage synthesisers in the upstairs performance space at Moog Sound Space and create a number of individual drones, each one representing one of four chakras – the root chakra, the sacral chakra, the heart chakra and the crown chakra.

The project referenced their debut album together (SPIRITUAL FRIENDSHIP, 2016) which comprised base elements of drums, drones, field recordings and sequences. In Asheville they decided they would make a series of albums isolating each of those individual elements. DRONES would be the first to be created, but to date only one of the pieces Nick and Gareth recorded during that week has been officially released (‘Root’, issued on Alternative Medicine as a limited edition cassette in 2018).

“I was pretty scared at first,” admits Nick as he recalls their Asheville sessions. “I'm a wild ADD, hyperactive kid. I didn't really understand how to do this. Gareth was like, ‘We’ll just set it up and let it breathe,’ and that’s what we did. When I heard all the harmonic interactions that could happen in a single drone, it felt like I was listening to free jazz.”

“Each of the drones is simple,” adds Gareth. “We chose to honour each of the chakras with a drone note. We didn't do any deep mystical research into the actual tuning – we just used the conventional scale for the drones. We set up a whole bunch of oscillators from Moog, and we borrowed a rig from Make Noise, who are also based in Asheville. It was important to us that we could fuse equipment from two companies who have been so inspirational to both of us. Just as Nick says, it all interacts with itself, almost as if there’s this gentle swaying between each of the frequencies, and these unexpected rhythms and melodies begin to emerge.”

The process for each of the new pieces would be the same: they would set up the drone around a particular note, meditate together for fifteen minutes, stand up and then hit record, allowing the ground tone they’d created to evolve and develop. The pieces, typically lasting around 45 minutes, were executed with no conversation between Nick and Gareth. They relied entirely on instinct, and the kind of shared deep listening and non-verbal cues normally the preserve of improvising players as they altered the sound they’d constructed using volume controls and filters. Each piece was created completely live, with no overdubs, each one displaying a commanding resonance and a restless, ever-changing hypnotic energy.

To launch the new Calllm ambient label, Nick and Gareth felt it was time to complete the DRONES project with two pieces referencing the remaining chakras – the throat and the third eye. “Pushed by the conjunction of Saturn and Jupiter, the end of 2020 and a realisation that we hadn’t seen each other physically this year, we decided to create these last two drones remotely,” explains Gareth. Nick created the basis for the third eye chakra and Gareth created the basis for the throat chakra. They then each added to the other’s creation remotely, thus finalising the suite of drone recordings they envisaged in Asheville.

Beginning on February 1st 2021, all seven DRONES will be made available as a weekly series of digital releases through Calllm. Each release will be accompanied by a Spiritual Friendship drone performance on YouTube and Twitch accompanied by live watercolour painting by Calm + Collect illustrator Hydriaillustrations and guided meditations from Quazzy.

DRONES release schedule
All live performances are scheduled for 1100 EST / 1600 GMT

Root – digital release February 1 / live performance February 2
Sacral – digital release February 8 / live performance February 9
Solar Plexus – digital release February 15 / live performance February 16
Heart – digital release February 21 / live performance February 23
Throat – digital release March 1 / live performance March 2
Third Eye – digital release March 8 / live performance March 9
Crown – digital release March 15 / live performance March 16

Spiritual Friendship discography:
Spiritual Friendship (Calm + Collect, 2016)
Drums (Calm + Collect, 2018)

This month it’s been 25 years since American industrial metal band Ministry released their cover version of Bob Dylan’s ‘Lay Lady Lay’ (February 1996).

The song was performed earlier during a charity concert in October 1994, with Eddie Vedder from Pearl Jam performing the backing vocals. Later the studio version of the song was recorded and released as a 4 track CD single from Ministry’s sixth studio album, Filth Pig. The song also appears on the 2008 Ministry cover album, Cover Up.

In the Rolling Stone magazine’s review of Filth Pig, critic Jon Wiederhorn wrote that the cover "amalgamates a deep distorted bass line, clicking electronic percussion, jangling acoustic guitars, ominous curls of feedback and Ministry frontman Al Jourgensen's trademark howls”.

Lay Lady Lay (CD) Tracklist

Lyrics

Lay lady lay
Lay across my big brass bed
Lay lady lay
Lay across my big brass bed
Stay lady stay
Stay while the night is still ahead
Stay lady stay
Heaven's fills our head
Whatever colors that you have in your mind
I show them on to you and you see them shine

Stay lady stay
Stay with your man a while
Till the break of day
Then you're gonna see him smile
His clothes are dirty but his hands are clean
And you're the best thing, he's ever seen
Why wait any longer for the world to begin?
You can have your cake and eat it too
Why wait any longer for the one you love
When he's standing over you?

Lay lady lay
Lay across my big brass bed
Stay lady stay
We're gonna build the whole night ahead
I long to see you in the morning light
I long to reach for you all night

Lay lady lay
Lay lady lay
Lay lady lay
Lay lady lay
Lay lady lay

Songwriter: Bob Dylan

© Sony/ATV Music Publishing LLC

DISCOGS

"Fear" EP, coming out on March 19th 2021, includes 3 brand new songs + 3 remixes by the big sensation Molchat Doma, the 80s heroes Clan Of Xymox, and one by the best new darkwave act, Forever Grey from LA.

The global pandemic has upset all the plans Ash Code had for 2020, numerous European gigs have been canceled including new USA and Latam tour. A new almost finished LP was trashed because it didn't fit with the reality of the moment.

The band experienced the negative mood of the lockdown months, stayed home mostly, and creating a series of online charity initiatives: the first made at home and then a series of online festivals gathering all the bands from the international darkwave / goth scene called Gothicat Festivals.

After spending the summer in Naples (South of Italy), the band established a new connection with the place they live in and found inspiration again to write new songs.

- Quote about 'FEAR' Video from the director Elio De Filippo:

"The video was inspired by the first experimental techniques of horizontal editing, a tribute to the great artists experimentation on film such as Armand Sabattier and Man Ray, pioneers of the solarization of the image, and Zbigniew Rybczyński.

A layering of images create unique and almost unpredictable effects in their interaction, an overlap of thoughts, memories, desires and synaesthesia that our mind has been forced to accumulate in a period we never dreamed of living: the lockdown.

The chromatic contrast created by the director of photography Jessica Squillante, inspired by the colors of Andy Warhol's screenprints, tends to emphasize with bright and unnatural colors a theme that is actually sad and oppressive, as in a natural mental defense mechanism."