On this day, 42 years ago Frank Tovey released the album Incontinent as second Fad Gadget album. Incontinent sounds less “industrial” as his debut album Fireside Favorites relying less on drum machines and sampled (industrial) sounds. Most songs are inspired by Frank Tovey’s impression during his first US tour in 1980.

"Blind Eyes”, with lines such as "Send a few pounds to a charity / Now we're feeling so much better" and a chorus intoning "Hear no, see no, speak no evil" is clearly about people trying to easy their consciousness and ignore global problems.

While "Swallow It" is about the feed of news and propaganda our society, our leaders and media are feeding us day after day.

"Saturday Night Special" is inspired by America's 'Second Amendment', one of the ten amendments to the Constitution comprising the Bill of Rights, states: “A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed... "

The title tracks "Incontinent" and "Manual Dexterity", both instrumental, respectively featured Mute Records founder Daniel Miller and Robert Gotobed of the band Wire.

"King of the Flies" was released as a flexi-single on 2 October 1981. "Saturday Night Special" backed with "Swallow It Live" was issued on 5 January 1982. A rerecorded version of "King of the Flies" backed with "Plain Clothes" was released on 6 April 1982. None of these singles made it into the mainstream charts.

The album was recorded and mixed during Summer '81 at Blackwing Studios, All Hallows Church, London and features Frank Tovey

The album's artwork featured a picture of Tovey made up as the puppet Punch and was taken by Anthon Corbijn.

Fad Gadget ‎– Incontinent (STUMM6)

Blind Eyes 4:56

Swallow It 5:35

Saturday Night Special 6:29

Incontinent 3:24

Manual Dexterity 3:31

Innocent Bystander 6:28

King Of The Flies 4:22

Diminished Responsibility 5:55

Plain Clothes 4:40

DISCOGS

45 years ago, on June 16, 1978, Suicide performed their legendary 23 minutes lasting show at the renowned Brussels music club Ancienne Belgique, as support for Elvis Costello. The live audience recording, originally taped by a friend of the band, Howard Thompson, is not so much a registration of the quality of their actual live performance but it gives an indication of the general public's reaction to this confrontational electronic duo during their early days.

Before Suicide even starts playing booing can be heard from the crowd, indicating that they only wanted to hear the main act, Elvis Costello. Between every song the booing seems to become more intense. After roughly 10 minutes the crowd can be heard chanting "ELVIS! ELVIS!”. Then, after the band has been almost 20 minutes on stage, a loud applause can be heard; someone stole Alan Vega's microphone …

After receiving the microphone back he continues to sing "Frankie Teardrop" a cappella. After even more booing Vega shouts "SHUT THE FUCK UP! THIS IS ABOUT FRANKIE!". A few moments later the band leaves the stage.

That night Elvis Costello played a very short and angry set in which he made no secret of his outrage over Suicide's treatment by the crowd. This incited a riot. The show was cancelled and Vega's nose was broken.

The recording was first released only as a promo in 1978 until it was remastered and released as a bonus track on the band’s 1998 reissue of their self-titled debut album.

21½ Minutes In Berlin / 23 Minutes In Brussels (1978 LP tracklist)

DISCOGS

Today it’s exactly 44 years ago since Joy Division released their debut studio album Unknown Pleasures (15 June 1979) on the renowned label Factory Records. The album was recorded and mixed in only three successive weekends in April of the same year and was produced by Martin Hannet who incorporated a number of unconventional recording and production techniques into the group's sound.

The cover artwork was designed by artist Peter Saville while the centre sleeve depicts "100 consecutive pulses from the pulsar CP 1919" as found by Bernard Sumner in The Cambridge Encyclopaedia of Astronomy (See more about the artwork in the video below)

It is the only Joy Division album that was released during lead singer Ian Curtis's lifetime.

Initially, sales of Unknown Pleasures were slow until the release of the non-album single, 'Transmission'. The album sold over 5000 copies within the first week of it's release, 20.000 copies were sold within the first year. However the album did not chart until it was reissued after the suicide of singer Ian Curtis. Then the album peaked at #71 in the UK Album Charts in August 1980 while it reached No.2 in the UK indie charts and spent 136 weeks in the chart in total. Factory Records did not release any singles from Unknown Pleasures,

It has since received sustained critical acclaim as an influential post-punk album and has been named as one of the best albums of all-time by publications such as NME, AllMusic, Select and Spin.

Instead of side A and B the sides were named Outside and Inside.

Unknown Pleasures - tracklist
A Outside

1. Disorder
2. Day Of The Lords
3. Candidate
4. Insight
5. New Dawn Fades

B Inside

1. She’s Lost Control
2. Shadowplay
3. Wilderness
4. Interzone
5. I Remember Nothing

DISCOGS

On this day, 32 years ago, Kraftwerk released their remix album The Mix. It was released on 11 June 1991 and featured re-recorded and, in some cases, re-arranged versions of a selection of songs which were released on their previous albums.

Ralf Hütter stated in interviews that he regarded The Mix as a type of live album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The band had made a return to the stage in 1990, after a nine-year hiatus from touring, and since then the band's live setlist has used arrangements drawn from The Mix rather than the original recordings. As the band didn't want to release a traditional "Greatest Hits" or "Best of" collection they opted for 'The Mix'.

At the time, the band were in the process of reconfiguring their Kling Klang studio from analog to digital recording technology; integrating MIDI into their setup and creating sound archives from their original master tapes that were stored onto computers. This proved to be an ongoing task, as new upgrades and equipment were continually made available in the years following the album project. Despite no new, original recorded material or live tours outside of Europe, Ralf Hütter did not want Kraftwerk to appear defunct to the public.

The album's production is credited to Ralf Hütter, Florian Schneider, and Fritz Hilpert, the latter of whom had replaced percussionist and stage set designer Wolfgang Flür after Flür left the group in 1987. Karl Bartos also left the band in 1991 and was replaced by Fernando Abrantes. Bartos claimed in later interviews that much of his programming work was still featured on The Mix, uncredited.

The album received rather mixed reception on its release. Although many music magazines and citric rated the album from good to very good, many fans were disappointed at the lack of new compositions and, moreover, the production values of the re-recorded tracks did not strike many listeners as particularly cutting edge, something which Kraftwerk had previously been renowned for. The Mix was created entirely digitally, albeit during a period when the technology had yet to reach its maturity, and thus featured a sound which many listeners tend to find somewhat "sterile" compared to the analogue electronics employed on most of Kraftwerk's previous recordings of these songs. Nevertheless, The Mix placed first in The Wire's year-end poll, the first time the magazine—previously known for its focus on jazz—opened up an all-genre category.

The album has been released in both an English and German sung version and on various different formats like double 12" vinyl, Cassette and CD and was officially re-released in 2009.

The Mix - Tracklist

1. The Robots / Die Roboter 8:56

2. Computer Love / Computerliebe 6:35

3. Pocket Calculator / Taschenrechner 4:32

4. Dentaku / Calculator 3:27

5. Autobahn 9:27

6. Radioactivity / Radioaktivität 6:53

7. Trans-Europe Express 3:20

8. Abzug 2:18

9. Metal on Metal / Metall auf Metall 4:58

10.Home Computer / Heimcomputer") 8:02

11.Music Non Stop / Musik Non-Stop 6:38

DISCOGS

On this day, 29 years ago, Nitzer Ebb released the 'As Is' EP (10 June 1991), prior to their fourth studio album 'Ebbhead', on 7" vinyl, 12" Vinyl, CD, and cassette through Mute Records (MUTE122).

The EP features four tracks, each mixed by a different artist / producer. The first track, 'Family Man' is the only one which was also featured on Ebbhead album, albeit in a different version. It was mixed by Jaz Coleman, vocalist and frontman of Killing Joke. The second track, 'Lovesick' was mixed by Flood who produced the band's second and third albums, Belief and Showtime as well as the previously mentioned Ebbhead. The third track, 'Come Alive' was mixed by Alan Wilder of Depeche Mode, who would eventually be hired to co-produce the Ebbhead album. The last track, 'Higher' was mixed by Barry Adamson and Paul Kendall (PK). Barry Adamson was the bassist for Howard Devoto's Magazine and Nick Cave and the Bad Seeds and PK is an engineer/producer who has worked mainly for Mute Records on various Depeche Mode and Flood projects.

As Is (tracklist)

1. Family Man 3:56
2. Lovesick 4:00
3. Come Alive 6:12
4. Higher 5:50

Nitzer Ebb

Bon Harris – programming
Douglas McCarthy – vocals
Julian Beeston – additional drums and percussion

DISCOGS