Dungeon synth pioneer MORTIIS has announced the release of Transmissions From The Western Walls Of Time - a live recording from 1997.

Very few audio documents exist of the handful of shows MORTIIS did in the ‘90s, and this is one of the few we were able to dig up. This recording was captured by an unknown person, bringing a video camera or cassette recorder to the show. The show was at the Transmission Theatre, now defunct, in San Francisco, on November 12, 1997.

Transmissions From The Western Walls Of Time was released on limited edition classic black vinyl, and a strictly limited edition silver vinyl, which is now sold out. Both vinyl versions include an A2 sized poster. It is also available on Digipack CD.

The silver vinyl was offered to members of the Fan Club/Patreon group Cult Of Thee Black Wizards which is a subscription-based Fan Club style group. Membership includes free download of around 40 releases, studio updates, priority ordering of limited edition releases, exclusive merchandise, a monthly/bi-monthly video chat for members only (via a private members only Facebook Group).

Artwork was made by David Thierree.

www.facebook.com/officialmortiis

On this day, 31 years ago, British post-punk band Wire released their 7th studio album Manscape (15.05.1990). It was produced by David M.Allen (who, amongst others, produced various albums of The Cure and The Sisters Of Mercy's First Last And Always) and introduced even more the use of electronic instruments than on Wire's previous albums. Almost all bass and drums were sequenced and even-though Wire drummer Robert Gotobed co-composed all tracks on this album he didn’t join them on stage during the 1990 promotional tour.

Upon release the album was received with mixed feelings by music critics mainly because Wire pretty much abandonned the whole rock-band setup switching primarily to synthesizers but, according to some critics, lacked to put them to great use.
The original vinyl release has a significantly different running order and omits "Life in the Manscape", "Stampede" and "Children of Groceries".

Manscape UK Vinyl Version (STUMM 80)

1. "Patterns Of Behaviour"
2. "Goodbye Ploy"
3. "Morning Bell"
4. "Small Black Reptile"
5. "Torch It!"
6. "Other Moments"
7. "Sixth Sense"
8. "What Do You See? (Welcome)"
9. "Where's The Deputation?"
10. "You Hung Your Lights In The Trees / A Craftsman's Touch"

Manscape CD version (CDSTUMM 80)

1. "Life in the Manscape" – 3:28
2. "Stampede" – 4:35
3. "Patterns of Behaviour" – 4:33
4. "Other Moments" – 3:50
5. "Small Black Reptile" – 3:14
6. "Torch It!" – 7:31
7. "Morning Bell" – 4:22
8. "Where's the Deputation?" – 3:51
9. "What Do You See?" (Elvander, Gilbert, Gotobed, Lewis, Newman) – 6:47
10. "Goodbye Ploy" – 3:50
11. "Sixth Sense" – 4:19
12. "Children of Groceries" – 3:03
13. "You Hung Your Lights in the Trees/A Craftsman's Touch" – 10:03

All tracks written by Bruce Gilbert, Robert Gotobed, Graham Lewis and Colin Newman, except as indicated.

DISCOGS

Today it’s exactly 24 years since ago Nine Inch Nails released their The Perfect Drug (Versions) EP! It was released by Nothing Records/Interscope on 13 May 1997 and bears the NIN caltalog number HALO ELEVEN.

The title song was originally written for the David Lynch cult film Lost Highway (1996) and appeared for the first time in early 1997 on the soundtrack with the same name which was produced by Trent Reznor himself. The soundtrack album included original filmscores written by Trent Renzor, Barry Adams and Angelo Badalamenti, as well as songs by, amongst others, David Bowie, Marilyn Manson and Rammstein.

Musically the song was very influenced by the late 90s Drum and Bass hype and was most successful in Canada where it peaked at the 2nd position in the regular ‘Single Chart’ as well as in the RPM Rock/Alternative Chart. In the US the single peaked at 17th position on the Billboard Hot Single Sales.

Until today however, the song was never performed live by the band.

Later Trent Reznor would state in an interview on BBC1 radio that The Perfect Drug is one of his least favourite songs he ever produced.

Besides the single, The Perfect Drug - Versions EP featured remixes by Nine Inch Nails, Meat Beat Manifesto, Plug, Spacetime Continuum and The Orb. The original version of The Perfect Drug however was only included on non-US releases.

The music video for this single was directed by Mark Romanek and inspired by the illustrations of 20th century artist Edward Gory. Besides Trent himself, the video also features his bandmates Charlie Clouser, Danny Lohner and Chris Vrenna.

The Perfect Drug (Lyrics)

I got my head but my head is unraveling
Can't keep control can't keep track of where it's traveling
I got my heart but my heart's no good
You're the only one that's understood
I come along but I don't know where you're taking me
I shouldn't go but you're wrenching, dragging, shaking me
Turn off the sun pull the stars from the sky
The more I give to you the more I die
And I want you

You are the perfect drug
You make me hard when I'm all soft inside
I see the truth when I'm all stupid-eyed
The arrow goes straight through my heart
Without you everything just falls apart
My blood just wants to say hello to you
My soul is so afraid to realize
How very little there is left of me
And I want you

You are the perfect drug

(Take me with you)

Without you everything just falls apart
It's not as much fun to pick up the pieces

Songwriters: Charles Clouser / Chris Alan Vrenna / Daniel Patrick Lohner / Trent Reznor

"The Perfect Drug" Versions (CD-Single)

DISCOGS

Today it’s been 34 years since Electronic Body Music ensemble NITZER EBB released their equal legendary debut album That Total Age (11 May 1987) on Mute Records. It was produced by Phil Harding. That Total Age was preceded by the singles Murderous (November 1986) and Let Your Body Learn (April 1987) while the third and final single to be taken from this album, Join in the Chant, followed in August the same year. The latter single would probably become one of the band's most known musical anthems and reached position 9 on the US Dance Charts of 1987.

That Total Age is considered to be one of the most important and influential Industrial / Electro / Electronic Body Music albums until this day.

The symbols on the cover of the album stand for "Force is Machine", "Visions of Order", and "Muscle and Hate".

That Total Age was released in many various versions like single 12” LP, double 12”, cassette album and CD.

That Total Age (LP) Mute Stumm 45 (UK)

1. "Fitness to Purpose" 5:00
2. "Warsaw Ghetto" 3:47
3. "Violent Playground" 3:46
4. "Murderous" 5:40
5. "Smear Body" 5:40
6. "Join in the Chant" 6:05
7. "Alarm" 3:41
8. "Let Your Body Learn" 2:48
9. "Let Beauty Loose" 2:24
10. "Into the Large Air" 4:13

That Total Age (CD) Mute Stumm 45

1. "Fitness to Purpose" 5:03
2. "Violent Playground" 3:49
3. "Murderous" 5:43
4. "Smear Body" 5:49
5. "Join in the Chant" 6:05
6. "Alarm" 3:41
7. "Let Your Body Learn" 2:48
8. "Let Beauty Loose" 2:24
9. "Into the Large Air" 4:13
10. "Join in the Chant" (Metal Mix) 5:16
11. "Fitness to Purpose" (Mix Two) 4:56
12. "Murderous" (Instrumental) 5:04

DISCOGS

Lisa Gerrard and Jules Maxwell, best known for their work as part of the legendary band Dead Can Dance, present their studio album 'Burn'. Produced by James Chapman (MAPS), this long-play is being released via Atlantic Curve, a London-based label that is part of the Schubert Music Europe.
The record began its journey more than seven years ago, when Lisa met Irish theatre composer Jules Maxwell before working together for the first time. Things really took root when Gerrard and Maxwell began writing songs for their earlier collaboration 'The Mystery Of The Bulgarian Voices (Le Mystère des Voix Bulgares)'. They were later introduced to Chapman and asked him to produce this album, which represents a stunning departure for all three of them.
Jules Maxwell explains: "'Burn' was never planned to be an album. Like many joyous things in life, it grew slowly and unexpectedly. One song at a time. The seeds had been planted by Lisa and I whilst we were working on songs for another album, but didn't begin to flower until months, years later. Without Daryl Bamonte's tenacious encouragement and James Chapman's sonic vision it would not have come to fruition at all. Lisa Gerrard is in my opinion one of the most important singers of her generation and it continues to be an enormous privilege for me to be working with her. What we have created still makes the hairs on the back of my neck stand up from time to time. Listen to it in one go from beginning to end if you can."
Lisa Gerrard introduces this long-play "The album begins with 'Heleali', a meditation on the eternal rise and fall of the tides. It is a call to let go of the past and reflect on the elusive shadows of evaporation."
With Chapman joining the duo as producer, ideas generated freely and over time, a distinct sound for their work began to emerge. Their focus was to create something that was both euphoric and compelling; more inventive than what they had worked on separately in the past. From gentle beginnings, each track builds and intensifies, creating a hypnotic experience to listen to from start to finish. With Lisa remaining in Australia, Jules adding his keys and percussion from France, and James bringing new light to the sound from England, the three were literally worlds apart, but those worlds fused in this music.
"It was such a huge honour for me to work with Lisa and Jules in making this album, and I thoroughly enjoyed the whole process. My role was really to build on the ideas, and it was a pleasure to work with such rich and exciting material. I was very grateful to be given the freedom to explore the production, there was a real trust between everyone from the beginning, which made things very exciting for me. Having such freedom from the start enabled me to be more confident in the ideas, which in turn created more possibilities with the choices that were made. When I listen to the album now, I feel that freedom and excitement within each track," says James Chapman.
Sosna's video is among seven specially commissioned films to accompany the release of the album. The first of these, created by Polish director Jacob Chelkowski's video for the title track 'Noyalain (Burn)', proves more than a little provocative in these days of Covid, as it portrays the simple, traumatic act of touching.
Early March, Jules Maxwell also released his sophomore solo album 'Nocturnes' - the debut release for the newly-formed Archangelo Recordings. This beautifully melancholic collection of instrumental pieces was written and recorded over the past four years, much of it in collaboration with the acclaimed UK-based Vincent Dance Theatre.