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NEWS VampireFreaks announces three-day 'Dark Force' fest

VampireFreaks announces three-day 'Dark Force' fest

03rd of November 2022, 17:18

VampireFreaks, the team that brought you the Triton Festival and Dark Side of the Con, proudly present a brand new event called Dark Force Fest; a festival gathering featuring an explosive lineup of the most beloved international bands along with the newest trending artists from Gothic, Industrial, Darkwave and Post-Punk scenes.

Dark Force Fest - Three-Day Goth-Industrial Music Festival

31st March - 2nd April 2023

Dark Force Fest takes place in Parsippany, NJ (one hour from NYC), at the massive Sheraton Parsippany, an imposing castle styled hotel that features 44,000 square feet of event space with 370 hotel rooms. While the hotel rooms in the main venue sold out within days of announcing this festival, there are still overflow hotels in the surrounding area.

This stacked festival lineup includes:

HEALTH, Combichrist (doing a special old-school industrial set), Suicide Commando: (Rare U.S. show), ACTORS, Rabbit Junk, Video Vision, Empathy Test, Solar Fake, BILE, Psyclon Nine & Das Ich: (Rare U.S. show)

In addition to 30+ bands, Dark Force Fest will feature 100+ vendors, a costume contest, cosplay guests, sideshow performers, fun activities and informative panels.

darkforcefest.com


NEWS Techno-Industrial Band RetCon Brings Resistance & Romance To New EP

Techno-Industrial Band RetCon Brings Resistance & Romance To New EP

03rd of November 2022, 11:18

Techno-Industrial band RetCon has just unveiled the release of their new EP, titled EP.01.

EP.01's overarching themes are reflection, conflict, resistance and redemption, with a dash of twisted romance. It possesses a loose set of narratives that imply a gestalt of resistance to that which would destroy you, with the implication that despite it all, you are worth the effort.

From the disposable capitalist consumerism, implied in such a cookie cutter title, to the apocalyptic themes and the implausible romance.

A track like "First Light" adds references to the struggle against imperialism and genocide in Ukraine over lyrics that were originally more applicable to the coming troubles here in the US, because they are coming.

Compressing all of human existence into a lens one impossible year across also pokes loving fun at the nostalgic nature of such obviously retro aesthetics. A cyberpunk junkyard Gomi-wizard patching together the discarded pieces of a decadent age into something that could actually save the protagonists, if only they could cooperate.

EP.01 is available now on all digital platforms, including Bandcamp.

www.facebook.com/RetConInfo


NEWS Dark Entity | In The Flat Field At 42

Dark Entity | In The Flat Field At 42

03rd of November 2022, 00:00

The elder-statement of Goth, Bauhaus released 'In The Flat Field' 42 years ago on 3 November 1980. The echo of this masterpiece still vibrates through modern music. The album was recorded between December 1979 and July 1980 and record label 4AD's first full length release.

This was the punk death-bell soaked in screeches of feedback and vocals scattered in doom and angst, the zero-hour for goth as a genre. The collision of art-experimental and the glam of the 1970s sunk with the darkness of the mind created the big bang, Bauhaus wove it all together to create theatrics in the sound, atmospheric and tense. They were the real McCoy in a world of pretenders.

'In The Flat Field' arrived almost fully formed, for a debut it was a well-realized piece of work. 'Double Dare' acts as the perfect entrance to their world or into ours. Feedback screeches and descending, menacing guitar-riffs herald their arrival, Pete Murphys vocals are astonishing coming directly from the abyss itself.

The title-track takes things to another level, more Bowiesque and rock-orientated, still it is drenched in a weird-collage of feedback squeals, whereas 'A God In An Alcove' is a surrealist terrifying journey, slower paced for that maximum impact.

The interspersed electronic sounds of 'The Spy In The Cab' create a minimalist background for Murphy to paint his pictures of despair, the noise-generated guitar of Daniel Ash is eerie at best, using the instrument as a machine and not in the conventional sense.

David J gives a hypnotic bass-riff, funky at times to the proceedings, a perfect base for Ash to perform his guitar-acrobatics of doom, thirty-eight years later 'In The Flat Field' still stands as a masterwork of terrifying art.

"A gut pull drag on me
Into the chasm gaping we
Mirrors multy reflecting this
Between spunk stained sheet
And odorous whim".


Tracklist:

1. "Double Dare"
2. "In the Flat Field"
3. "A God in an Alcove"
4. "Dive"
5. "The Spy in the Cab"

1. "Small Talk Stinks"
2. "St. Vitus Dance"
3. "Stigmata Martyr"
4. "Nerves"

[KB]


NEWS This month it’s 36 years since Electro / EBM heads Nitzer Ebb released Murderous!

This month it’s 36 years since Electro / EBM heads Nitzer Ebb released Murderous!

02nd of November 2022, 00:00

This month it’s 36 years since the English Electro / EBM heads from Nitzer Ebb unveiled maybe one of their most famous and biggest dance-floor classics, Murderous (Mute Records, November 1986) ! A bomb of a song that turned out to be the advance single from what would become maybe THE NEB album of all time, That Total Age! An album we still had to wait for until May 1987 and which still can be found on various top-lists of the best industrial albums ever.

The B-side of this 7 "single had the up-tempo track Fitness To Purpose while the 12 " version had also the 'Repetition' version' of Muderous pressed on it.

Where is the youth?

Enjoy!

Murderous (Lyrics)
Where is the youth
Youth
Youth
Youth
Youth
Youth
Youth
It's time to know
It's time to live
It's time to know
It's time to live
Shout golden shouts
Shout golden shouts
Lift up your hearts
Shout golden shouts!


********************************************************NEDERLANDS*********************************************************

Deze maand is het ook alweer 31 jaar geleden dat het Engelse Electro/EBM heads van Nitzer Ebb met één van hun bekendste en grootste dansvloer-klassiekers uitpakten, Murderous (NEB 4). Het nummer werd eerst gereleased als 7" single op hun eigen Power Of Voice Communications maar al snel opgepikt en gereleased door Mute Records op zowel 7" als 12" Maxi-single in November 1986. Een bom van een nummer zo bleek, en als het ware de voorbode van misschien wel HET Nitzer Ebb album aller tijden, That Total Age! Een album dat pas in mei 1987 op ons losgelaten zou worden en inmiddels nog aktijd terug te vinden is op verschillende top-lijstjes van de beste industrial albums aller tijden. Op de b-side van de 7" single prijkte het uptempo Fitness To Purpose en op de achterzijde van de 12" kon men daarnaast ook de 'Repetition' versie van Muderous vinden.

Waar is de jeugd?

Enjoy!


NEWS Rise Of The Robots | Autobahn Reaches 48 Years this month!

Rise Of The Robots | Autobahn Reaches 48 Years this month!

01st of November 2022, 00:00

“Autobahn” was released to an unsuspecting public in November 1974, it is day zero of electro, minimalist, ambient and synth-pop, the very moment which inspired the synthesizer-experimentations of the late-1970s and the new-wave sound which dominated the 1980s.

Not the first ambient-electronic style release, not even by Kraftwerk but it was the first successful one. The album even contained a surprise hit, an edited down version of the title track broke the top-twenty in the U.S and U.K in May 1975, this release marked the arrival of the most influential musical-force since The Beatles.

An album based on the concrete infrastructure of Germany, the Autobahn, Kraftwerk take us on a journey, from entering the automobile to speeding through the landscape to tuning the radio and all the time the monotonous electronic-beats mirror the repetition of the journey.
With treatments of vocoder-sounds and organic voices the only natural comparison to vocals appears here as the remainder of tracks are entirely instrumental, however, do not be mistaken for thinking this is a completely electronic affair as instruments such as flutes, violins and guitar appear throughout mainly contributed by Klaus Röder, where as Ralf Hütter and Florian Schneider structured the electronic development of the album.

This album is anything but aged, there is no deterioration in quality or style unlike some of the bands which gained inspiration from “Autobahn” and Kraftwerk as a unit.

From Bowie to Blondie, through to New Order and Siouxsie And The Banshees they all took direction from this point and into the future released by Kraftwerk.


Ralf Hütter – vocals, electronics
Florian Schneider – vocals, electronics
Klaus Röder – violin, guitar
Wolfgang Flür – percussion


Original 1974 Track Listing;

1.Autobahn
2.Kometenmelodie 1 ('Comet Melody 1')
3.Kometenmelodie 2('Comet Melody 2') 4.Mitternacht ('Midnight')

5.Morgenspaziergang ('Morning Walk')

159 160 161 162 163 164 165 166 167 168 169 170 171 172 173

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IN DEATH IT ENDS
the most holy death
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