Full of energy, armed with a memorable voice, an adept hand for catchy tunes, minimalist beats and powerful electronics and showing anyone who dares to stand in her way the finger, ex-Ashbury-Heights vocalist Yaz sets out to conquer the world.
With her partners in crime Elle and Johan, she brews up a cocktail of girl power, Pop, Disco, New Wave, Punk and Electroclash that storms head-first through walls while also allowing for some more fragile sides. "Chimaera At Heat" is wild, addictive and irresistible – a perfect balance of Indie and Pop that doesn’t give anything on the conventional. Or to quote Yaz’ own words: "I Just Wanna Be Me!"
Erik Frankel and Johan Hellqvist, better known as Auto-Auto have unleashed their creative machinery again. Their third album, „Dancing Through Dark Times", combines catchy Synth Pop with Club-Sounds, Electroclash, Disco, New Wave and Indie in a most entertaining way.
The Swedes go about their poaching trip through the electronic jungle in a highly groovy way, with their tongues planted firmly in their cheeks and are not afraid of borrowing from unconventional sources (Breakdance-influences and more...)
The result is as they say themselves "Fresh, wild, sometimes strange but always catchy as hell and, to be frank with you: it is quite plainly the hottest shit on this side of the galaxy. We will just leave the boring parts to the others!"
Two years after 'grotesque consumer', r. klimaczewski a.k.a. exocet starts his artistic vision exactly where he left off with 'consequence'. a high quality detailed mesh of harsh sonic strikes, intricate rhythmic patterns, massive synth layers and cinematic samples which reflect his own perspective on idm, ambient and industrial music.
Exocet's work defines itself by emphasising the juxtaposition between huge atmospherics and a blasting force of noise and beats.
As displayed throughout the album where assertive and imaginative ambient pads float along-side hammering rhythmic patterns, inducing an almost trance-like effect. tribal elements sometimes beat their way through the mix and add yet another perspective on the already heady mix of different sonic characteristics, and perfectly positioned samples just manage to emphasise the film score feel and quality of the tracks.
Both a strongly abrasive and microscopically detailed world of sound, 'consequence' brings out a unique blend of influences that takes its own path, changing direction at will, capturing the listeners interest with an iron grip...
Releasedate : 21st October 2011
What started as two friends popping into each other’s houses and then home studios, putting down an idea here and a melody there developed into a set of songs with a Christmas theme, then a theoretical album, then, following help from their friends on additional instruments and as backing voices, a real album with a release date and a title.
Tom Smith of Editors and Andy Burrows once of Razorlight and now I Am Arrows have been friends for years, classic drinking buddies whose pub visits frequently ended with them at either’s house talking about and listening to favourite songs or setting the music world to rights. Both share a love of the classic Christmas songs and a fascination with the idea of Christmas records of the past, good and bad. Feeling that the innocence of the Christmas song had been lost in commercial plans and TV-sponsored drivel, the plan to make a traditional Christmas record - the kind of album that goes on after Christmas lunch for a singalong and a slump on the sofa as the wintry weather peeks through the windows - took on a life of its own.
‘Funny Looking Angels’ is above all a record born out of friendship. A mix of original tracks and covers chosen because they remind the protagonists of Christmas in direct or oblique ways, the album features vocals from both Tom and Andy and an eclectic choice of cover versions from Yazoo’s ‘Only You’ and Black’s ‘Wonderful Life’ (which they performed together some years previously) to The Longpigs ‘On and On’ and cult Birmingham band Delta’s ‘Funny Looking Angels’, which also gave them their album title and is an affectionate nod from Tom to his formative musical years in the city. The album also features a guest vocal from rising star Agnes Obel, already a major name in mainland Europe, in duet with Tom on the closing track, a sumptuous version of ‘The Christmas Song’.
The album is unashamed in its use of classic Christmas style backing vocals and strings, jingle bells and lyrical references to winter and Christmas. It is a record to enjoy in the purest sense, to listen to with friends over the holidays, to put on when everyone comes back from the pub, a soundtrack to the winter break. It is neither a naked grab for a hit nor a tongue in cheek joke. It is two friends and two very capable musicians trying to restore a sense of the community and joy of the season.
Making it's long overdue debut on CD is the second album by Spear Of Destiny which hit No.22 in the UK National Charts when first released in 1984.
Containing the British hit singles 'Liberator' and 'Prisoner Of Love'. It nowow comes with seven bonus tracks with the whole package b re=mastered by Tim Turan. The booklet contains original LP artwork, liner notes by "No More Heroes" author Alex Ogg, lyrics to all the songs plus pictures of all the relevant singles sleeves. Still very much active on the live scene to this very day, vocalist Kirk Brandon also fronts Theatre Of Hate and the Dead Men Walking collective.
Tracklist:
Rainmaker / Young Men / Everything You Ever Wanted / Don't Turn Away / Liberator / Prisoner Of Love / Playground Of The Rich / Forbidden Planet/ Attica / These Days Are Gone / Rosie / Grapes Of Wrath (1984 Version)/ Rainmaker (Live) / Don't Turn Away (Live) / Liberator (Dub) / Forbidden Planet (12" Mix) / Liberator (12" Mix)
