"Wolves" is a dark and beautiful song by Mari and The Ghost, a new synthpop band from USA/Belgium.
Wolves (lyrics by mari Kattman, music by Jean-Marc Lederman)
There was a time when i used to be so lonely
So hollowed out so empty you could hear the sounds reverberate inside of me
But the weight of which grounded my feet
And my thoughts are loud recreated in a screaming mute sound
I know you’ve found out theres no need for you anymore
Lost and tired
Strength is silence silence
A great confusion clouds you till’ you yearn for something more
Lost and tired strength is silence silence
What does it take for these wolves to come and find me
The stars they call like sirens to arrange my body
In the heavens above me
Throughout a storied career as a musician, producer and engineer, Daniel Lanois helped push the ambient genre forward into celestial new territory as Brian Eno’s foremost protégé; he has recorded landmark albums for U2 and Peter Gabriel and helped to revitalize the sonic dimensions of Bob Dylan and Neil Young. But Flesh And Machine (out October 27) marks the first time Lanois has truly deployed every sonic weapon in his arsenal in hopes that it may reach the position of headphone album of the year. Hear the first track off the new album entitled “Opera” care of The Wall Street Journal HERE.
Flesh And Machine was initially conceived as an ambient album, and tracks such as ‘Forest City’ take the classic Brian Eno albums that he worked on Ambient 4: On Land (1982) and Apollo: Atmospheres And Soundtracks (1983) as a wonderful bedrock to stand on to see the sonic future. The album bristles with new ideas. He spent countless hours processing an array of source sounds – steel and electric guitar, piano and human voice to create the sound palette that is Flesh and Machine.
Daniel Lanois is still raising that spirit of music and still opening up doors to the unknown.
Flesh and Machine Track Listing:
1. Rocco
2. The End
3. Sioux Lookout
4. Tamboura Jah
5. Two Bushas
6. Space Love
7. Iceland
8. My First Love
9. Opera
10. Aquatic
11. Forest City
In anticipation of this forthcoming release Lanois is proud to team-up with Robert Milazzo of The Modern School of Film to present a breakthrough union of moving-media, sonic design and social architecture. Lanois and The Modern School of Film have enlisted a select number of established international filmmakers to create visual works inspired by the new sonic frontier surveyed in Flesh and Machine.
Filmmakers Atom Egoyan The Sweet Hereafter, Mary Harron American Psycho, Kevin Drew of Broken Social Scene, Jim McKay Breaking Bad and Ondi Timoner Dig! have all contributed short-form works to this series with along with more filmmakers to be announced soon.
The next level of this project is to find a select number of "undiscovered" filmmakers/artists to contribute and submit films for this one of a kind multi-dimensional hybrid of sound-as-media. Lanois and the Modern School of Film will curate this project and select three of the best films from these submissions to be used alongside the aforementioned directors for the promotion of the album, international screenings and within the live performance setting on the 2014/2015 tour cycle in support of this album. Please visit www.fleshandmachine.com to learn more about the submission process and you can also follow the progress of this project at www.fleshandmachinedaniellanois.tumblr.com.
The definitive Primus line-up – Les Claypool, guitarist Larry LaLonde, and drummer Tim Alexander - is back together and set to release their first full-length studio album in nearly 20 years, 'Primus & the Chocolate Factory,’ due out on ATO Records on 3rd November. "The idea was to combine the Frog Brigade and Primus, and do this record,’ says Claypool. “I think like a good portion of the planet, we were all pretty put off by the remake of the 'Willy Wonka' movie - the Tim Burton version. I really wanted to pay homage to a film [1971's 'Willy Wonka & the Chocolate Factory,' starring Gene Wilder] that was very important to me as a kid and very influential to me musically. So that's what we did. And as opposed to just going in and recording the songs and playing them the way they are in the film, we twisted them up a bit…twisted them up a lot." Re-imagined classic track “Pure Imagination” recently premiered on Rolling Stone.
Things felt so good, in fact, that Claypool decided to take Primus into the studio to prepare the soundtrack for an album release. He admits that he’s always, “in some way, wanted to be Willy Wonka,” and, also, that he’s always wanted to work a cover of “The Candyman”, a memorable number from the film’s soundtrack, into Primus sets. “Hell, I’ve been doing the line from the boat ride on stage since the ‘80’s,” then Les sings, ”There’s no earthly way of knowing, which direction we are going…”
“The thought was that I wanted to take on some kind of sacred cow, and the whole Wonka thing was a massive part of my childhood,” Claypool explains. “It just seemed like the perfect project to take on, in part because those tunes are all so strong.”
“The recording is about my early perception of the original ‘Willy Wonka and the Chocolate Factory’ film,” says Claypool. “The notion wasn’t so much to go in and redo the soundtrack note for note as much as it was to utilise the classic elements of the music, yet try to reflect some of the darker undertones of the Roald Dahl books, because when you read those books, there is an eerie and somewhat menacing aspect implied.”
With the album scheduled for 3rd November, Primus plans to tour the Chocolate Factory. “We’re going to do some touring with it and we put together this pretty abstract stage production,” says Claypool, “We’re going to take it out there, around the planet, and see what happens. And, in light of the record business being gutted by the internet, we’ve made some PRIMUS brand chocolate bars to peddle as well.”
Of course, Claypool realised that it was risky business to adapt a cinematic classic that is so close to so many people’s hearts. And, naturally, he realised that it was dangerous waters to swim in the wake of Gene Wilder. The band pulls it off by making something that is truly their own without taking anything away from the movie. When asked about the fairly recent Tim Burton attempt at bringing the Roald Dahl story to the screen Claypool comments, “Look, I love me some Tim Burton, when he writes his own stuff, and I respect what Johnny Depp has done over the years. Hell, Ed Wood is one of my favourite films, but that (Charlie and the Chocolate Factory) is just unwatchable and believe me I’ve tried…twice as a matter of fact,” Les continues, “Even my kids hated it”.
“Our project is an homage to Gene Wilder and David L. Wolper’s ‘Willy Wonka and the Chocolate Factory’ and the effect it had on me in my youth,” spouts Les, “Now we get to sell PRIMUS bars and hang out with demented Oompa Loompas. Plus to top it off, it gives me an excuse to wear a purple, velvet waistcoat and brown top hat for the next 18 months.”
Primus, Over the Electric Grapevine: Insight into Primus and the World of Les Claypool published by Akashic Books will be available on 16th Sept 2014.
Naming their duo in ode to Daniel Johnston’s song of the same named, Mahoney divulges, “I had always loved the song, and had been thinking of what such an edifice would contain when we were trying to name the project.” McNany continues, “Pat’s a sculptor, I’m a painter, we make music and museums are sacred spaces and love is an elusive thing.”
McNany did most of the songwriting as well as production and instrumentation, while Mahoney is on vocals and of course, drums, but Museum of Love was an entirely collaborative process as the two edited and arranged tracks in the studio. Mahoney says the process of collaboration was energizing, while McNany simply explains, “making the record was pure pleasure. Waiting for it to come out has been the hardest thing.”
Richard Kiel, who most famously played Jaws in two James Bond films starring Roger Moore, “The Spy Who Loved Me” and “Moonraker,” and also appeared in Adam Sandler comedy “Happy Gilmore,” died Wednesday afternoon in a hospital in Fresno, Calif., three days shy of his 75th birthday.
TMZ first reported the news.
The actor had broken his leg earlier in the week, but it is not clear whether that contributed to his death.
Kiel had lent his voice to a James Bond videogame in 2003 but more recently had voiced Vlad for the animated film “Tangled” in 2010.
Kiel’s villainous Jaws was so popular with movie audiences who saw “The Spy Who Loved Me” that the character was made sympathetic in follow-up “Moonraker.”
Before his appearances in the Bond film in the mid to late ’70s, Kiel was perhaps best known for his roles in Burt Reynolds prison football film “The Longest Yard” and for appearing in several episodes of “The Wild Wild West” as an assistant to super-villain Miguelito Loveless (the diminutive Michael Dunn).
Younger audiences knew him best from “Happy Gilmore,” in which he played a golf spectator who threatens the villainous Shooter McGavin.
Source: Variety
