Movement is the debut album by New Order, released on 13 November 1981 by Factory Records. The album was produced by Martin Hannett who also produced the previous Joy Division albums and releases. At the time of its release, the album was not particularly well-received by critics or audiences, only peaking at number 30 on the UK Albums Chart. However, retrospective critical reception has been very positive.

After the suicide of Joy Division's singer Ian Curtis in May 1980, and the subsequent shock for those surrounding him, remaining members Bernard Sumner, Peter Hook and Stephen Morris elected to carry on, albeit under a new name – New Order. With the exception of two songs, "Ceremony" (first played live at Joy Division's very last gig, a bit more than two weeks before Curtis's death) and "In a Lonely Place" (unreleased, but demoed in the studio), all the material played would be new.

A couple of songs on Movement stem from the initial songwriting session the band undertook in the summer of 1980.

Bernard Sumner took the main vocalist role with Peter Hook as back-up though the latter sang lead on "Dreams Never End" and "Doubts Even Here”.

Musically the album situated in between Joy Division's post-punk sound and the synth-pop style that would happen to define New Order and influence pop music for decades".[10]

In 2008 and 2015 the album was remastered and released in different formats (Digital/CD/12”).

References to Ian Curtis appear on the songs "ICB" (rumored to be an acronym for 'Ian Curtis Buried', but confirmed by Peter Hook in a 2013 interview) and "The Him".

The album cover was designed by Peter Saville and is based on a poster by the Italian Futurist Fortunato Depero.

The shape created by the top three lines is an 'F' (lying on its back), which refers to Factory Records/Factory Communications Limited and the bottom two lines create an 'L' (lying on its front), the Roman numeral 50, the original catalogue was FACT 50.

Movement - Tracklist

DISCOGS

The Scream is the debut album by Siouxsie and the Banshees. It was an almost instant commercial success, peaking at No. 12 on the UK Albums Chart and was recorded in only one week and mixed in three during August 1978. The album was released on 13 November 1978 by Polydor. Before the album's release, the band had developed a strong reputation as a live act, and had achieved a Top 10 UK single with "Hong Kong Garden”, a track which did not appear on the original album, but was added not much later to most others issues of Scream.

Upon release, The Scream was widely acclaimed by critics. It was also a commercial success, peaking at No. 12 in the UK Albums Chart. The album is regarded as a landmark of post-punk.

Late 1977 and early 1978, Siouxsie and the Banshees received major press coverage but failed to secure a recording deal. A fan undertook a graffiti campaign in London, spraying the walls of the major record companies with the words "Sign the Banshees: do it now".[2] Polydor finally signed them in June.

J. G. Ballard and William Burroughs provided the reference points for the lyrics of The Scream.

Since its release, The Scream has received a number of accolades from the music press. NME rated it at No. 57 in their "Writers All Time 100 Albums" list in 1985. Uncut magazine placed it at No. 43 in their list of the 100 greatest debut albums. It was featured in the book 1001 Albums You Must Hear Before You Die.

The Scream placed the group among the pioneers of post-punk, as Robert Smith of the Cure said:

"When The Scream came out, I remember it was much slower than everybody thought. It was like the forerunner of the Joy Division sound. It was just big-sounding."

Joy Division's Peter Hook, who saw the band in concert in Manchester in 1977, said about The Scream: "Siouxsie And The Banshees were one of our big influences, The Banshees first LP was one of my favourite ever records, the way the guitarist and the drummer played was a really unusual way of playing."

The Scream had a strong impact on other musicians. Massive Attack covered and sampled "Metal Postcard (Mittageisen)" on their song "Superpredators (Metal Postcard)" in 1997.

Scream (1978 LP) - Tracklist

DISCOGS

After a string of singles and EPs, darkwave-industrial act, VEXILLARY has unveiled their first full-length album, Full Frontal Lunacy.

A long winter, the Covid-19 pandemic and an endless lockdown provided the perfect backdrop for a sonic self-portrait documenting one’s brush with madness.

After the conceptual, SurViolence EP, VEXILLARY wanted to create a personal record as a form of therapy to examine the darkest parts of his own psyche. The resulting eight tracks that shape the record document the demise of a protagonist from flirting with madness and burnout, all the way to the point of total nervous breakdown and mania.

The record ends on a beautiful note with "Exit the Void". Does the track suggest a new beginning, or is it a celebration of a cruel end? Either way, there is way more than meets the mind in the twisted world of Full Frontal Lunacy.

Full Frontal Lunacy is available on limited edition cassette and digital formats.

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Industrial band FLEISHKRIEG has just unleashed their highly-anticipated new full-length album, Herzblut.

"Herzblut" translates to “Heart’s Blood” in German – a metaphor used to describe the total effort and sacrifice a person makes towards their life’s work. The album’s songs reflect different stages of this hero’s journey and the scars borne in the process.

The songs often deal with the paranormal, aliens, and dystopian matrix/simulation theories. A night of alien abduction nightmares inspired Vocalist Richard Cranor to write the song, “Bloody Prophets”.

The album also deals with much more introspective topics. “Parasite”, for example, documents the ordeal of never being able to free yourself from your worst self-destructive tendencies.

For fans of: goth, industrial, ebm, electro

Herzblut debuts the sound of “Brutalwave”, a sub genre of industrial that blends the synth-pop of new wave with more aggressive metal elements. Songs such as “Fools Folly” and the cover of Frankie Goes to Hollywood’s “Relax” showcase this NEW sound in great detail.

Herzblut is steeled in melodic synth, metal guitars, and apocalyptic vocals – packing a heavy enough punch both lyrically and sonically to keep any fan of industrial rock music listening from beginning to end.

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