On this day, 42 years ago, Kraftwerk released their iconic album The Man-Machine or Die Mensch-Maschine as the original german pressing was called. The Man-Machine is Kraftwerk’s seventh studio album and was released on 19 May 1978 by their own label Kling Klang. A further refinement of their mechanical style, the album saw the group incorporate more danceable rhythms and less minimalistic arrangements. It includes some of Kraftwerk’s best known singles ‘The Model’ and ‘The Robots’.

In Germany the album peaked at the 12th position in the Offizielle Album Top 100 and reached the 26st position in the German Offizielle Top 100 year-end album charts. The first German pressing was on red vinyl.

In the UK the albums took a slow start, peaking at the 9th position of the UK Albums Chart only 8 months later in February 1982, making The Man-Machine Kraftwerk’s band's second highest-peaking album in the United Kingdom since Autobahn (1974).

The Man-Machine was certified gold by the British Phonographic Industry (BPI) on 15 February 1982, denoting shipments in excess of 100,000 copies.

The Man-Machine is the first Kraftwerk album to have Karl Bartos co-credited as a composer along with Ralf Hütter and Florian Schneider. Emil Schult co-wrote the lyrics for 'The Model'. AllMusic described the album as 'closer to the sound and style that would define early new wave electro-pop', and noted its 'feel of a divided concept album', with some songs (such as the title track and 'The Robots') exploring the science fiction-esque links between humans and technology', and others (such as 'Neon Lights' and 'Metropolis') celebrating “the glamour of urbanization.

The artwork for the cover was produced by Karl Klefisch, based on the work of the Russian suprematist El Lissitzky. The back cover image is an adaptation of a graphic from Lissitzky's book for children About Two Squares: A Suprematist Tale of Two Squares in Six Constructions.[9][10]

Reviewing the album in 1978, NME stated: 'The Man-Machine stands as one of the pinnacles of 70's rock music', adding that 'the sparsity of the lyrics leaves the emphasis squarely on those robot rhythms, chilling tones and exquisite melodies.'

AllMusic wrote that the album is 'less minimalistic in its arrangements and more complex and danceable in its underlying rhythms' than the group's previous works, and noted its 'tremendous impact' on subsequent synth-pop artists.

In October 2009, a remastered edition of the album was released on CD and digitally by Mute Records (EU) and by Astralwerks (US) United States, followed shortly after by heavyweight vinyl editions.

DISCOGS

Jean-Marc Lederman presents new single featuring Claus Larsen from Leaether Strip.
"Letter From Claus Larsen" is taken from the upcoming Jean-Marc Lederman Experience album "Letters To Gods (and fallen angels)".
Jean-Marc in his own words:
"This was actually the last song I did for the album and Claus, the hardest working man in the industrial music scene, was really REALLY fast.
It took him only a few hours to pen the lyrics and come back to me with stems.

(...)
Touched by your faith
Learning forgiveness soothes me
We are followed
Let me discard my chains now
Calling your name
Gazing into the dark sky
(...)

Bass synth is an old 80's Korg, mixed with many analog drum sounds, it all fits well, me think..."
Jean-Marc Lederman Experience "Letters To Gods (and fallen angels)" is due May 29th and will be released by Wool-E Discs. It comes as a 2CD in a 36 pages hardcover artbook containing 24 tracks, with 21 different guest singers/performers, and 3 novels. Limited to 300 copies.
The album can be pre-ordered here
"Letter From Claus Larsen" is now available on all major download and streamingservices

On this day, 30 years ago, British post-punk band Wire released their 7th studio album Manscape (15.05.1990). It was produced by David M.Allen (who, amongst others, produced various albums of The Cure and The Sisters Of Mercy's First Last And Always) and introduced even more the use of electronic instruments than on Wire's previous albums. Almost all bass and drums were sequenced and even-though Wire drummer Robert Gotobed co-composed all tracks on this album he didn’t join them on stage during the 1990 promotional tour.

Upon release the album was received with mixed feelings by music critics mainly because Wire pretty much abandonned the whole rock-band setup switching primarily to synthesizers but, according to some critics, lacked to put them to great use.
The original vinyl release has a significantly different running order and omits "Life in the Manscape", "Stampede" and "Children of Groceries".

Manscape UK Vinyl Version (STUMM 80)

1. "Patterns Of Behaviour"
2. "Goodbye Ploy"
3. "Morning Bell"
4. "Small Black Reptile"
5. "Torch It!"
6. "Other Moments"
7. "Sixth Sense"
8. "What Do You See? (Welcome)"
9. "Where's The Deputation?"
10. "You Hung Your Lights In The Trees / A Craftsman's Touch"

Manscape CD version (CDSTUMM 80)

1. "Life in the Manscape" – 3:28
2. "Stampede" – 4:35
3. "Patterns of Behaviour" – 4:33
4. "Other Moments" – 3:50
5. "Small Black Reptile" – 3:14
6. "Torch It!" – 7:31
7. "Morning Bell" – 4:22
8. "Where's the Deputation?" – 3:51
9. "What Do You See?" (Elvander, Gilbert, Gotobed, Lewis, Newman) – 6:47
10. "Goodbye Ploy" – 3:50
11. "Sixth Sense" – 4:19
12. "Children of Groceries" – 3:03
13. "You Hung Your Lights in the Trees/A Craftsman's Touch" – 10:03

All tracks written by Bruce Gilbert, Robert Gotobed, Graham Lewis and Colin Newman, except as indicated.

DISCOGS

Today it’s been 33 years since Electronic Body Music ensemble NITZER EBB released their equal legendary debut album That Total Age (11 May 1987) on Mute Records. It was produced by Phil Harding. That Total Age was preceded by the singles Murderous (November 1986) and Let Your Body Learn (April 1987) while the third and final single to be taken from this album, Join in the Chant, followed in August the same year. The latter single would probably become one of the band's most known musical anthems and reached position 9 on the US Dance Charts of 1987.

That Total Age is considered to be one of the most important and influential Industrial / Electro / Electronic Body Music albums until this day.

The symbols on the cover of the album stand for "Force is Machine", "Visions of Order", and "Muscle and Hate".

That Total Age was released in many various versions like single 12” LP, double 12”, cassette album and CD.

That Total Age (LP) Mute Stumm 45 (UK)

1. "Fitness to Purpose" 5:00
2. "Warsaw Ghetto" 3:47
3. "Violent Playground" 3:46
4. "Murderous" 5:40
5. "Smear Body" 5:40
6. "Join in the Chant" 6:05
7. "Alarm" 3:41
8. "Let Your Body Learn" 2:48
9. "Let Beauty Loose" 2:24
10. "Into the Large Air" 4:13

That Total Age (CD) Mute Stumm 45

1. "Fitness to Purpose" 5:03
2. "Violent Playground" 3:49
3. "Murderous" 5:43
4. "Smear Body" 5:49
5. "Join in the Chant" 6:05
6. "Alarm" 3:41
7. "Let Your Body Learn" 2:48
8. "Let Beauty Loose" 2:24
9. "Into the Large Air" 4:13
10. "Join in the Chant" (Metal Mix) 5:16
11. "Fitness to Purpose" (Mix Two) 4:56
12. "Murderous" (Instrumental) 5:04

DISCOGS

This month it’s been 42 years since Kraftwerk released Die Roboter (The Robots), the first single which was taken from their iconic album Die Mensch-Machine (The Man-Machine) album (May 1978).

The original 7” single releases contained Die Roboter (The Robots) on at the A-side and Spacelab on the B-side. Both were shorter (radio) edits as they would appear on the album. The single was released with German sung version of Die Roboter, as well as an English sung version on the A-side. Both featured the English sung Spacelab on the B-side.

The lyrics reference to the at that time revolutionary technique of programming robots and how they can act as slaves for the human race.

The Russian words "Я твой слуга" (Ya tvoy slugá, " mean “I am your servant") and "Я твой работник" (Ya tvoy rabótnik, "I am your worker”).

When the song is performed live, the band is nowhere to be seen onstage but is replaced by legless robotic copies bearing recabling faces of all members.

In 1991, a re-recorded and re-arranged version of the song was issued as a single from the band's album The Mix.

Die Roboter - 7”
A. Die Roboter 4:20
B. Spacelab 3:34

Die Roboter - Lyrics

Ja tvoi sluga
Ja tvoi rabotnik
Jetzt sind wir voller Energie
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir funktionieren automatik
Jetzt wollen wir tanzen mechanik
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Ja tvoi sluga
Ja tvoi rabotnik
Ja tvoi sluga
Ja tvoi rabotnik
Wir sind auf alles programmiert
Und was du willst wird ausgeführt
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir laden unsere Batterie
Jetzt sind wir voller Energie
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter

Ja tvoi sluga
Ja tvoi rabotnik
Ja tvoi sluga
Ja tvoi rabotnik

Wir sind auf alles programmiert
Und was du willst wird ausgeführt
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir funktionieren automatik
Jetzt wollen wir tanzen mechanik
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter
Wir sind die Roboter

Songwriters: Ralf Hütter / Florian Schneider-Esleben / Karl Bartos
© Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc

Chart peak postions (1978)
18 German Singles Chart
39 US Billboard Hot Dance Club Play

DISCOGS