After three months of brainstorming, shooting and editing, a few teasers and a crowd-sourcing campaign which brought a lot of very welcome support, we are proud to present "Jitter Room", a short movie created by Lisa Chabbert and the Ciné2000 team, based on the track of the same name by Ruby My Dear, taken from his 2013 "Form" album (adn171).
Do not expect your usual, short, colorful and futuristic breakcore video this time around. The creators of this video took a resolutely different approach for "Jitter Room": shooting in the countryside, on fields and in forests, with a cast made entirely of children, and the whole thing shown in black & white, this eleven-minute long movie is a short film in itself, and not just a video. Showcasing the many emotions and sides of the original track, it follows a precise narrative and tells its story of excitement, violence, despair and humanity.
Interpol will release their brand new, fifth studio album ‘El Pintor’ on September 8, through [PIAS] Co-Op. ‘El Pintor’ is the band’s first album in four years, and sees them completely reinvigorated after a three year break from touring, offering ten incredible new tracks - taut and epic in equal measure.
Recorded at Electric Lady Studios and Atomic Sound in New York City, all songs on ‘El Pintor’ were written and produced by Interpol, with Daniel Kessler playing guitar, Samuel Fogarino on drums, and Paul Banks on vocals, guitars, and taking over bass duties for the first time. The album also features Brandon Curtis (The Secret Machines) playing keyboards on nine songs, Roger Joseph Manning, Jr. (Beck) playing keyboards on “Tidal Wave”, and Rob Moose (Bon Iver) playing violin and viola on "Twice as Hard”. ‘El Pintor’ was mixed by Alan Moulder, and mastered by Greg Calbi.
Described by NME editor Mike Williams as, “one of the most important bands to come out of New York ever”, Interpol recently premiered songs from ‘El Pintor’ for the first time as they headlined the NME Awards tour earlier this year.
The band will return to the UK this June to play The Other Stage at Glastonbury on June 27 and will also be playing a sold out fan show at London’s Electric Ballroom on June 25. On Sunday 6th July they are playing on ROCK WERCHTER.
International highlights include shows at Splendour In The Grass (Aus), Optimus Alive (Portugal), Lollapalooza, FYF and Governor's Ball (USA), Hurricane/Southside (Germany), and a headline set at the second ever ATP Iceland
‘El Pintor’ track listing:
1. All the Rage Back Home
2. My Desire
3. Anywhere
4. Same Town, New Story
5. My Blue Supreme
6. Everything is Wrong
7. Breaker 1
8. Ancient Ways
9. Tidal Wave
10. Twice as Hard
Hurray for the Riff Raff's new album 'Small Town Heroes' is out now via ATO Records. Produced by front-woman Alynda Lee Segarra and engineered by Andrija Tokic (Alabama Shakes), 'Small Town Heroes' features 12 new, original songs all written or co-written by Segarra with support from a vivid cast of Crescent City musicians, including her longtime right-hand-man on fiddle, Yosi Perlstein, keyboard player Casey McAllister and two members of the Deslondes: Sam Doores on guitar and Dan Cutler on bass.
Segarra, a 26-year-old of Puerto Rican descent whose slight frame belies her commanding voice, grew up in the Bronx, where she developed an early appreciation for doo-wop and Motown from the neighborhood's longtime residents. It was downtown, though, that she first felt like she found her people, traveling to the Lower East side every Saturday for punk matinees at ABC No Rio. "Those riot grrrl shows were a place where young girls could just hang out and not have to worry about feeling weird, like they didn’t belong," Segarra says of the inclusive atmosphere fostered by the musicians and outsider artists who populated the space.
The Lower East Side also introduced her to travelers, and their stories of life on the road inspired her to strike out on her own at 17, first hitching her way to the west coast, then roaming the south before ultimately settling in New Orleans. There, she fell in with a band of fellow travelers, playing washboard and singing before eventually learning to play a banjo she'd been given in North Carolina. "It wasn't until I got to New Orleans that I realised playing music was even possible for me," she explains.
"The community I found in New Orleans was open and passionate. The young artists were really inspiring to me," she says. "Apathy wasn’t a part of that scene. And then the year after I first visited, Katrina happened, and I went back and saw the pain and hardship that all of the people who lived there had gone through. It made we want to straighten out my life and not wander so much. The city gave had given me an amazing gift with music, and it made me want to settle there and be a part of it and help however I could."
Many of the songs on 'Small Town Heroes' reflect that decision and her special reverence for the city. She bears witness to a wave of violence that struck the St. Roch neighborhood in the soulful "St. Roch Blues;" yearns for a night at BJ's Bar in the Bywater in "Crash on the Highway;" and sings of her home in the Lower Ninth Ward on "End of the Line." "That neighborhood and particularly the house I lived in there became the nucleus of a singer songwriter scene in New Orleans," she explains. "'End Of The Line' is my love song to that whole area and crew of people."
Lucky Number is thrilled to present the debut AA single, 'Bamboo / Trippy Gum', from Deers.
One fairly average Madrid afternoon in March, pals Ana Garcia Perrote and Carlotta Cosials disappeared into their rehearsal studio and stepped out clutching two of the most perfectly ramshackle pop songs you will ever hear.‘Bamboo' flies like an arrow to the heart: pure '60's pop sounds, cantering rhythm and guitars twanging with tremelo, feeling effortless as the pair interpolate each other's lyrics instinctively. “I need you to feel like a man when I give you all I am. I know you’re not hungover today, you are classifying your cassettes”.
As it's title suggests, 'Trippy Gum' offers a more psyche edge, with a gloriously extended fuzz-solo, and at least two massive songs crammed into it's four and a half minute duration. It’s bottled magic and leaves our glasses nearly full with anticipation of a Deers-filled vision of the future.
One month after recording the single, bass player Ade Martin and drummer Amber Grimbergen joined Ana and Carlotta for their first live show, to a sold out Madrileos crowd. Deers will be making their debut London appearance at Sebright Arms on Monday June 9th
rooklyn Duo Xeno and Oaklander are a minimal electronics girl/boy duo from Brooklyn, NY. They began writing music and soundtracks in 2004. Liz Wendelbo is French / Norwegian and Sean McBride is from Maryland. They record their songs live in their Brooklyn studio and play analogue synthesizers and instruments exclusively.
This summer, Xeno and Oaklander bring their minimal electronic sounds to Ghostly International with new album Par Avion, their first for the label, June 24th. The album's title is a reference to postcards — it translates as "by plane", and was used to mark airmail sent from exotic places. The songs are postcards of love for a cold age — shimmering moments from the present, romantic messages from the past, and love mementos for the future. Together, they make up an album of contrasts — the songs move from upbeat to downbeat, slow to fast, light to dark.
Par Avion's rich diversity of sounds comes at least in part from the fact that it's an album-long ode to synesthesia. As singer Liz Wendelbo explains, “Sound makes me think of a scent, which makes me think of an image, which makes me think of a certain kind of light.” The sensory experiences are palpable: "Jasmine" calls to mind the intoxicating scent of jasmine flowers that bloom at night, "Nuage D'Ivoire" sweats under a tropical sky full of clouds that hold the key to the past and the future, "Sheen" glistens with reflections dancing in the water and with inner visions of romance, where light and dark meet in the pupil of the eye.
Adding to the sense of exoticism, Wendelbo's whispery vocals are sung in both French and English, calling to mind Jane Birkin and Françoise Hardy. Again, there's a contrast between dark and light — the alluring, tropical warmth of Wendelbo's vocals is juxtaposed against duo's signature icy cold, ultra-modern synth sounds. Those sounds have a new component for Par Avion — synth wizard Sean McBride uses an analogue Serge modular synth to create washes of sound that recall '90s shoegaze. The result is an album that stimulates and fascinates throughout, a rich feast for all the senses, a world to get lost in again and again.
Par Avion will be released in LP, CD and digital formats. A special edition vinyl version, limited to 350 hand-numbered copies, will include flesh colored vinyl and a rose-scented art perfume insert, allowing further personal exploration of synesthesia.
