On this day, 41 years ago Frank Tovey released the album Incontinent as second Fad Gadget album. Incontinent sounds less “industrial” as his debut album Fireside Favorites relying less on drum machines and sampled (industrial) sounds. Most songs are inspired by Frank Tovey’s impression during his first US tour in 1980.
"Blind Eyes”, with lines such as "Send a few pounds to a charity / Now we're feeling so much better" and a chorus intoning "Hear no, see no, speak no evil" is clearly about people trying to easy their consciousness and ignore global problems.
While "Swallow It" is about the feed of news and propaganda our society, our leaders and media are feeding us day after day.
"Saturday Night Special" is inspired by America's 'Second Amendment', one of the ten amendments to the Constitution comprising the Bill of Rights, states: “A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed... "
The title tracks "Incontinent" and "Manual Dexterity", both instrumental, respectively featured Mute Records founder Daniel Miller and Robert Gotobed of the band Wire.
"King of the Flies" was released as a flexi-single on 2 October 1981. "Saturday Night Special" backed with "Swallow It Live" was issued on 5 January 1982. A rerecorded version of "King of the Flies" backed with "Plain Clothes" was released on 6 April 1982. None of these singles made it into the mainstream charts.
The album was recorded and mixed during Summer '81 at Blackwing Studios, All Hallows Church, London and features Frank Tovey
The album's artwork featured a picture of Tovey made up as the puppet Punch and was taken by Anthon Corbijn.
Fad Gadget – Incontinent (STUMM6)
Blind Eyes 4:56
Swallow It 5:35
Saturday Night Special 6:29
Incontinent 3:24
Manual Dexterity 3:31
Innocent Bystander 6:28
King Of The Flies 4:22
Diminished Responsibility 5:55
Plain Clothes 4:40
"Bricks & Bones" is the recently-unveiled single from Oregon-based electronic act, Luscious Apparatus.
"Bricks & Bones" comes from a woman on a journey to control her rage instead of being consumed by it, and letting it destroy everything she’s worked so hard to achieve.
It’s not simply being “mad” about something anyone did; it’s a wire that gets tripped and rips open her monster’s cage. If she starts to heat up, grab her a cold beverage, towel, icepack, etc. She’ll cool off if you catch it right away. Do not show fear, do not tell her to calm down. Be calm. She’s working on it.
"Bricks & Bones" is available on all streaming platforms including Bandcamp NOW.
Canadian Label Dem Modest Kids Unveils Into The Coldwave Compilation Highlighting Alberta - Based Alternative Artists
Canadian electronic artist, Jhnn & the Dem Modest Kids label are very pleased to announce the release of a special compilation; 'Vol II: Into The Coldwave'.
This is a digital compilation highlighting Alberta - based artists who make alternative music in the styles of post-punk, dark synth, synth pop, indie-alternative & darkwave.
Featured artists include:
JHNN, Premanition, Mirska, LOUIS CZA, KHILLAH KHILLS, EVA X, Twitch, Nebulae Complex, Virtual Terrorist, Deep Covers, Vanden Dool, Crystal Eyes, wanderingaria, Undead Sex Ring, DA'AT & Equilux.
Dark Pop Artist Lia Hide Addresses Emotional Struggle With Plato-Inspired LP
Greek dark pop artist, Lia Hide has just unveiled her highly-anticipated full-length LP, The Missing Fourth Guest.
The Missing Fourth Guest borrows its title from Plato's 'Timeaus' dialogue opening line. The songs talk about the emotional struggles of the recent Covid-19 pandemic and lockdowns, human mortality, and the place of the modern man in the universe.
In 'Timaeus' Plato presents an elaborately wrought account of the formation of the universe and an explanation of its impressive order and beauty. The universe as a whole as well as its various parts are so arranged as to produce a vast array of good effects.
Lia Hide's songwriting is clean, pop, structured and lyrical, yet bears progressive music elements. Glitch and jazz fragments and orchestral layers, electronic sub drones and industrial noises, that all dress up the clarity of the piano trio:
Lia Hide's influences of Kate Bush and Tori Amos are strongly portrayed, meddling with scents of Massive Attack, Nick Cave, Cocteau Twins and Radiohead. Her classical music training is evident and blends evenly with Aki'Base's dark post-wave style and George Rados' laid-back naturalness.
The Missing Fourth Guest has eight tracks and is available in digital and CD formats.
Canadian singer-songwriter AYRIA is bringing her expertly blended beats to fans everywhere this Summer with her upcoming album and Artoffact Records debut, This is my Battle Cry. After dropping the first single, "No One Asked You" in May, Irreplaceable, the second serving from the record, is out today.
"Irreplaceable” is one of the more sombre and introspective tracks on the record and a fascinating choice for the second single. Explains Jennifer Parkin (Ayria), " I wrote this song as a message to myself and also to a few others I know out there who are struggling. The message is that no matter how much you are hurting, even if no one knows how to fix it, there is always someone out there that wants to try. And no matter what, don’t give up, because no matter how you feel right now, you’re important to this world. The song musically shifts into an epic ballad in the chorus as I really wanted it to feel uplifting and powerful, despite the lyrics and tone being dark."
Showcasing a slick, more mature sound, This is my Battle Cry features 10 new tracks including the addictively catchy songs “Stranger Danger” and “No One Asked You”. Although the album is a nod to AYRIA’s previous ear-candy laced works, it’s also a reflection on the past few years of experiences, giving the album a darker tone. Inspired by her personal struggles and rage, the album title track “Battle Cry”, and “Why Aren’t You Dead Yet?” spotlight Parkin’s, “tongue in cheek sassy attitude,” showcasing that not everything made with sugar and spice is always as nice as it seems. Infectious, anthemic and harrowingly therapeutic, This is my Battle Cry is one for the ages.
