Sacred Bones to release 'Almost Holy' Soundtrack by Atticus Ross, Bobby Krlic, & Leopold Ross
After the collapse of the Soviet Union, Ukraine's social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation's youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. Steve Hoover’s documentary Almost Holy follows a pastor named Gennadiy Mokhnenko, who saves street kids, at times by forcible abduction, and brings them to his Pilgrim Republic rehabilitation center—the largest organization of its kind in the former Soviet Union. The film’s depiction of a country in the grip of poverty, addiction, and warfare is made even more powerful by its captivating electronic score by award-winning composer Atticus Ross, his brother Leopold Ross, and Bobby Krlic (The Haxan Cloak).
“Occasionally a project comes along where one feels compelled to contribute,” Atticus said of seeing the early footage that convinced him to work on the film. “It's a different world over there – of course we have dire poverty in the U.S. – but to see an army of drug-addicted children living in those conditions, children the same age as my own, under ten years old but covered in track marks and sleeping on sewers to stay warm, and someone is asking you to write a little music to help the cause. It would be hard to find a reason not to.”
His collaborators felt the same way, and the trio soon began work on the score — the Ross brothers in the U.S. and Krlic in England. The distance meant the composers initially worked separately, but in the end, the soundtrack feels remarkably coherent. “The music surfs the line of sound design and operates as a support to the overall arc, rather than specifically tied to the characters,” Atticus explains. “Gennadiy doesn't have a theme, and I'm not sure he needs one, or how he could be reduced to one. He's powerful but tender, loving but aggressive, committed but flawed. We felt it was important that the music never dilute or distract from his message. Less is more, so to speak.” However, the message and content of film kept the trio inspired, and once Krlic had emigrated to the U.S., they met at Atticus' studio and continued to work on the album as a free-standing piece.
The film remained the anchor and the catalyst for their creativity, but several of the tracks on the record don’t appear in the picture at all. Almost Holy is thus not simply a soundtrack album, but a soundtrack and an album, one that both enriches its film and stands apart from it.
Director Steve Hoover had this to say about the score:
"Gennadiy’s story was somehow destined to be worked into some form of cinema. It’s all set in Mariupol, Ukraine, a city with sprawling factories and crumbling Soviet architecture. It sounds bleak, but it’s somehow beautiful and not without hope. I wanted an original score that could translate the feeling of being in Mariupol with Gennadiy, at this time. Atticus Ross took interest in the film and proposed a collaboration with Leopold Ross and Bobby Krlic. I knew they would eclipse whatever it was that I was imagining for the score.
There’s a scene in the film, where the people of Mariupol are enjoying fireworks that seem to be a premonition for the shells that would soon cluster the same skies. The score takes a haunting bend that feels like a metaphysical wailing from unknown places, for a people that have had the lion's share of struggle, but would soon be torn in half. The score is ingrained in the narrative because it developed along with it. They were a part of the film before we began production, offering invaluable creative insight. They were just as essential as my crew."
Watch a mood piece with footage from the stunningly shot film set to "Punching Bag" from the score below.
The Monochrome Set has a brand new album out on Tapete Records: Cosmonaut
At the end of the 70s, The Monochrome Set were part of the first wave of post punk bands. Right from the beginning, the band earned a solid reputation as purveyors of fine pop, gaining praise from 80s contemporaries such as Morrissey and Edwyn Collins. Importantly, in later years this praise has continued with artists such as Franz Ferdinand, The Divine Comedy and Graham Coxon, all citing the band as a key influence on their own work.
The Monochrome Set sound has often been described as timeless, and that alone explains why, over the years, the band has continued gaining admirers. "Cosmonaut", the band's 13th album, is a perfect example of this exhilarating mix. The title track opens with a Theremin cyber fly buzzing towards your skull before the song hits, launching you into a mirror dimension that is both familiar and alien. The whole album is a trip that starts with a hallucinating cash-till lady, then travels through dream-sets involving cannibalism, disaffected squirrels, strange gods, dying sweethearts, sexual depravity, Alzheimer's, backward evolution, and ends in an operating theatre, amid a sea of medical tentacles.
Electrogenic is excited to be a part of the very first official tribute to Apotygma Berzerk.
Put together by Electrozombies, the projects "Apop We Love You" will be relesaed July,15 2016 and includes a a bunch of well-known musicians and bands like Electrogenic, Machinista, Vogon Poetry, Twisted Destiny, IIOIOIOII, Technomancer Feat. Angst Pop, and many more.
By the way: Angst Pop is Per Aksel Lundgreen who is a former member of Apoptygma Berzerk.
Achim Windel, one of the founding members of Placebo Effect passed away. Together with Axel Machens and Christoph Kunze, he founded this band that soon became a household name in the dark electro scene with Galleries of Pain being their most known album.
Two years ago the band reunited for the Wave Gotik Treffen festival in Leipzig. Peek-A-Boo extends its deepest sincere condolences to Achim’s family.
The very fine German label Young & Cold Records has just released its brand new sampler. Be quick as it's pressed on 200 copies, click below for the link and here's the gorgeous tracklist....
1. Alles - NIE SPIE - 4:15
2. Kinder aus Asbest - Electric Evolution - 3:01
3. Second Planet - Birkeland - 4:11
4. Mängelexemplar - Gedanken sind frei - 2:40
5. Nao Katafuchi - Masks - 3:18
6. Vita Noctis - Hymn - 4:24
7. SOFT RIOT - Lovers in a dangerous time - 4:10
8. Low Factor - Endgame - 3:08
9. Ben Bløødygrave - Ich Schau in dein Gesicht (Telekoma Cover) 2:08
10. XTR HUMAN - In Circles - 3:49
11. Dividing Lines - Self destruction - 2:47
12. Totenwald - Shadows in paradise II - 2:32
13. Zwarte Poëzie - De Laatste Dagen - 3:39
14. Paradox Sequenz - Invano - 4:19
15. Werner Karloff - 1984 - 3:33
16. Endlose Emotion - Sperrstunde - 4:20
17. Adam Usi - Shili - 3:08
18. NachtAnalyse - Grenzgänger - 4:15
19. GBS. - Quiet - 3:55
20. Tränen der Sehnsucht - Colourful Death - 3:36
