In time for Valentine's day, "witchy" goth rock band, METAMORPH has just unveiled their new single, "Love In The Wreckage." The song tells a story of life in today's chaotic world. It's a transmutation of the world's chaos into love; a tale of light in the dark.
METAMORPH's music has always been about change. 2021 was full of so much chaos and pain. METAMORPH's Margot Day says: "There has been a strange undercurrent of joy in the madness. I found myself transforming this emotional intensity into a spiritual awakening. These new lyrics and melodies are pouring in like an avalanche."
"Love In The Wreckage" is available on all digital platforms NOW. More METAMORPH songs written by Margot Day and produced by Erik Gustafson will drop in 2022.
French post-punk band, JE T'AIME has unveiled the first part of their two-part album, PASSIVE/AGGRESSIVE.
'PASSIVE' is the central link of a trilogy started by the eponymous album of the band , JE T’AIME. We follow the evolution of the same antihero; a common avatar of the three musicians. The tone hardens, the atmosphere becomes more melancholic and the lyrics embrace bitterness and anger.
The new album, 'PASSIVE' continues the theme about the difficulty of growing up. Our main character is constantly caught up in the past, repeats the same mistakes and ends up not being able to move forward in his life. It is no mystery that the band's music constantly looks for influences in the past 80s for that reason.
"The three of us have very different influences. So, on this record, we felt the need to find how to mix our three personalities while maintaining coherence. That gives a more complex sound, but still catchy, dark and open at the same time, to bring life to the lyrics based on our own stories."
If this episode is called 'PASSIVE' despite its obvious energy, what can be expected of the next chapter that will close the trilogy, 'AGGRESSIVE' coming in October?
Today, it’s 44 years ago that renowned BBC DJ John Peel broadcast the second John Peel session by Siouxsie & The Banshees
Today, it’s 44 years ago (23 February 1978) that renowned BBC DJ John Peel broadcast the second John Peel session recorded by Siouxsie & The Banshees on 6th February at the BBC studios in Maida Vale.
At the time of broadcast all songs where previously unreleased. In fact, their very first release, the 7” Hong Kong Garden, was only released on 18th August that same year.
In 1989 these studio recordings were released by the Strange Fruit label.
The John Peel Sessions (The Second Session)
Tracklist:
Hong Kong Garden
Overground
Carcass
Helter Skelter
Darkwave artist DISSONANCE has just unveiled details about their new single/remix EP, Slowburn.
"Slowburn" is a song about passion; passion- a deep love/emotion that consumes body and soul. It is about depth of feeling for a person, place, process or thing.
"I wrote this as I was considering the many all-consuming passions of my life. Passion to write. Passion for art. Passion for nature, for the planet. Passion for science. Passion for humanity. Passion for the individuals I love. Also, the painful realisation that despite my intense feeling, actions and orchestrations, these things, places, people, and processes come to an end. I come to an end. My passions die with me." - Cat Hall (DISSONANCE)
Slowburn is available on all digital platforms including Bandcamp.
This Charming Band | 38 Years Ago, The Smiths Release Their Debut Album
The severed alliance of Johnny Marr and Morrissey which exists today seemed a million miles away from the creative force that once was, 38 years ago.
On the 20th of February 1984,-35 years ago today, The Smiths self-titled debut album hit the streets. The legend was quickly born and fully impacted as the album debuted on the UK charts at number two. It was at this moment that The Smiths heralded their arrival onto the international music scene. From this point and over the next four-years they would become the dominant force on the indie and alternative music scene.
Preceded in January by the teaser single-‘What Difference Does It Make?’, supposedly Morrissey’s least favourite single, the song did however build the momentum for what was to come, hitting a high of number-twelve in the charts. The previous singles, one included here, ‘Hand In Glove’, had failed to make an impression on the charts, although the beautiful single which sparkled of Marr’s fully recognized guitar orchestra, did however catch the eye of the critics and media, they had already tipped something big from this band, thankfully they were right.
The second single ‘This Charming Man’ faired better but only broke the top-30. Such a staple of Smiths songs failed to break the top-twenty seems strange now but the public had not fully caught on. Though not originally on the album, ‘This Charming Man’ however did appear on U.S versions of the album distributed by Sire Records.
The Smiths could very well be the most significant release of the eighties. Setting a tone for the rise of other such bands at the close of the decade, unsurprisingly from the same area of Manchester-The Stone Roses, The Happy Monday’s and what came to prominence in the nineties Brit-Pop era owe a debt of gratitude to not only The Smiths as a band, but the foundations they laid in a short four-years.
The Smiths (Original 1984-Rough Trade Track List):
Side A
1. "Reel Around the Fountain" 5:58
2. "You've Got Everything Now" 3:59
3. "Miserable Lie" 4:29
4. "Pretty Girls Make Graves" 3:44
5. "The Hand That Rocks the Cradle" (quotation from "Sonny Boy" by Ray Henderson, Lew Brown and Al Jolson) 4:38
Side B
6. "Still Ill" 3:23
7. "Hand in Glove" 3:25
8. "What Difference Does It Make?" 3:51
9. "I Don't Owe You Anything" 4:05
10. "Suffer Little Children" 5:28
[Kevin Burke - Feb 2019]
