Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
Steve Jobs is directed by Academy Award® winner Danny Boyle and written by Academy Award® winner Aaron Sorkin, working from Walter Isaacson’s best-selling biography of the Apple founder. The producers are Mark Gordon, Guymon Casady of Film 360, Scott Rudin and Academy Award® winner Christian Colson.
Michael Fassbender plays Steve Jobs, the pioneering founder of Apple, with Academy Award®-winning actress Kate Winslet starring as Joanna Hoffman, former marketing chief of Macintosh. Steve Wozniak, who co-founded Apple, is played by Seth Rogen, and Jeff Daniels stars as former Apple CEO John Sculley. The film also
stars Katherine Waterston as Chrisann Brennan, Jobs’ ex-girlfriend, and Michael Stuhlbarg as Andy Hertzfeld, one of the original members of the Apple Macintosh
development team.
Paul Thomas Anderson is writing the screenplay for Warner Bros. and Team Downey’s retelling of “Pinocchio.”
Although Anderson has only been hired to pen the script, there;s a possibly he could direct the movie as well, seeing that the director has hardly ever just written a movie without also directing the project.
Michael Mitnick penned the most recent draft and Downey, along with his wife and producing partner Susan Downey, will produce along with Dan Jinnks.
Downey is onboard to play Geppetto in the tale about a wooden puppet who wants to become a human boy. Downey has been developing the project for some time but has held off given Disney’s surge of live-action retellings of animated classics and fairy tales but Anderson’s attachment should get the wheels moving quickly on this priority at the studio.
The film marks the first project Anderson has worked on since “Inherent Vice,” which also earned Anderson and Oscar nomination for his screenplay.
Source: Variety
Riverside reveal artwork, tracklisting and releasedate for new album “Love, Fear and the Time Machine'
Having just played a first post-studio live-show as part of the Metal Hammer Festival / Prog Edition in Kattowice, Poland together with Dream Theater this past weekend, polish prog masters RIVERSIDE are pleased to announce the first details for their much anticipated upcoming studio album.
Entitled “Love, Fear and the Time Machine", the band’s sixth studio longplay album will be released via InsideOutMusic on September 4th, 2015, feature cover artwork by longtime design-partner Travis Smith / Seempieces (Katatonia, Opeth, Nevermore, etc.) and contain the following track listing:
1. Lost (Why Should I Be Frightened By a Hat?)
2. Under the Pillow
3. #Addicted
4. Caterpillar and the Barbed Wire
5. Saturate Me
6. Afloat
7. Discard Your Fear
8. Towards the Blue Horizon
9. Time Travellers
10. Found (The Unexpected Flaw of Searching)
RIVERSIDE are additionally working on a musical bonus package entitled “Day Session”, the brighter companion of the “Night Session” presented on the band’s previous album “Shrine Of New Generation Slaves”.
RIVERSIDE’s Mariusz Duda checked in with the following comment about “Love, Fear and the Time Machine“:
“On the new album I wanted to combine the 70s and the 80s. The 80s were a decade of musical growing up for me. On the new album we don't sound as retro and 70s as before, we moved forward, we sort of demolished the previous foundations and build new ones. Despite the huge dose of melancholy and nostalgia, there is a new space, the songs are arranged with more flow and at the same time they have never been so concise and to the point before. The lyrics on "Love, Fear and the Time Machine" talk about a transformation. About making an important, perhaps life changing, decision everyone has to make at some point in their lives. What happens to us when we have to make it? On the one hand we're excited by the change, we feel free, liberated, and on the other we fear the unknown, we are afraid of what might happen to us. We go back in time and we go forward in time in our heads. And all that happens when we have to decide something important. The first of the songs on the album is called 'Lost', the last one, 'Found'. If we sometimes get lost in life, it is to go through something and be found again on the other side, to be reborn as someone better and more valuable. I would like this album to be one of those that one day simply becomes your best friend.”
More details about "Love, Fear and the Time Machine" will follow soon…
Here is an overview of the upcoming RIVERSIDE Benelux tourdates, on which the band will already showcase some of the new material as well:
RIVERSIDE summer festivals (*) and "An evening with" headline shows:
July 24 The Netherlands, Zoetermeer, De Boerderij
RIVERSIDE European Tour with special guests The Sixxis and Lion Shepherd:
Oct 17 The Netherlands, Zwolle, Hedon
Oct 18 The Netherlands, Tilburg, 013
RIVERSIDE’s latest album, “Shrine Of New Generation Slaves”, entered the national sales charts of several countries upon release as follows (highest chart week position mentioned!): Germany: # 33, Poland: # 2, The Netherlands: # 28, The Netherlands (Alternative Charts): # 9, Switzerland: # 51, UK (Rock Charts): # 24, Finland: # 41, France (Top 200): # 194, USA (Billboard New Artists Chart): # 18.
Born in times of difficulty and adventure, Cut With The Cake Knife is the debut album from Rose McDowall, solo-artist and ex-member of cult pop group Strawberry Switchblade. Originally recorded in 1988-89 and now re-mastered and getting the re-issue treatment from Sacred Bones Records (U.S.) & Night School Records (UK, EU)
Marking the beginning of an extensive archive project spanning Rose’s 34 year career, Cut With The Cake Knife will include unreleased recordings alongside unseen photographs and detailed new sleeve notes.
Recorded in various locations around the UK and Iceland following the break up of Strawberry Switchblade, the original 9-track Cut With The Cake Knife album featured songs written and demoed for the group’s fabled second album.
Rose McDowall began her career in her hometown of Glasgow, operating within the nascent punk scene with her first group The Poems. After a meteoric rise to pop stardom, which saw Strawberry Switchblade achieve chart success, world tours and global fame, McDowall’s relationship with partner and friend Jill Bryson disintegrated. The aftermath of her pop career saw McDowall earn a new reputation as an underground artist, collaborating with Coil, Felt, Current 93 and Nurse With Wound among others. Cut With The Cake Knife was recorded against this tumultuous backdrop and is one the most affecting collections of direct pop songwriting committed to tape.
The album opens with one of McDowall’s most heartfelt, honest moments: Tibet; a simple song written with absolute truth about the loss of friendship. For errant Switchblade fans it’s a prime example of why McDowall’s legacy is so important: shorn of unnecessary ornament, it’s one of many songs here that speak loudly and clearly about universal emotional states. Production values throughout lie somewhere between glossy, 80s studios and home-recorded demos but it’s a sound that only heightens the poignancy in McDowall’s voice: her best instrument and one that can evoke vulnerability, as in the near-angelic harmonies on Sixty Cowboys or swirling excitement as in the number 1 hit that never was, Crystal Nights. But perhaps her prowess is best summed up by the album’s title track, written for the 2nd Switchblade album yet thriving here, in which Rose projects a powerful protagonist, tinged with violence but still playful. At the heart of even the most upbeat, transcendently “pop” moments is a beautiful melancholy, a nagging heartache McDowall can call her own.
As Rose writes in the 2015 edition sleeve notes: “They’re real sad songs, about real life.”
Cut With The Cake Knife is out September 18th on Sacred Bones (U.S.) / Night School (UK / EU)
On 17th October Wool-E-Shop organises for the third time Cassette Store Day, Wool-E tape (the label) is working on new cassettes of Sound & Vision ( Lieven de Ridder & Tom Simoen) and Charnier (the post-punk darlings from Brussels) and there will be performances in the shop. More news shortly.
17 Oktober is het voor de derde keer op rij Cassette Store Day, Wool-E-Tapes werkt aan nieuwe cassettes van oa Sound & Vision (Lieven de Ridder & Tom Simoen) en Charnier (postpunkdarlings uit Brussel) en er zullen tevens optredens zijn in de winkel. Meer nieuws binnenkort.
