After Dracula Untold was release this year, with word that it had ties to Universal Pictures' forthcoming reboot of the studio's classic Universal Monsters series, the next installment in the line-up has been given a release date. Universal has just set The Mummy, directed by Alex Kurtzman and written by Prometheus scribe Jon Spaihts, for release on June 24th, 2016.
In addition, the studio has also staked out April 21st, 2017 for an unknown Universal Monsters film. It could be Frankenstein, Creature from the Black Lagoon, Wolfman, or maybe even a Van Helsing movie (that's been developing for awhile).
New York City is a world of shadows, thieves and con men, its chilling concrete landscapes are a fitting filmic backdrop for the aural futuristic pleasures of NOIR, a band whose deep electronic rhythms fuel darkened beats that conjure stark cinematic images from yesteryear merged with the cold machinery of the future. Conceptualized by vocalist Athan Maroulis, veteran of the pioneering electronic industrial act Spahn Ranch, NOIR is a sensuous electronic return to form for Maroulis, who also fronts dark cabaret legends Black Tape For a Blue Girl.
The result was the 2013 critically acclaimed release Darkly Near, an album that Side Line Music Magazine said, "probably stands for the most intimate electro project Athan Maroulis has ever been involved with. It all sounds like revealing his deepest inner thoughts transposed into electronic grace, musical poetry and simply finesse." While FEARnet stated that Darkly Near "moves NOIR to the front of the dark electro-pop pack, with a mature refinement that places the band in a class by itself." NOIR's latest release RE:MIT:TENT offers 20 remixes of songs from Darkly Near featuring a disparaging list of names from all over the electronic music field including ManMadeMan, Assemblage 23, Dead Voices On Air, Ludovico Technique, Decoded Feedback and many others.
Hanzel Und Gretyl are back, and more metal than ever! Black Forest Metal is the band's seventh studio release, and marks the beginning of a new era. Darker, heavier, and more metal than metal! Prost!
01. HOIA BACIU
02. BLACK FOREST METAL
03. BLOOD OF MY HORNS
04. HEXENKRAFT
05. MORE METAL THAN THE DEVIL
06. EVIL AS FUKK
07. BURNING WITCHES FOR SATAN
08. MAVRO METALLIKO
09. BIG BAD KYZRWÖLF
10. PENTAGRAM SKY
11. GRIMM RITUAL
After their summer releases for Phase Fatale and Hand Of Dust, Avant! is back with two new full-length releases, both due on November 10.
HOT GUTS Wilds LP
The second full-length from Philadelphia based post-industrial group. What started off as a raw and gritty post-punk band in 2007 eventually evolved into a more refined foray into territories that cross between the electronic and organic, as well as the harsh and beautiful.
Currently a duo, Wes Russell's signature rich baritone and unorthodox guitar stylings (at times more reminiscent of construction machinery than a guitar) are still very present while counterpart Shari Wallin (also of Void Vision) provides the synths and drum machines as well as backing vocals.
Within this web of minimal electronics there are hints of EBM, neofolk, tribal industrial but there is an element of experimentalism that has always been present in Hot Guts that keeps things sounding fresh, and strangely contemporary throughout the recordings.
Comes on 33rpm black 12" vinyl.
LOST TRIBE Solace LP
Richmond, VA goth peace-punk combo is back after their huge 2011 s/t debut LP on Blind Prophet.
Once again their sound is an epic odyssey through the graveyard dimension of punk, drawing inspiration from early crust, 80s California deathrock, UK anarchopunk, and the more tribal side of postpunk bands like Killing Joke.
Solace combines piercing bass lines with earthquake-like drumming, strong vocals, darkly atmospheric synths, and razor-like guitars to weave a spell of death, lamentation, destruction, and disease over the listener.
Punk from the wrong side of midnight.
Released in Europe by Avant! and in the US by Mass Media Recs.
33rpm black vinyl 12", comes with insert sheet with lyrics.
After Only God Forgives (in competition at Cannes Film Festival 2013), Gaumont and Wild Bunch team up again to co-finance and co-distribute the next film by Nicolas Winding Refn.
The Neon Demon reveals a horror tale with a young female driven cast, written by NWR and Mary Laws.
About the origin of the movie, Refn said, “One morning I woke and realized I was both surrounded and dominated by women. Strangely, a sudden urge was planted in me to make a horror film about vicious beauty. After making DRIVE and falling madly in love with the electricity of Los Angeles, I knew I had to return to tell the story of THE NEON DEMON.”
Refn’s partner, Lene Borglum (Valhalla Rising, Only God Forgives) will be producing under their joint company, Space Rocket.
Principal photography is set to begin in the first quarter of 2015 and will be filmed in Los Angeles, CA. The cast will be announced later this year. Refn’s regular collaborators, editor Matthew Newman (Bronson, Drive, Only God Forgives) and composter Cliff Martinez (Drive, Only God Forgives) will be joined by director of photography, Philippe Le Sourd (The Grand Master) on the production of NWR’s film.
Gaumont and Wild Bunch will be selling the movie at the upcoming AFM for a 2016 release.
“I’m very excited to continue my wonderful relationship with Wild Bunch and Gaumont on my next film, THE NEON DEMON. This movie is a manifestation of the strong ties between us and will lead to many more adventures,” said Nicolas Winding Refn.
