Polish Night Music is a collaborative work by David Lynch & Marek Zebrowski, originally released as a limited edition CD by The David Lynch Music Company. On November 13th it will be re-issued on a deluxe 2xLP by Sacred Bones Records.
Barren train stations, Polish factories at night, and silent hotels where lonely travelers meet. These are the images and suggested narratives that pervade the spirit of Polish Night Music, the musical collaboration between American filmmaker David Lynch (Twin Peaks, Eraserhead) and Polish concert pianist and composer Marek Zebrowski.
Zebrowski and Lynch first met during the Camerimage Film Festival in Lodz, Poland, and started to work together during the organic evolution of Lynch’s Inland Empire. Originally, Zebrowski served as a translator for the shooting of several Lodz-based Polish scenes in Empire, but upon discovering their shared interest in musical experimentation and improvisation, Lynch invited Zebrowski to his Los Angeles studio to participate in a series of musical experiments. From these initial collaborations, inspired by their unique and distinct connections to Poland, emerged a tangible mood and distinctly modern texture that became Polish Night Music.
“(Poland) is a landscape that continues to remain at once familiar and completely alien to me,” Zebrowski explains. “Every time I am there, I am surprised by some- thing, and I think for David, Poland certainly represents the process of discovery.”
“We don’t know what will happen,” says Lynch, simply. Somewhere in this not-knowing exists the experience of a Polish night, and this album is its soundtrack.
“Normally when people refer to a void, it's a big, dark, scary, thing – the dark, malicious, Nietzschean void, where if you stare too long into the it, it stares back into you. But we like the paradox of a pacific, peaceful void – a benign emptiness.” Moby & The Void Pacific Choir
With the upcoming SIMI NAH - BE MY GUEST live show this Friday and a new release, more than a year since the last release of the album “Be my Guest”, Simi Nah is back!
This is what Simi Nah has to say about 'BOOTLEG':
"After the great response, reviews and comments, Simi Nah is now ready to turn the page.
But before doing this, a strong desire to re-release some tracks of the first album kept on growing...
So “BOOTLEG” was born!
Why old songs ?
During the last year, Simi Nah gained attention from media and people all over the globe, many asking for the first album “Cherchez la Femme”. Unfortunately, this album is no longer available on the market. Released at the wrong time, at the wrong place, in the wrong scene, it didn't get the attention it deserved. The return of the 80's was not in vogue yet !
Now, 11 years later, Simi Nah brings some of those songs back to life, as unreleased and reworked versions.
Why “Bootleg” ?
Nostlagia is in the spotlight with this release, bringing back sweet memories, going to the flee market “puces de Clignancourt” in Paris where you could find all kind of bootleg cassettes and vinyl's. So this reproduction is very kitsch, on CDR “look vinyl”, hand numbered and signed, black & white."
Tracklist :
01 Cherchez la Femme (original 2004, reworked 2015)
02 Je Joue le Jeu inGénu (original 2003, reworked 2015)*
03 Sans se voiler la face (original 2003, reworked 2015)**
04 le Passé, le Présent, le Futur (unreleased version, reworked 2015)***
05 Cherchez le garçon – B-movie track (unreleased version, reworked 2015)
06 L'Ange Je (unreleased version, reworked 2015)
07 Je cherche encore (original 2004, reworked 2015)
08 Alice – The 2183 mix (unreleased version, reworked 2015)
*Appears on a compilation in 2004
**On BBC1 radio playlist for 3 month in 2003
***Appears on a compilation in 2003
Secure your copy here or at SIMI NAH - BE MY GUEST - LIVE this Friday, October 23 @ Den Dries (Retie, Belgium). An unique on-off live performance with guest aperances of a.o. Luc Van Acker(ArbeidAdelt!, Revolting Cocks,...), Nikkie Van Lierop (aka Jade 4U & Ex-Lords of Acid), Peter Slabbynck (Red Zebra), Dirk Ivens (Dive, The Klinik, Absolute Body Control, Sonar), Gerd Van Geel(The Arch), Safyée (daughter of Mickey Mike aka Snowy Red). Other band performing are ABSOLUTE BODY CONTROL and EX-RZ (Ex-Red Zebra).
www.freewebstore.org/why2k-music-store/SIMI_NAH_-__Bootleg__-_Limited_Edition/p1524163_14714698.aspx
International goth community united once more for Bat Conservation:
The Eden House (UK), Bloody Dead And Sexy (Germany), Gitane Demone (USA) and Red Sun Revival (UK) just a few to lend their names to third and final ‘For The Bats’ fundraiser
Halloween is almost upon us, and musicians from all corners of the globe’s gothic, post-punk, deathrock and darkwave communities have once again rallied together to support Bat rescue, rehabilitation and conservation. Leading names like The Eden House, The Danse Society, Red Sun Revival and Bloody Dead And Sexy (feat. Gitane Demone) spearhead a cast of twenty-five bands and recording artists on ‘For The Bats Volume III’; the final installment of the successful fundraising compilation series, with all proceeds paid directly to the Bat Conservation Trust (www.bats.org.uk).
Since the movement’s inception, bats have been an enduring symbol of the gothic and deathrock music scenes. They adorn landmark début record sleeves from Bauhaus and Christian Death, while London’s Batcave nightclub in Soho became a thriving hub of the early eighties subculture. Rob Leydon, frontman for popular UK gothic rock outfit Red Sun Revival, and a member of both The Eden House and Soulscape, observes:
“Since 1979, when Peter Murphy of Bauhaus sang “The bats have left the bell-tower” on arguably the first recognisable goth hit, ‘Bela Lugosi’s Dead’, bats have remained the flying mammal of choice for countless goth lyricists throughout the three and a half decades that followed. These fantastic winged creatures are surely emblematic of the alternative scene and its eerie black-clad devotees.”
But they are also more than just a symbol, says ‘For The Bats’ curator Candy Durant.
“They are beautiful animals, often misunderstood to be vermin or pests when in reality, they are very important to the balance of the Earth’s delicate ecology. They spread seeds for reforestation and help to control insect populations that would otherwise overrun crops in their billions.”
Support for environmental causes and animal welfare is widespread throughout the goth community, with many adherents also embracing Pagan philosophies in their outlook on the living world. Several of the compilation’s featured artists were immediately on board out of their love for animals. Mel Draper, founding member of Californian-based Soulscape remarks:
“I’ve yet to meet a goth who doesn't have a fondness for bats and cats, and these days most of the goths I know are either vegan or vegetarian, which I think is a fairly good indicator that we’re a scene with a real affection for animals in general.”
Alongside established names from the US, UK and Europe, ‘For The Bats’ also brings together artists from some of the farthest reaches of the Earth. Bands like Alaskan duo Cliff and Ivy, Australia’s Sounds Like Winter, and Disjecta Membra from New Zealand all hold a very specific enthusiasm for bats; particularly those species unique to their respective regions.
“There are seven known species of bats in Alaska”, says Ivy Silence of Cliff and Ivy. “What are they doing here? Mostly feasting on giant mosquitos. People study how they hibernate in extreme cold to learn more about how mammals survive it.”
For some, the connection with bats also has cultural and spiritual dimensions.
“Bats are New Zealand’s only native land mammals, known as Pekapeka”, says Michel Rowland of Disjecta Membra. “My family have a strong ancestral tradition with Tā Moko, customary Māori tattoo. According to legend, Pekapeka are guides who aided humanity to navigate the underworld, Rarohenga, thence to retrieve the art of Tā Moko from a supernatural people called Tūrehu. There are markings found in Moko signifying bats for this reason.”
For remote, lesser-known or newly established bands, involvement with the popular compilation series alongside some of the scene’s bigger names has also had the added benefit of greater exposure to an international audience, as Sounds Like Winter frontman Ant Bannister notes.
“Since we appeared on the second Bats comp the sudden exposure to other bands and new fans has supercharged the progress of our relatively new band. Must be positive Bat karma!”
Just released (20 October) in time for Halloween, the album is available exclusively from http://forthebats.bandcamp.com for just $9 US. The download comes with a 26-page pdf booklet containing bat artwork and band photos, along with information on the charity and each of the twenty-five songs and featured artists.
BodyBeats productions is happy to announce to you all that there will be a second edition of the Black Easter festival.
Here are the first confirmed names for the 2016 Edition!
The young and fresh Belgian Celtic/Folk artist ELVYA DULCIMER, The German Medieval formation HEKATE, the British experimental industrial cult band of Martin Bowes, ATTRITION and last but not least... The legendary Neo-Classical band from Sheffield, UK... IN THE NURSERY!
Early Bird Tickets will be available online within the next week.
