There’s something out there that kills, and it’s coming for you in Hunting The Legend on DVD from Image Entertainment on 21st July 2014.
In 2008, a deer hunter was mysteriously slaughtered by something in the Alabama woods. Only his rifle, blood and a 16" footprint were left behind... Five years later, his son seeks revenge.
Chris Copeland sets off into the Alabama woods. He’s out to prove the existence of a murderous creature that locals call Bigfoot – or die trying. Everyone has a tale to tell but what Chris and his companions are about to discover is that even if the stories aren’t true, there’s something out there; something merciless, something hungry, and something that kills.
As they become lost in the dense and desolate woods, they smell blood, sense fear and soon discover to their peril that the difference between the hunter and the hunted can be as thin as a strip of flesh.
Hunting The Legend is a Bigfoot horror that will have you shaking in your boots.
The details are;
Box • 2CD • DVD • picture book • posters • postcards • coin • sticker • certificate • 1000 copies
Out on August 2nd, 2014 on Tesco.
The excellent sounds you can hear below!
After three months of brainstorming, shooting and editing, a few teasers and a crowd-sourcing campaign which brought a lot of very welcome support, we are proud to present "Jitter Room", a short movie created by Lisa Chabbert and the Ciné2000 team, based on the track of the same name by Ruby My Dear, taken from his 2013 "Form" album (adn171).
Do not expect your usual, short, colorful and futuristic breakcore video this time around. The creators of this video took a resolutely different approach for "Jitter Room": shooting in the countryside, on fields and in forests, with a cast made entirely of children, and the whole thing shown in black & white, this eleven-minute long movie is a short film in itself, and not just a video. Showcasing the many emotions and sides of the original track, it follows a precise narrative and tells its story of excitement, violence, despair and humanity.
Interpol will release their brand new, fifth studio album ‘El Pintor’ on September 8, through [PIAS] Co-Op. ‘El Pintor’ is the band’s first album in four years, and sees them completely reinvigorated after a three year break from touring, offering ten incredible new tracks - taut and epic in equal measure.
Recorded at Electric Lady Studios and Atomic Sound in New York City, all songs on ‘El Pintor’ were written and produced by Interpol, with Daniel Kessler playing guitar, Samuel Fogarino on drums, and Paul Banks on vocals, guitars, and taking over bass duties for the first time. The album also features Brandon Curtis (The Secret Machines) playing keyboards on nine songs, Roger Joseph Manning, Jr. (Beck) playing keyboards on “Tidal Wave”, and Rob Moose (Bon Iver) playing violin and viola on "Twice as Hard”. ‘El Pintor’ was mixed by Alan Moulder, and mastered by Greg Calbi.
Described by NME editor Mike Williams as, “one of the most important bands to come out of New York ever”, Interpol recently premiered songs from ‘El Pintor’ for the first time as they headlined the NME Awards tour earlier this year.
The band will return to the UK this June to play The Other Stage at Glastonbury on June 27 and will also be playing a sold out fan show at London’s Electric Ballroom on June 25. On Sunday 6th July they are playing on ROCK WERCHTER.
International highlights include shows at Splendour In The Grass (Aus), Optimus Alive (Portugal), Lollapalooza, FYF and Governor's Ball (USA), Hurricane/Southside (Germany), and a headline set at the second ever ATP Iceland
‘El Pintor’ track listing:
1. All the Rage Back Home
2. My Desire
3. Anywhere
4. Same Town, New Story
5. My Blue Supreme
6. Everything is Wrong
7. Breaker 1
8. Ancient Ways
9. Tidal Wave
10. Twice as Hard
Hurray for the Riff Raff's new album 'Small Town Heroes' is out now via ATO Records. Produced by front-woman Alynda Lee Segarra and engineered by Andrija Tokic (Alabama Shakes), 'Small Town Heroes' features 12 new, original songs all written or co-written by Segarra with support from a vivid cast of Crescent City musicians, including her longtime right-hand-man on fiddle, Yosi Perlstein, keyboard player Casey McAllister and two members of the Deslondes: Sam Doores on guitar and Dan Cutler on bass.
Segarra, a 26-year-old of Puerto Rican descent whose slight frame belies her commanding voice, grew up in the Bronx, where she developed an early appreciation for doo-wop and Motown from the neighborhood's longtime residents. It was downtown, though, that she first felt like she found her people, traveling to the Lower East side every Saturday for punk matinees at ABC No Rio. "Those riot grrrl shows were a place where young girls could just hang out and not have to worry about feeling weird, like they didn’t belong," Segarra says of the inclusive atmosphere fostered by the musicians and outsider artists who populated the space.
The Lower East Side also introduced her to travelers, and their stories of life on the road inspired her to strike out on her own at 17, first hitching her way to the west coast, then roaming the south before ultimately settling in New Orleans. There, she fell in with a band of fellow travelers, playing washboard and singing before eventually learning to play a banjo she'd been given in North Carolina. "It wasn't until I got to New Orleans that I realised playing music was even possible for me," she explains.
"The community I found in New Orleans was open and passionate. The young artists were really inspiring to me," she says. "Apathy wasn’t a part of that scene. And then the year after I first visited, Katrina happened, and I went back and saw the pain and hardship that all of the people who lived there had gone through. It made we want to straighten out my life and not wander so much. The city gave had given me an amazing gift with music, and it made me want to settle there and be a part of it and help however I could."
Many of the songs on 'Small Town Heroes' reflect that decision and her special reverence for the city. She bears witness to a wave of violence that struck the St. Roch neighborhood in the soulful "St. Roch Blues;" yearns for a night at BJ's Bar in the Bywater in "Crash on the Highway;" and sings of her home in the Lower Ninth Ward on "End of the Line." "That neighborhood and particularly the house I lived in there became the nucleus of a singer songwriter scene in New Orleans," she explains. "'End Of The Line' is my love song to that whole area and crew of people."
