This is a live recording of an instantly composed freeform concert, that Jochen Arbeit (Einstürzende Neubauten, Automat), Dirk Dresselhaus (Schneider TM, Angel) & drummer Claas Großzeit (Saal-C) played at HBC, Berlin in January 2012 as part of the Krautrock concert series Future Days.
CD edition limited to 100 hand-numbered and stamped copies (curated & released by Last Foundation
John Foxx And The Maths' third album of analogue electronic music brings together collaborations with The Soft Moon (the post-punk psychedelia of the title-track); Gazelle Twin (including the strikingly beautiful 'Changelings'); New York duo Xeno & Oaklander; Moog maverick Tara Busch and Ghostly International's Matthew Dear, plus a Pink Floyd cover and some new Foxx/Benge material. This includes the opulent, moody glow of 'Walk' and apocalyptic ballad 'Only Lovers Left Alive'. Meanwhile, regular Maths live band member Hannah Peel plays violin on 'Neon Vertigo' and 'My Town'.
Evidence is John Foxx And The Maths' most atmospheric and percussive album so far - built around stark, late night drum machine rhythms and their lead instrument, a 60s Moog Modular synth. The ambient spaces in the music allow for experiments with textures and mood, creating dreamlike echoes of Massive Attack, dub (in spirit not pastiche), 'Ghosts'-era Japan and the exotic swirl of Dead Can Dance. Meanwhile Foxx's vocals are darker on the new songs - powerful, often treated with effects and mining a rich lower range.
The edgy beats of the opening track 'Personal Magnetism' are followed by 'Evidence', featuring The Soft Moon's Luis Vasquez. Layers of sound whirl around Foxx's brooding, insomniac vocals, as he searches for answers in the early hours. The slow, minimalist 'That Sudden Switch' takes the European art-movie approach of Xeno & Oaklander and re-invents it as post-dub electronic pop. 'Talk (Beneath Your Dreams)' features US electronic artist Matthew Dear taking the role of the 'sleeper' as a conversation is held in a dream. It's a chilly, nightmarish track but like much of this album it has motion - Dear adding new techno rhythms as well as a Bowie-esque vocal in the final verses.
'Neon Vertigo' furthers the noir tension with massive bass sounds and 'space violin' from Hannah Peel, while 'Changelings' is in many ways the centrepiece of the album. Originally written and recorded by Gazelle Twin, 'Changelings' only retains her voice as The Maths rebuild it completely from scratch. It's arguably one of Benge's finest moments in the studio so far, while Foxx's reverb-drenched backing vocals complete this stunning, end-of-the-world song.
What follows is weirder still. 'My Town' features Peel on violin again as Foxx's metallic, distorted voice
The cover of Pink Floyd's 'Have A Cigar' starts with a cackle of laughter before Foxx launches into another heavily treated vocal, not unlike that of 'My Town'. Meanwhile, 'A Falling Star' is the reverse of 'Changelings' - this time it's a Foxx/Benge track reworked by Gazelle Twin. In this context, the song becomes an icy but epic ballad, full of siren vocals and a sense of release as it stretches into the long, elegant fadeout. In fact, 'A Falling Star' does signal a change on the album as the mood evolves into something more reflective. The two instrumentals 'Cloud Choreography' and 'Shadow Memory' offer new space and textures, while 'Walk' appears to emerge half-way through a dream as Foxx sings 'and I walked through all the streets of this city' after a slow build. This final section climaxes with the electronic harp music of 'Myriads' and the last song, 'Only Lovers Left Alive' - a pretty melody found on an old discarded reel-to-reel; nostalgic, the sound of memory and tape creating one of the album's most moving tracks.
1. Personal Magnetism
2. Evidence (featuring The Soft Moon)
3. That Sudden Switch (featuring Xeno & Oaklander)
4. Talk (Beneath Your Dreams) (featuring Matthew Dear)
5. Neon Vertigo
6. Changelings (featuring Gazelle Twin)
7. My Town
8. Have A Cigar
9. A Falling Star (featuring Gazelle Twin)
10. Cloud Choreography
11. Shadow Memory
12. Walk
13. Myriads
14. Only Lovers Left Alive
Bonus track:
15. Talk (I Speak Machine Mix by Tara Busch)
GARY NUMAN: "John was my hero when I first started making electronic music. He's a true pioneer and seems as passionate about music today as he was then. I have a huge amount of respect for him."
CLINT MANSELL (Soundtrack composer - credits include Black Swan and Moon): "John's music is man and machine in perfect harmony. Consistent quality output too. The Maths material is vibrant."
PAUL DALEY - EX-LEFTFIELD: "John Foxx is the quiet man from another dimension bending sounds from the 23rd Century underneath cinematic sci-fi future vocals. Afrika Bambaataa is a big fan too."
The woman lying down sensually, dreamily, studiously too, on the cover of Slow is the perfect representation of Gintas K's music: research-basedmusic that can also seduce, music that allows your mind to focus and then wander away, to be attentive to the techniques being used and then drift off in the wake of melodic fragments. Gintas K(born Gintas Kraptavicius) comes from Lithuania's experimental music scene. He started in 1994 as a core member of the country's first industrial music group, Modus, before entering the world of sound art. Since then, he has created a large number of sound installations, live performances, and film music. He has released several albums, mostly on the Crónica label, but also on Retina Scan, Percepts, and skyndo. Slowis his first album for Baskaru.
On Slow,Gintas Kfocuses on microsounds, on deconstructing delicate sound sources, and on juxtaposing microgranulated textures and melodic elements. Eleven short pieces through which the artist pushes his techniques further while unveiling a seldom-heard melancholic side of his personality (a trait that puts this new album close to his 2009 Crónica release Lovely Banalities).
Slow is being released by the French independent label Baskaru. Baskaru publishes only a few carefully-selected releases each year. Its previous productions (including albums by Maurizio Bianchi, Mathias Delplanque, Francisco López, Yochio Machida,Emmanuel Mieville, Parallel41,Ethan Rose,and Frank Rothkamm) have already established high artistic and visual standards.
This fantastic musical journey, written by French composer David Fenech back in the year 2000, is entirely produced on 4-track cassette. Its title refers to the French word for "roller coaster" and "looping", as well as to the symbol of infinity. "Grand Huit" ("Big Eight") is a rare example of "cinema pour l'oreille" made of songs. The music already bears the strong handwriting of its creator: a unique mix of field recordings, outlandish singing (mostly in fantasy language) and expressive musical sketches. Bearing in mind the year of its origin, "Grand Huit" could also be seen as a soundtrack to another "carnival of souls", marking the
uncanny transition from the 20st to the 21st century while leaving all the old ghosts behind. Lonely souls and memories waving good-bye.
David Fenech's early work permanently alternates between rawness and tenderness. It offers a great cosmos of sounds ranging from downgraded samples, detuned organs and off-beat rhythms to environmental noises, toy piano, hurdy-gurdy, sine tones and Chinese theatre bells. The overall melancholic and narrative vibe of the music lets your mind drift away easily, so don't put milk on your oven while listening.
Gagarin Records is happy to present a re-mastered and slightely edited version of this masterwork for the first time on vinyl. The LP comes with a beautiful full colour poster and cover art by New York based visual artist Martha Colburn.
Biography:
David Fenech is a French musician living in Paris. Guitarist, singer and improvisor, he has played and recorded with musicians such as Jad Fair, Tom Cora, Shugo Tokumaru, Ergo Phizmiz, Andrea Parkins, Gino Robair, Ramona Cordova, Felix Kubin and many others. More recently, he released his second solo album ("Polochon Battle", on the inPolysons label, 2007), worked at IRCAM and INA GRM, recorded for theater and cinema, built small robots. He also recorded a live album with guests such as Rhys Chatham, Bérangère Maximin, Claude Parle, Sébastien Roux, Dominique Grimaud and an acclaimed trio with Jac Berrocal and Ghédalia Tazartès ("Superdisque", on Sub Rosa, 2011). He's currently touring with Jac Berrocal and Vincent Epplay and is recording his third solo album (a long instrumental piece).
ALEX GAMEZ is graduated with a degree in Optics and Optometry from UPC University. He has been involved with music as a dj, sound artist, sound designer and producer since 1995, and currently works under the moniker Asférico. Asférico is a proposal that emerges from an artist needing to create and experiment without loosing the groove.
In January of 2006, he founded Störung, focused on electronic and experimental music and visual arts. He is in charge of this project whose aim, in short, is to promote and support a variety of creative tendencies of the electronic music field, providing live performances, radio programs, and releases, to enable the audience to hear and enjoy these musical and artistic tendencies. After starting to collaborate with Kim Cascone in 2008, he became involved with Hydrophonia in 2010 as producer, and operates the Barcelona office. He is also the label manager of the Störung sub-label FlatMate Music.
About Sonidos del Subconsciente I
Asférico presents the first part of "Sonidos del Subconsciente" (Sounds of the Subconscious). A series of pieces based on the combination of massive manipulations of field recordings, captured around the world since 2007, and analog synthesizer sounds designed specifically for this project. "Sonidos del Subconsciente" is an imaginary soundtrack of a timeless, deep, dark, blurred and noisy world with millions of files and unknown connections and processes constantly running.
