

This month it’s 33 years since Electro / EBM heads Nitzer Ebb released Murderous!
This month it’s 33 years since the English Electro / EBM heads from Nitzer Ebb unveiled maybe one of their most famous and biggest dance-floor classics, Murderous! A bomb of a song that turned out to be the advance single from what would become maybe THE NEB album of all time, That Total Age! An album we still had to wait for until May 1987 and which still can be found on various top-lists of the best industrial albums ever.
The B-side of this 7 "single had the up-tempo track Fitness To Purpose while the 12 " version had also the 'Repetition' version' of Muderous pressed on it.
Where is the youth?
Enjoy!
Murderous (Lyrics)
Where is the youth
Youth
Youth
Youth
Youth
Youth
Youth
It's time to know
It's time to live
It's time to know
It's time to live
Shout golden shouts
Shout golden shouts
Lift up your hearts
Shout golden shouts!
On 20 November Nitzer Ebb will perform an exclusive clubshow @ De Casino St-Niklaas (B), together with Liebknecht & The Juggernauts!
Deze maand is het ook al weer 31 jaar geleden dat het Engelse Electro/EBM heads van Nitzer Ebb met één van hun bekendste en grootste dansvloer klassiekers uitpakten, Murderous (NEB 4) Eerst gereleased als 7" single op hun eigen Power Of Voice Communications maar al snel opgepikt en gereleased door Mute Records op zowel 7" als 12" Maxi-single in November 1986. Een bom van een nummer zo bleek, en als het ware een vooruit geschoven zijn van misschien wel HET Nitzer Ebb album aller tijden, That Total Age! Een album dat pas in Mei 1987 op on los gelaten zou worden en inmiddels nog steeds terug te vinden is op verschillende top-lijstjes van de beste industriële albums aller tijden. Op de b-side van de 7" single prijkte het up-tempo Fitness To Purpose en op de achterzijde van de 12" kon men daarnaast ook de 'Repetition' versie van Muderous vinden.
Waar is de jeugd?
Enjoy!
Murderous
Where is the youth
Youth
Youth
Youth
Youth
Youth
Youth
It's time to know
It's time to live
It's time to know
It's time to live
Shout golden shouts
Shout golden shouts
Lift up your hearts
Shout golden shouts
Narrative Short LOUIE is a US short film, written and directed by Robert Biggs (Coyote Girl) and takes place in 1958 with flashbacks to 1910.
Plot: The Prairie 1910: A wild night of boyish high jinks turns deadly and haunts a man 45 years later.
Post-production is complete and the creators are now submitting to national and international Film Festivals. Stay tuned for more information and updates!
Starring Dylan Wittrock (The Submarine Kid, California Dreams, Break Even), Finn Wittrock (American Horror Story, Judy, The Big Short, If Beale Street Coud Talk), Peter Wittrock, Terry Holland, Christopher Rojas, Jake Cohen, Mark H. Dold (All My Children,Suits, Law & Order), and musician Johnny Irion.
Producer: Deborah Sims
Director of Photography: Rick Sands
Makeup Department: Jennifer Dee
Assistant Director: Mark Farrell
Editorial Department: Rob Bessette
Follow LOUIE on Instagram: https://www.instagram.com/louiemovie/
or Twitter News Page: https://twitter.com/LouieMovie
Pictures ©️ LouieMovie
Today it’s Halloween so it’s the perfect day to remind you of Ministry’s release of the single '(Every Day Is) Halloween'. Originally released by Wax Trax! Records as an non-album b-side for the Ministry “comeback” single 'All Day' after they left Arista Records. The remixed version of 'All Day', titled 'All Day Remix', was featured on Ministry's 1986 album Twitch. '(Every Day is) Halloween' did not make it on this album but was included one year later (1987) on Ministry's compilation album Twelve Inch Singles (1981-1984).
In 2010 '(Every Day Is) Halloween' was re-released as an 6-track digital EP by Cleopatra Records. Besides the original version this EP features also four remixes and one cover version.
Ever since it’s first release (Every Day Is) Halloween has been adopted as one of the anthems of the (American) Industrial and Gothic community.
(Every Day Is) Halloween (Lyrics)
Well I live with snakes and lizards
And other things that go bump in the night
'Cause to me everyday is Halloween
I have given up hiding and started to fight
I have started to fight
Well any time, any place, anywhere that I go
All the people seem to stop and stare
They say "why are you dressed like it's Halloween?
You look so absurd, you look so obscene"
Oh, why can't I live a life for me?
Why should I take the abuse that's served?
Why can't they see they're just like me
It's the same, it's the same in the whole wide world
Well I let their teeny minds think
That they're dealing with someone who is over the brink
And I dress this way just to keep them at bay
'Cause Halloween is everyday
It's everyday
Oh, why can't I live a life for me?
Why should I take the abuse that's served?
Why can't they see they're just like me
It's the same, it's the same in the whole wide world
Oh, why can't I live a life for me?
Why should I take the abuse that's served?
Why can't they see they're just like me
I'm not the one that's so absurd
Why hide it why fight it?
Hurt feelings best to stop feeling hurt
Denials, reprisals
It's the same it's the same in the whole wide world
It's the same it's the same in the whole wide
It's the same it's the same in the whole wide
It's the same it's the same in the whole wide world

Today it is exactly 31 years since the Belgian Goth-fathers of the EBM (Electronic Body Music) released their fourth studio album Front By Front (PIAS / 28.10.1988). An album that came only one year after Official Version (1987) and with which these gentlemen managed to refine the EBM recipe almost to perfection. Front 242 was clearly on the roll and Front By Front contained, just as its predecessor, a lot of dance floor fillers and also classic tracks, like Until Death (Us Do Part), Circling Overland, Im Rhythmus Bleiben, Welcome to Paradise. And of course maybe one of their most famous and successful singles / songs until this day, Headhunter. Front By Front is therefore considered one of the best Electro / Industrial albums ever made, not only by fans but also by critics around the world. Headhunter's remarkable video, filmed and directed by the well-known Dutch director / home photographer of Depeche Mode, U2 and Joy Division, Anton Corbijn, received heavy rotation on MTV and other music channels of that time. Due to the remarkable presence of eggs in this video clip, the song soon acquired the nickname 'Egg Hunter'. Despite these seemingly successful releases, Front 242’s home label and distribution partner Red Rhino Europe went bankrupt the same year and was taken over by PIAS (Play It again Sam). After the release of Front By Front, it would be a 3 year long wait for the fans until the follow-up album Tyranny> For was released. In 1992, the Front By Front album was remastered and was put in a new jacket for the re-release on the American major label Sony / Epic.
Canadian synthpop artist EVA X proudly presents her new digital-only EP, Electrowoman.
Electrowoman was recorded and produced by Gaby Marie. It was mixed by Shane Stephenson and Chris Lacroix, and mastered by Chris Lacroix. EVA X is delighted to present two remixes as well, one of "Virtualsexua" by Edmonton’s Virtual Terrorist, and one of "Subsume" by Philadelphia-based Silver Walks. The artwork for Electrowoman was created by Edmonton-based artist Konn Lavery.
For fans of: Ayria, I Scintilla, Android Lust
"Electrowoman is my first EP and pretty much my first release as a solo artist/songwriter/producer ever. I was in a pop-punk band for a few years but wasn't satisfied with the level of creative input and direction I had. After running into this in a couple projects, I started writing my own music. The first songs were almost bluesy, until I was introduced to synthpop and EBM by a few of my friends who pushed me to learn more about synths and production. Electronic music represented an opportunity to sort of own the creative process from start to finish, so I embraced it and here we are.
This sort of theme of independence definitely comes up in my writing, most notably in "Subsume", which is pretty much an entire song about the pressure to compromise on your career as a young woman to start a family and settle down."
- Gaby Marie
BIOGRAPHY:
EVA X is the solo project of Gaby Marie, a multi-instrumentalist, singer, and robot queen from Calgary, Canada. Stylistically, it's a combination of minimal synth and futurepop, layered with rich vocals. Inspirationally, it’s an examination and celebration of love, loss, connection, and the unique tradeoffs and joys of being a woman and artist.