What are we searching for, if it is all about loving, missing, hoping or, in one word: feeling? Isn’t it intensity, authenticity, absolute simplicity in absolute complexity? It’s the search for a world of its own, that unites everything from never ending depths to staggering heights. And despite this world is everything at once, it still stays one unity.
Wherever words are not enough to describe such a world, people have tried to put it into music. But only few made it that perfectly as the “new romantic of present time” of MODEL DEPOSE from Groningen, NL. They combine the immortal attitude from Icons such as THE CURE, DEPECHE MODE, PLACEBO and SPANDAU BALLET with their completely own mixture of Synthpop and Indie Rock and create a sound that is unique, authentic and intensive at the same time.
Initially in 2009 the five musicians of MODEL DEPOSE were inviting their audience to their world. Now, some minor releases later, the guys from Groningen are back with their debut-album “Splitting Light”, where they reinvent themselves once again. With “Splitting Light” the musicians from the Netherlands made it to create a whole world in 14 tracks, that is bursting in emotion of all facets. Intensity, authenticity and absolute feelings combine themselves to a unity, that nearly never was to be heard before, rather than to be experienced.
The heart-capturing voice of Roeland van der Velde and the instruments of his band-colleagues make this experience accessible not only to the heart, but to the ears as well. An example is the song "Nightwatch", which already has absolute hit-potential and enriches the creation of MODEL DEPOSE by another wonder of the world.
So, what are we’re searching for, when we feel? Maybe there is an answer in the music of MODEL DEPOSE. Anyway, “Splitting Light” is a good starting point for all those seekers.
The Danish band will release the opera Leaves - The Colour of Falling on Nov 4, 2016 via Tambourhinoceros (Palace Winter, CTM, Cancer). The opera is composed in a close collaboration with award-winning composer Karsten Fundal.
Karsten Fundal about creating this song with Efterklang:
“This song is very special to me as it really got under my skin when we made it. Efterklang have arranged and adapted the composition in their usual hyper sensitive understanding of what the music is about. In some ways we shifted roles on this one – I made this relatively catchy melody and its simple harmonies and basic arrangement. Efterklang added the string and vocal arrangements. The lyrics are very impressionistic and somewhat melancholic as they evolve around the colour green – the colour of love and the colour not of love. It works beautifully in English because of all the wordplays. It’s a really great example of Ursula Andkjær Olsen’s poetry as she plays with triviality while abolishing linearity as she calls for our innermost emotions in the secret meaning behind the words”
The opera is released on Nov 4, 2016 on a limited blue vinyl, CD and digitally via Tambourhinoceros. It’s available for pre-order here: http://smarturl.it/EfterklangLeaves
Efterklang and The Happy Hopeless Orchestra will perform the opera around Europe in the beginning of 2017:
Feb 22 - København, Store Vega, Denmark
Feb 23 - Uppsala, Uppsala Konsert & Kongress, Sweden
Mar 02 – Eindhoven, Muziekgebouw Eindhoven / Cross Linx – Holland
Mar 03 - Groningen, De Oosterpoort / Cross Linx – Holland
Mar 04 - Rotterdam, De Doelen / Cross Linx – Holland
Mar 05 - Amsterdam, Muziekgebouw / Cross Linx – Holland
Mar 09 – London, Barbican – England
Mar 10 – Bruxelles, Ancienne Belgique – Belgium
Portland, Oregon-based Dead When I Found Her, the solo outlet of music producer Michael Arthur Holloway, will release the project's fourth album, Eyes on Backwards this Fall on Artoffact Records.
The album follow's 2015's incredible All the Way Down, which found its way on end of year lists, including album of the year on A Model of Control, and garnered Dead When I Found Her slots on every major English-language industrial music festival in 2016. The project has appeared in Canada at Terminus Festival, the UK at Infest, and this month will make its first appearance at Chicago's now sold out Cold Waves Festival.
Eyes on Backwards is a step away from the brooding, dense material of Dead When I Found Her's last album; here, Holloway is more direct, intense, and increasingly angry, eschewing the philosophical modes fans are used to. The album is also the first to appear on vinyl, including a beautifully designed splatter edition available on the band's Bandcamp.
To coincide with the release of Eyes on Backwards, Dead When I Found Her will also reissue the project's first album, the hopelessly out of print Harm's Way. The reissue will arrive as a digipak CD on November 4th with two previously unreleased bonus tracks.
In no time Peek- A-Boo has become a music and film magazine whose read figures continue to rise every day. Thanks to you, dear reader.
A dream , however, can never be big enough. We want to continue to grow and therefore we need you. Do you sometimes feel the need to write when reading our reviews? We offer you that opportunity, because Peek-A-Boo is looking for collaborators, people who like to write reviews, have their say on concerts or just want to interview their idols. There is only one condition: you have to have passion.
If you like to write about music, film, video games (yes, that too) or literature, do not hesitate and send us a test article at promo@peek-a-boo-magazine.be And who knows, you may be a Peek -A -Boo collaborator soon.
We can not guarantee that you will meet Dave Gahan or Scarlett Johansson, but as a collaborator you will have the opportunity to get promo material, to go to concerts, and of course your name will be mentioned on the Peek-A-Boo site. Interested? Do not hesitate and contact us immediately! The rest may be history!
Op korte tijd is Peek-A-Boo uitgegroeid tot een muziek- en filmmagazine waarvan de leescijfers iedere dag blijven stijgen. Dat hebben we uiteraard alleen maar aan jou, beste lezer, te danken.
Een droom kan echter nooit groot genoeg zijn, wij willen blijven groeien en daarom hebben we je nodig. Misschien heb je tijdens het lezen van onze schrijfsels ook zin om zelf in de pen te kruipen. Dat kan, wij zijn immers op zoek naar medewerkers. Mensen die graag recensies schrijven, hun zegje hebben over concerten of gewoon hun idolen willen interviewen, Peek-A-Boo biedt ze die kans. We stellen maar één voorwaarde: je moet passie hebben.
Wil je schrijven over muziek, film, videogames (ja, dat zoeken we ook) of literatuur, aarzel dan niet en stuur een proefartikel naar promo@peek-a-boo-magazine.be Dat mag in het Nederlands, het Engels of nog beter: gewoon in beide talen en wie weet maak jij binnenkort deel uit van het Peek-A-Boo-team.
We kunnen je niet beloven dat je bij Dave Gahan of Scarlett Johansson op de thee mag, wel heb je als medewerker volop de kans om promomateriaal te krijgen, als recensent naar concerten te gaan en natuurlijk prijkt jouw naam dan voortaan ook op Peek-A-Boo. Interesse? Aarzel dan niet en contacteer ons onmiddellijk, de rest wordt wellicht geschiedenis!
Having just finished a second run performing in Alexander Ekman’s A Midsummer Night’s Dream for The Royal Swedish Ballet, Anna von Hausswolff is gearing up for an extensive European tour with SWANS.
To set the mood, today we share a new video for the remarkable 11-minute doomscape opus ‘Come Wander With Me/Deliverance’, directed by Anna’s sister, Maria von Hausswolff.
Taken from 2015’s highly acclaimed album ‘The Miraculous’, ‘Come Wander With Me/Deliverance’ is a track of gargantuan scale & power. Originating as a cover of Jeff Alexander & Anthony Wilson’s track from The Twilight Zone; the song grew bigger with every live performance; eventually forming a second song around it; ‘Deliverance’. The result is a driving crusade of colossal scale.
Maria von Hausswolff gives the track even further weight with this new accompanying film, which she describes as: “An abstract dreamy tale about loneliness, about fighting against your own demons and about being strong; shot deep inside a Swedish forest.”
This year Anna von Hausswolff has already stunned audiences at a packed out Barbican for Nils Frahm’s Possibly Colliding, on tour with Refused and at St John on Bethnal Green for Convergence Festival. Now, she prepares for an extensive tour supporting SWANS across Europe, including two nights at London’s Islington Assembly Hall.
Anna’s latest album, The Miraculous (out now via City Slang), is an album steeped in history, mystery, magic and terror, drawing on tales & folklore from her homeland of Sweden, whilst making full use of the Acusticum Pipe Organ in Piteå, Northern Sweden, whose colossal sound – with 9000 pipes – swells heroically throughout. Yet, for the ferocious instrumentation, it is always Anna von Hausswolff’s incomparable voice that sits first and foremost, swooping around the organ & guitars to phenomenal effect.
Anna von Hausswolff live dates:
October
5 -Toulouse FR, Organ Festival
6 – Brussels BE, Oranjerie Botantique*
7 – Eindhoven NL, De Effenaar*
8 – Brighton UK, Concorde 2*
9 – Manchester UK, HMV Ritz*
11 – Glasgow UK, Oran Mor*
12 – Newcastle Upon Tyne UK, Northumbria University*
13 – London UK, Islington Assembly Hall*
14 – London UK, Islington Assembly Hall*
15 – Reims FR, La Cartonnerie*
17 – Hamburg DE, Kampnagel*
18 – Berlin DE, Huxleys Neue Welt*
19 – Prague CZ, Divaldo ARCHA Theatre*
21 – Budapest HU, A38 Ship*
22 – Vienna AT, Arena Big Hall*
23 – Graz AT, Orpheum Extra*
25 – Ljubljana SL, Kino Kiska Centre For Urban Culture*
26 – Zagreb HR, Lauba*
28 – Basel CH, Kaserne*
29 – Vevey CH, Rocking Chair*
30 – Bern CH, Reitschule Dachstock*
November
1 – Nantes FR, Le Grand Mix*
2 – Nimes FR, La Paloma*
4 – Torino, IT, C2C*
5 – Bologna IT, Teatro Auditorium Manzoni*
6 – Rome IT, Orion Live Club*
8 – Turcoing FR, Le Grand Mix*
9 – Paris FR, Le Trabendo*
10 – Cologne DE, Gebäude 9*
11 – Munich DE, Feierwerk*
12 – Wiesbaden DE, Kulturezentrum Schlachthof*
13 – Utrecht NL, Le Guess Who
