Synthpop band Chvrches is coming to Belgium!
Location: AB Grote Zaal
Start: 19:00u
Organisation: Live Nation
Genre: Pop
Price: €27.00
Concert
Locatie: AB Grote Zaal
Aanvang: 19:00u
Organisatie: Live Nation
Genre: Pop
Prijs: €27.00 (€27.00 aan de kassa)
Voorverkoop start op Vr 24 Jul 2015 10:00u
Lauren Mayberry, Iain Cook en Martin Doherty vonden in 2011 de synthpop opnieuw uit. De Schotten weten sindsdien een steeds groter publiek aan zich te binden met hun onweerstaanbare electropopsongs. 2015 wordt voor hen het jaar van de grote podiumterugkeer!
Na een reeks Europese zomerfestivals – waaronder Pukkelpop in augustus – staat september voor hen in het teken van de release van hun tweede plaat, en zal de band dit najaar ook live terugkeren voor een zaaltournee. Chvrches staat op 14 november op de planken in de Ancienne Belgique!
Al sinds de groep in 2011 het levenslicht zag, slaagt het drietal uit Glasgow er goed in om de aandacht van de Britse media naar zich toe te trekken. Het jaar erop prijken ze in tal van prestigieuze lijstjes (van The Guardian, NME en de BBC) naast ander talent als Haim, Angel Haze, The Weeknd, Tom Odell en Laura Mvula.
"As close to soar-away rock perfection as it's possible to imagine"NME 1996
"Pure, unadulterated, no nonsense, emotional, tuneful, impassioned, purposeful, hedonistic rock 'n' roll"
Melody Maker 1996
60ft Dolls are one of the most underrated of the Cool Cymru bands. They spearheaded the Newport scene of the 1990s, were championed by Steve Lamacq and soon signed to Indolent Records following a couple of Rough Trade singles and support slots for Oasis, Elastica and Dinosaur Jr.
The Big 3 was released in 1996 to strong reviews and made the Best Of The Year lists in the NME, The Guardian, New York Times and was named in 2003 by Mojo as one of the Top 12 Britpop Albums Of All Time. It features the singles Happy Shopper, White Knuckle Ride, Pig Valentine, Stay and their Top 40 hit Talk To Me.
This 2CD expanded edition includes the original album together with the best of their b-sides as chosen by the band. Also included is their session for John Peel which is listed in the Best Peel Sessions Of All Time
DISC ONE: ORIGINAL ALBUM
1. HAPPY SHOPPER
2. STAY
3. PIG VALENTINE
4. THE ONE
5. HAIR
6. TALK TO ME
7. STREAMLINED
8. LOSER
9. NEW LOAFERS
10. GOOD TIMES
11. NO 1 PURE ALCOHOL
12. TERMINAL CRASH FEAR
13. BUZZ
DISC TWO: BONUS TRACKS
B-SIDES
1. DOCTOR RAT
2. BRITISH RACING GREEN
3. EVERYBODY’S GOT SOMETHING TO HIDE (EXCEPT FOR ME AND MY MONKEY
4. MESS
5. STAY (60FT DOLLS VS PASTOR RAY BEVAN)
6. WHITE KNUCKLE RIDE
7. AFTER GLOW
8. EASY
9. THE MAINDEE RUN
10. YELLOW CANDLES
11. ROSALYN
BBC SESSION – JOHN PEEL SESSION 17 FEBRUARY 1996
12. THE NEW LOAFERS *
13. STREAMLINED *
14. LOSER *
15. PISS FUNK *
16. STAY *

Dust Boat - The Merciful Release Recordings 1986 - 1989 - James Ray & The Performance
James Ray & The Performance originally formed in Newcastle in the mid-1980s, around the duo of James Ray on vocals and Carl Harrison on various electronic instrumentation. Prior to the release of their debut
single 'Mexico Sundown Blues', produced by Andrew Eldritch from The Sisters Of Mercy in 1986, Ray had offered his vocals for the indie chart topping single 'Giving Ground' by The Sisterhood. This led directly to The Performance signing to The Sisters Of Mercy's own "Merciful Release" label, immediately making The Performance a cult smash, and 'Mexico Sundown Blues' an indie dance floor filler.
This release kicks off with the 9 minute, 12" epic version of 'Mexico Sundown Blues', as well as the radio edit of the song, plus the brooding B-side 'Edie Sedgwick', also produced by Andrew Eldritch, all aided and abetted by the Sister's trusty drum machine, Doktor Avalanche.
A year later, and also on Merciful Release, The Performance released their second single 'Texas', which follows a similar dance-rock-industrial groove as the debut. The original version of 'Mountain Voices' from the b-side of 'Texas' is included here on CD for the first time, as well as the song 'Johnny Goodbye'.
Third and last single from The Performance, 'Dust Boat' from 1989, also featured a live version of 'Southern White Knight', and what could almost be considered their theme song, 'A New Kind Of Assassin', with the latter two included here on CD for the first time.
This collection from their Merciful Release output also includes some rare and never before heard demos recorded prior to signing to the label, plus plenty of rare memorabilia and extensive liner notes based on new interviews with James Ray.
MEXICO SUNDOWN BLUES (12" VERSION)
EDIE SEDGWICK
TEXAS
MOUNTAIN VOICES (ORIGINAL VERSION)
JOHNNY GOODBYE
DUST BOAT
A NEW KIND OF ASSASSIN
SOUTHERN WHITE KNIGHT (LIVE)
BONUS TRACKS
MOUNTAIN VOICES (REMIX)
PBR STREEGANG
EDIE SEDGWICK (DEMO)
ASSASSIN 64
A NEW KIND OF ASSASSIN (DEMO)
MEXICO SUNDOWN BLUES (EDIT)
FOR FANS OF: THE SISTERS OF MERCY, MINISTRY, SUICIDE…

Destination Assassination - The Merciful Release Reordings 1989-1992 - James Ray's Gangwar
James Ray made his sonic debut topping the indie charts in January 1986 singing lead vocals on 'Giving Ground' by The Sisterhood, a short lived spin-off from Leeds' favourite sons, The Sisters Of Mercy.
Signing to The Sisters Of Mercy's own Merciful Release record label, James Ray And The Performance released three cult EPs between 1986 and 1989, before James Ray left to form James Rays Gangwar at the end of 1989.
Making an immediate impact with their visceral live shows, and taking a far more rock orientated approach than the industrial/dance/rock hybrid pursued by The Performance, Gangwar released 'Another Million Dollars', backed by 'Hell Blonde Chiara', at the end of 1989.
"Without Conscience' backed with 'Destination Assassination' was released by Merciful Release on 12" in 1990, and continued many of the themes developed by The Performance, but with a more brutal, and aggressive guitar based attack, joining the samples, sequencers and relentless drum machine.
James Ray finally issued his full-length debut album in 1992 with "Dios Está De Nuestro Lado" (Spanish for 'God is on our side'), kicking off with the seven minute single, 'Rev Rev Lowider', an electronic 'Born To Be Wild' for the end of the millennium.
Inevitable comparisons were made with label boss Andrew Eldritch and The Sisters Of Mercy, but fans and critics alike were at last recognizing the singer's unique talent, with positive press from everyone from Melody Maker to The Times.
As well as extensive liner notes based on new interviews with James Ray, the release includes many rare and previously unreleased demo recordings, available on CD for the first time.
CD ONE
ANOTHER MILLION DOLLARS (12" A-SIDE)
HELL, BLONDE, CHIARA (12" B-SIDE)
WITHOUT CONSCIENCE (12" A-SIDE)
DESTINATION ASSASSINATION (12" B-SIDE)
"DIOS ESTÁ DE NUESTRO LADO"
REV REV LOWRIDER
HEART SURGERY
35 THOUSAND TIMES
BADLANDS
HARDWAR
CADILLAC COMING
BAD GIN
SANTA SUSANA
COO CA CHOO
CD TWO: (PREVIOUSLY UNRELEASED DEMOS)
COLD BLOOD AND MURDER
ANOTHER MILLION DOLLARS (DEMO VERS 1)
HELL, BLONDE, CHIARA
WITHOUT CONSCIENCE
DESTINATION ASSASSINATION
REV REV LOWRIDER
HEART SURGERY
35 THOUSAND TIMES
BADLANDS
HARD WAR
CADILLAC COMING
SANTA SUSANA
BAD GIN
ANOTHER MILLION DOLLARS (DEMO VERS 2)
INSTRUMENTAL
COO CA CHOO
FOR FANS OF: THE SISTERS OF MERCY, MINISTRY, SUICIDE
Special and awesome collaboration recording by the Spanish Industrial music pioneers ESPLENDOR GEOMETRICO and the legendary HIJOKAIDAN (a.k.a. the King of Noise in Japan)! Live recording in Tokyo 2013 (SuperDeluxe club). This is a collaborative release between 3 labels: Geometrik (Madrid), Alchemy & Suezan Studio (Tokyo) – the latter released this album on CD format in Japan only (sold out immediately). “In November 2013, E.G. made their fourth trip to Japan. After a first 2 shows in Tokyo, Day 3 foresaw this special E.G.Kaidan show and I confess: I was very nervous because E.G. had almost never played with other bands on stage. However, my concerns were entirely blown away as they kick-started the show.
Overlapping with the material chosen from E.G.’s latest album ‘Ultraphoon’, Jojo Hiroshige´s guitar sound and the harsh noise generated by Mikawa, combined with Junko´s eccentric voice, mingled together into an unprecedented mass of sound and hit everybody in the crowd. The two ensembles fused their sounds together and assaulted the audience with an overpowering force… The vocal interchange between Arturo Lanz and Junko, got the audience involved and drove the whole house into frenzy. The show ended in triumph – I filed away the atmosphere in the venue right after the performance, the air was filled with a mixture of excitement and stunned euphoria” Kaoru Koyanagi (Suezan Studio) An apocalyptic collision E.G. – HIJOKAIDAN for fans of old-school Industrial-Rhythmic Noise in a highest quality live recording in Tokyo 2013 (at SuperDeluxe Club).