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ROSA†CRVX goes mobile

09th of March 2014, 09:27

With a new semi-crowdfunded project ROSA†CRVX will buy a special truck that can be transformed into a stage.

Victim of prejudice and mediatic manipulation, Rosa†Crvx has been subjected to a more or less frank censure from its beginning. In spite of a great enthusiasm and interest from the audience after each of its appearences on stage, the group doesn't get many opportunities to play live. Clearly, the greatest concerts have been the ones organized by the group itself, therefore it is the direction they want to follow, however...

They are launching a new project : the layout of a stage truck.

The plan is the purchase of a 20m² truck which will, after a few modifications, be convertible into a 8x4m stage, mountable in a few hours, half-covered, and which will offer the possibility to meet the demands and play in out-of-the-way places, old castles, private domains, etc...

Fans can contribute & make a chance on diverse ROSA†CRVX items.


www.rosacrux.org/camion


Kevorkian Death Cycle release European Edition of 'God Am I'

09th of March 2014, 08:18

From the Juggernaut Music Group Headquarters:

What better way to officially kick-start our partnership with Negative Gain than by re-introducing Kevorkian Death Cycle after a lengthy 14 year absence? 

In a similar manner to Hate Dept. before them, Kevorkian Death Cycle mark the return of the popular and aggressive "Coldwave" sound - merging it with trademark Industrial Rock stylings that many lament having ever gone away. 
Having already sold out the 1st pressing on Negative Gain, the Juggernaut version of this recent classic comes with new and exclusive art; two entirely new and exclusive tracks, courtesy of IIOIOIOII mastermind Christopher Gurney, who once again has excelled himself. 

2014 has brought with it a huge resurgence in Industrial - with no less than FIVE new labels gathering momentum (Ourselves included), several high profile bands making a comeback, new partnerships and festivals being launched almost weekly, there is simply no excuse not to celebrate right now - but we're giving you one anyway! 

Released last year, "God Am I" was heralded, devoured and obsessed over by a very large chunk of the Industrial world. Now, is time to end the 14 year wait for European recognition - with the European Edition of "God Am I!" 

Guaranteed to sell very quickly indeed, Occupy:Europe is now live - Music shouldn't be seperated by an ocean, and when it's this passionate and popular, it's time we took things international. 

Comes in 4 panel Digipak. 
Pre-orders are 20% off until the May 16th Release Date.

 

juggernautservices.bandcamp.com/album/god-am-i-european-version


Next friday: Dark Entries Night with Doganov and Psychogeneration

08th of March 2014, 16:58

For their ninth edition, the Dark Entries Nights present two Belgian bands that are really worth seeing. Psychogeneration brings a mix of gothic rock and gothic metal and work among the lines of an ambitious concept about psychopaths. Doganov share a love for hard beats and guitars, and have the ambition to break down the house. With a sound reminding you of Rammstein and Nine Inch Nails, chances are they will succeed. If the room survives, switchbLack-DJ's Wildhoney and Stellarator will come and play their and your favorite records.

20:00: doors

20:30: PSYCHOGENERATION

21:45: DOGANOV

AFTERPARTY (switchbLack-DJ's): 22.30u-03.00u

Location: Kinky Star, Vlasmarkt 9, 9000 Ghent

 

www.facebook.com/events/197502787114281/permalink/215123965352163


Necrorealism with Totentop Party

07th of March 2014, 18:27

Please let us introduce you to the Totenpop Party in Art Cinema OFFoff (Ghent, Friday 21st March from 22.30hrs)

‘Necrorealism’ is a festival in where you can discover the death of beauty. Apart from film there’s also the Totenpop Party.

The morbid underground artmovement from necrorealism was founded in Leningrad in the 80’s under the leadership of Yevgeni Yufit.

OFFoff will show you during March his work and ends this concept with an apocalyptic party: think Sovjet horror, sci-fi Grand Guignol, necromance, experiments on the human body….

Dj’s Maria K. and M.A.V. will play industrial, cold wave, Sovjet pop, post punk, martial music, batcave etcetera.

All info on www.offoff.be

Reservations for the screenings at info@offoff.be

Entrance: 3 euro

Visitors from the screening at 20.30hrs (6,5 euro/4 euro) have free entrance to the party.

Adress:

Art Cinema OFFoff

Begijnhof Ter Hoye

Lange Violettestraat 237

9000 Gent

 

 

 


Arrow releases White Of The Eye

07th of March 2014, 18:15

Arrow Video is excited to announce the UK Dual Format Blu-ray + DVD and Steelbook release of the 1987 British thriller, White of the Eye, which will be making its worldwide Blu-ray debut, and UK DVD debut from 31st March 2014. Described by the distinguished critic David Thomson as “one of the great secret works in cinema”, White of the Eye is one of the most bizarre and unforgettable thrillers ever made.

 

Following on from their work on Zombie Flesh Eaters, Time Bandits, The Fury and Cinema Paradiso, White of the Eye joins a prestigious line of Arrow Video titles whereby the restoration has been taken directly from the original camera negative, all of which were created by James White at Deluxe. The release will represent the first time the film will be released on Blu-ray in the UK, features packaging that showcases a newly commissioned artwork by Nathanael Marsh.

 

Arrow Video’s Francesco Simeoni said: "Donald Cammell was such an unfortunate filmmaker, side-lined by critics who thought Nicolas Roeg was the creative force behind Performance, projects which would never come to fruition, studio interference and personal problems, his life was arguably more famous than his films. White of the Eye is possibly his most problem free film, though even this film suffered cuts, which we have included, although sadly no sound could be found. Though the film was cut, Cammell never commented, at least publicly, about his dissatisfaction with this decision by distributor Cannon. With a gorgeous new restoration of the negative and a bevy of supplements including a documentary on Cammell by Oscar winning filmmaker Kevin Macdonald and Chris Rodley, an audio commentary by Cammell's biographer Sam Umland, Cammell's short film The Argument, a comprehensive booklet and more, we are very proud to make this sensational film available to the UK once again.”

 

Featuring a bumper crop of bonus features such as documentary 'Donald Cammell: The Ultimate Performance' (1998), Donald Cammell’s short film, The Argument, an audio commentary by Donald Cammell's biographer Sam Umland, deleted scenes, original opening credits and the theatrical trailer.

 

Synopsis

 

A serial killer is on the loose in and around the small community of Globe, Arizona, and housewife Joan White (Cathy Moriarty) gradually comes to suspect that her opera-loving hi-fi engineer husband Paul (David Keith) might know more than he’s letting on…

 

So far so familiar, but in the hands of British visionary Donald Cammell (who wrote and co-directed Performance with Nicolas Roeg), the film becomes a dazzling kaleidoscope of images and ideas, spanning everything from Apache folklore, desert landscapes and stylish murder set-pieces that recall Dario Argento to a painfully vivid dissection of the emotional fissures undermining a modern marriage. It’s all set to an equally eclectic score co-written by Pink Floyd’s Nick Mason.

 

Special Features

· Feature-length (73-minute) documentary, 'Donald Cammell: The Ultimate Performance' (1998)

 

· Commentary by Donald Cammell's biographer Sam Umland

 

· Donald Cammell's short The Argument (1972) with an optional commentary by Sam Umland

 

· Into the White - an interview with co-cinematographer and Steadicam wizard Larry McConkey

 

· Deleted scenes, with an optional commentary by Sam Umland

 

· Flashback scenes before the bleach bypass process was applied

 

· Original opening credits featuring John Diehl, an actor cut from the final film

 

· Theatrical trailer

 

· Reversible sleeve with original and newly commissioned artwork by Nathanael Marsh

 

· Collector’s booklet featuring new writing on the film by Brad Stevens and Sam Umland

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