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NEWS The Wharves announce ‘NAZ / My Will’ 7”

The Wharves announce ‘NAZ / My Will’ 7”

07th of October 2015, 14:44

The Wharves combine gracefully minimal psyche-rock with fuzzed out folk. Their songwriting remains consistently rich, largely due to the startling harmonies of Gemma Fleet (bass) and Dearbhla Minogue (guitar) that bond together each song. They invoke the reverberated spook of 60s girl groups, the mid-fi guitar crunch of Kim Deal’s The Amps, the vocal flavours of The Roches and the narrative and structural panache of 70s progressive folk. Marion Andrau’s thunderous drumming drives through these compositions, ensuring the wealth of disparate influences remain focused and celebratory.

Following on from last year’s brilliant ‘At Bay’ album on Gringo Records, this brand new 7” single gives us a glimpse of what their next album ‘Electa’ will sound like next year. PRS’ 'Women Make Music' grant made these recordings possible and enabled the band to spend a day recording with a rebel choir made up of friends of the band and family members. Side A boasts the plaintive yet powerful track ‘NAZ’, which soars for the sky with each vocal climb and guitar trail. Whilst, ‘My Will’ on the flipside takes us back to a wintry past life, sounding practically medieval in its quietude, before leaping up like a newly lit bonfire when the rebel choir join the fray.


NEWS The Wainwright Sisters announce debut album 'Songs In The Dark' Out November 13

The Wainwright Sisters announce debut album 'Songs In The Dark' Out November 13

07th of October 2015, 14:42

The Wainwright Sisters will be releasing their anticipated new album 'Songs In The Dark' on November 13 via [PIAS]

Although they're sisters, Martha Wainwright and Lucy Wainwright Roche didn't grow up together. Aside from genetics, their true bond was a musical one, both growing up in families steeped in songwriting. Both their mothers would sing them lullabies (Kate McGarrigle to Martha and Suzzy Roche to Lucy) - now to honour that, 30 years later, Martha and Lucy are singing many of these same songs, some penned by their mothers and father (Loudon Wainwright III) on 'Songs In The Dark.'

The record also includes songs that shaped their childhoods, made famous by the likes of Woody Guthrie and Jimmie Rogers. When Martha and Lucy grew up and become songwriters of their own, they discovered their physical separation was trumped by their shared musical DNA. On 'Songs In The Dark,' this is captured in its elemental essence: dark, mysterious, and beautiful.

The Wainwright Sisters - Upcoming Showcase Dates

11/07 - City Winery, New York, New York

11/10 - St. Stephens Church, London, England

12/1 - Phi Centre, Montreal, Quebec


NEWS Lanterns On The Lake announce new album

Lanterns On The Lake announce new album

07th of October 2015, 14:39

Two years on from the critically acclaimed Until The Colours Run, Lanterns On The Lake return with their third full-length record Beings, released 13th November on Bella Union. It marks another leap in the band’s development as they expand their range, pushing the envelope of their signature atmospheric rock and scaling new heights of absorbing song-craft. The band have unveiled a track from the LP entitled ‘Faultlines’ which is streaming HERE and announced a 6-date UK tour, the dates of which are below.


Work on Beings began in February 2014, hard on the heels of successful tours of Europe and North America. It proved to be a productive period. “The ideas came effortlessly and in abundance,” vocalist Hazel Wilde says of the writing process. “At first we had no expectations, no prescribed ideas of how we wanted the songs to turn out. We were just writing and playing together because that’s what we’d always done.”

This was made possible by their setup, working in splendid isolation; writing, rehearsing and recording in their Newcastle rehearsal room meant the results were undiluted by outside influence. Imaginatively produced and mixed by guitarist Paul Gregory, it’s also his experience that helped yield such compelling results. This allows Beings to move seamlessly from airy, chiming beauty to dense, forbidding soundscapes - sometimes in the same song - while still feeling like the product of a cohesive unit, retaining the band’s spark. “We wanted it to be more raw,” Wilde says of the record. “At its darkest points, we wanted it to feel like you’d dived into the deepest part our dreams and were taking a look around. At its lightest we wanted it to feel like you were coming up for air.”

Opening song ‘Of Dust and Matter’ strikes just such a balance. The band’s most sinister moment yet, it prowls out of a burble of radio static and feedback, propelled by ominous piano chords as its menacing pulse builds to a tumbling climax of almost discordant, warped guitar parts and the fractured drumming of Ol Ketteringham. “In my greatness I vowed to destroy all I am,” Wilde sings. “It brings out the best in me.”

It’s an interesting early lyric, and it soon becomes apparent that this is a braver, more headstrong Lanterns on the Lake, a band now less about floating on water than racing across land, eager and with points to prove. Often their melancholy necessarily turns to action. “Fractured lives like faultlines, unto the breach my friends if you will” is Wilde’s call to arms on ‘Faultlines’, a critique of austerity, as the band turn in a cavalry charge with her voice as the clarion call.

Wilde's lyrics also shudder with evocative and often surprisingly dark imagery in songs that attempt to understand the world around her, built from charged moments of universal insight. “There is a sense of the need to connect to something; the need to find meaning,” she says of the material. “There’s such frustrating injustice in the world, yet this feels like a time of disconnection where we’re encouraged to celebrate the shallow side of culture. This record carries that sense of yearning for something greater.”

This gives Beings immediacy, depth and resonance as it touches on community, love, culture, politics and self-examination, and our own place and limitations within each. “I want to walk with the brave, give me a good day, I want to feel human” Wilde sings on the graceful ‘I’ll Stall Them’, exploring the importance of connection, kinship and reconciliation.

Beings is the engrossing product of a band operating in total harmony to the point where their music creates its own idiosyncratic world whilst also distilling outside concerns into it. The horizons open to Lanterns on the Lake are now as broad as the sweep of these beautiful songs.

Beings is released 13th November on Bella Union


NEWS The return of Elisa Waut on stage and CD

The return of Elisa Waut on stage and CD

06th of October 2015, 18:59

EN

Earlier this year Elisa Waut (Elsie Helewaut, Hans Helewaut and Chery Derycke) released after 17 years, a surprising new album "Portraits and Landscapes"

Singles like "Blossom", "Portrait" and "Slow" (see also www.elisawaut.com clips via YouTube) indicate that Elisa Waut are completely reborn.

Anyone who is going to see them in concert will hear the new work of"Portraits and Landscapes" and an anthology of the repertoire of early Elisa Waut. "Growing Pain", "Four Times More," "After Today", "Sailors Do not Cry," "Do It No More" Vanilla "and many other songs are undoubtedly on the playlist.

Concert dates:

28 Oct 2015 CC Staff Versluys Bredene

http://www.stafversluys-centrum.be/nl/nieuws/elisa-waut-komt-naar-bredene

31 Oct 2015 Bruges City Theatre

http://www.ccbrugge.be/evenement_detail.jsp?evenement=1923

15 Nov 2015 Depot Leuven

http://www.hetdepot.be/concerten/elisa-waut


NL

Eerder dit jaar verscheen van de groep Elisa Waut (Elsje Helewaut, Hans Helewaut en Chery Derycke) na 17 jaar een verrassend nieuw album “Portraits and Landscapes”

Opmerkelijke singles als “Blossom”, “Portrait” en “Slow” (zie ook de clips via www.elisawaut.com op YouTube) geven aan dat Elisa Waut anno 2015 trouw aan hun eigen drievuldige chemie volledig herboren zijn.

Wie dit najaar Elisa Waut live gaat zien krijgt naast het nieuw werk uit “Portraits and Landscapes” ook een bloemlezing uit het rijke en eigenzinnige repertoire van de vroege Elisa Waut. “Growing Pain”, “Four Times More”, “After Today”, “Sailors Don’t Cry”, “Doe Het Niet Meer”, Vanilla” en vele andere songs staan ongetwijfeld op de playlist.



Concert data:

28 okt 2015 CC Staf Versluys Bredene

http://www.stafversluys-centrum.be/nl/nieuws/elisa-waut-komt-naar-bredene

31 okt 2015 Stadsschouwburg Brugge

http://www.ccbrugge.be/evenement_detail.jsp?evenement=1923

15 nov 2015 Het Depot Leuven

http://www.hetdepot.be/concerten/elisa-waut


NEWS Pseudo Code 'Remains To Be Heard Volume 1 & 2' 2xCD

Pseudo Code 'Remains To Be Heard Volume 1 & 2' 2xCD

06th of October 2015, 18:40

Pseudo Code "Remains To Be Heard Volume 1 & 2" 2xCD | EE Tapes EE31 | 300 copies | 2015-10-01
Reissue of two exquisite 80s cassettes on "Insane" comprising live and studio outtakes by Pseudo Code.
I remember those releases well at the time of release back in 1984 & 1986, surprised to discover how
many quality tracks had yet remained unpublished after their demise in 1982.
Very proud now to see this remastered major work from the past getting a second life as a double CD set 
with three (longer) bonustracks!


Pseudo Code were Alain Neffe ("Insane", BeNe GeSSeRiT, Human Flesh, Subject etc), Guy Marc Hinant 
("Sub Rosa") and Xavier S (national radio).


2 versions:
standard edition (250 copies): 2xCD in ecopack (retail/wholesale welcome)
special edition (50 copies): 2xCD in ecopack + 7" clear lathe cut (with 2 rare compilation tracks) 
(no wholesale, only available from the label)
Tags: leftfield, experimental, vocal, wave, improvisation,....

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