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NEWS New PALAIS IDEAL single and video clip with unique choreography by Burning Bridges!

New PALAIS IDEAL single and video clip with unique choreography by Burning Bridges!

19th of November 2018, 12:16

New wave / post-punk duo PALAIS IDEAL (NL/UK) are proud to present their brand new single and video 'Context Collapse'. The new single has been produced by John Fryer (Depeche Mode, NIN, Cocteau Twins, This Mortal Coil, HIM). A moody, minimal and highly energetic video for the track has been choreographed by renowned dance company Burning Bridges.

Title track 'Context Collapse’ is reminiscent of early The Cure and The Sound, while the second track, 'A State Of Confusion’, boasts a Gang Of Four-inspired fiery groove.

PALAIS IDEAL combine melodic songwriting with a 'vintage' early 80s sound and vibrant live performances, developed at numerous international gigs. The duo's debut album 'No Signal' currently continues to receive international critical acclaim. A follow-up album, also produced by John Fryer, is currently in the making.

www.palaisideal.net

https://www.facebook.com/palaisideal/


NEWS New album by BORGHESIA - Proti kapitulaciji (Against Capitulation) - Out now!

New album by BORGHESIA - Proti kapitulaciji (Against Capitulation) - Out now!

18th of November 2018, 12:20

Against the capitulation of art, curiosity, equality, solidarity, mischief, diversity, wonder, empathy, sympathy, nonconformism, spontaneity, civil society, utopia, doubt, dreams, freedom, passion, revolt and critical thinking...

Slovenian electronic music pioneers and video art trailblazers Borghesia return with the new full-length album ‘Proti Kapitulaciji’ (‘Against Capitulation’) based on the timeless Pan-European poetry of Slovenian visionary Srečko Kosovel (1904-1926). During the eighties, the duo formed by AldoIvančič and Dario Seraval contributed to the blossoming of the European electronic body musicscene. Their releases for the cult indie label PIAS are considered as one of the heights of dark electronic sounds of the period. The band went on a hiatus just before the new millennium. A new Borghesia was formed and its membership expanded in 2009. Their comeback album ‘And Man Created God’(Metropolis Records, 2014) opted for a more orchestrated sound that crossed genre boundaries. A similar mindset governed the creation of the new LP.

‘Proti Kapitulaciji’ fuses erratic new wave and haunting industrial sounds with their trademark morbidly sexy ambience. The main novelty is a newfound soft spot for bowiesque arrangements. As the free-floating opener “Odprite muzeje” sets the pace, the air is permeated with fear of unrestrained nationalism. While primordial and rough, songs like “Kons” and “Moj črni tintnik” boast with their signature libidinal grooves. On tracks like “Destrukcije” or “Evropa umira”, the band’s experimental tendencies break loose, culminating in cinematic synth-driven soundtracks for the dying Europe. There is also the club-ready “Jaz protestiram”, an off-kilter industrial stomper worthy of Helena Hauff’s DJ set. The drowsy, hypnotic and chilling tones from singers Dario Seraval, Irena Tomažin Zagoričnik, Jelena Rusjan and Ivo Poderžaj provide the perfect foil for the groovy and paranoid instrumentals by guitarists Andraž Mazi and Sašo Benko. This multi-layered sonic collage of rhythm machines, samples, field and instrumental recordings, Stravinsky, volksmusik, cut-up sonic fragments and vocals, inspired by Luigi Russolo’s The Art of Noises (1913), was attentively crystalized and put together by Aldo Ivančič.

The album revolves around the striking poetic language of Srečko Kosovel. During his short but fruitful life as an adherent of unrestricted technological change, “the Nikola Tesla of modernist poetry” grew into an ardent critic of European politics. Years before Burroughs and Bowie, he invented the cut-up technique and wrote a poem called “Heroes”. His verbal explosives calling against sterile politics and petit bourgeois provinciality are now resurrected by Borghesia.

The album was recorded, produced, mixed and mastered by Aldo Ivančič. The cover comes from the talented artist Matej Stupica. Live visuals are provided by Boštjan Čadež and Lina Rica. “Proti kapitulaciji” will be released on October 23rd, 2018 on Moonlee Records in digital, CD and double 12” formats.

While in 2018 young producers opt for a rehash of the original EBM / industrial tropes, Borghesia aim for fresh explorations in sound. The result is an uncanny sonic examination of the European heart. It sounds murky and psychedelic, evoking a macabre feeling of emergency – as any urgent call against capitulation does. Borghesia loudly declares: It’s high time we put Europe on the shrink’s couch!

Tracklist:
1. Odprite muzeje 2. Kons
3. Na Piramidi
4. Ljubljana spi
5. Razočaranje
6. Jaz protestiram 7. Evropa umira 8. Razočaranja I 9. Moj črni tintnik10. Destrukcije 11. Rodovnik
12. Blizu polnoči

Borghesia will present their new album on two promotional concerts brought to you by Moonlee Records, Layerjeva hiša and Dvocikel:

30.10.2018 (Tuesday) at 21h – Kranj, Prešernovo gledališče Kranj
FB event // tickets

02.11.2018 (Friday) at 20h – Ljubljana, Stara mestna elektrarna
FB event // tickets


NEWS Rise Of The Robots | Autobahn Reaches 44-Years

Rise Of The Robots | Autobahn Reaches 44-Years

17th of November 2018, 13:23

“Autobahn” was released to an unsuspecting public in November 1974, it is day zero of electro, minimalist, ambient and synth-pop, the very moment which inspired the synthesizer-experimentations of the late-1970s and the new-wave sound which dominated the 1980s.

Not the first ambient-electronic style release, not even by Kraftwerk but it was the first successful one. The album even contained a surprise hit, an edited down version of the title track broke the top-twenty in the U.S and U.K in May 1975, this release marked the arrival of the most influential musical-force since The Beatles.

An album based on the concrete infrastructure of Germany, the Autobahn, Kraftwerk take us on a journey, from entering the automobile to speeding through the landscape to tuning the radio and all the time the monotonous electronic-beats mirror the repetition of the journey.
With treatments of vocoder-sounds and organic voices the only natural comparison to vocals appears here as the remainder of tracks are entirely instrumental, however, do not be mistaken for thinking this is a completely electronic affair as instruments such as flutes, violins and guitar appear throughout mainly contributed by Klaus Röder, where as Ralf Hütter and Florian Schneider structured the electronic development of the album.

This album is anything but aged, there is no deterioration in quality or style unlike some of the bands which gained inspiration from “Autobahn” and Kraftwerk as a unit.

From Bowie to Blondie, through to New Order and Siouxsie And The Banshees they all took direction from this point and into the future released by Kraftwerk.


Ralf Hütter – vocals, electronics
Florian Schneider – vocals, electronics
Klaus Röder – violin, guitar
Wolfgang Flür – percussion


Original 1974 Track Listing;

1.Autobahn
2.Kometenmelodie 1 ('Comet Melody 1')
3.Kometenmelodie 2('Comet Melody 2') 4.Mitternacht ('Midnight')

5.Morgenspaziergang ('Morning Walk')


NEWS Varsovie present brand new video clip, Killing Anna!

Varsovie present brand new video clip, Killing Anna!

16th of November 2018, 17:17

VARSOVIE is a dark-rock / post-punk band created in 2005 in Grenoble (France) by Arnault Destal (lyrics, drums, music) et Grégory Catherina (vocals, guitars, music).

KILLING ANNA is taken from the third album of the band, COUPS ET BLESSURES, out in May 2018 on Sundust Records and recorded at Drudenhaus studio, Bretagne.

THE VIDEO was done in the spirit of the Film Noir by Guilherme Henriques in Porto (Portugal) with the actress Teresa Queirós.

In KILLING ANNA, the notions of threat and ever growing tension are constant. A woman signs with a name that reminds us of Anna Karenine from Tolstoy - a character who threw herself under a train. Either fictional double, fantasy or projection. Someone is ready to do something irreversible. Whatever the motion may be, the vertigo heightens, as if the night was decisive. The song incarnates such a night, when life seems to hang only by a thread, that can break at any moment.

Facebook : www.facebook.com/varsovie.propaganda

Bandcamp : www.varsovie.bandcamp.com


NEWS Today, 37 years ago, New Order released its debut album Movement!

Today, 37 years ago, New Order released its debut album Movement!

13th of November 2018, 16:17

Movement is the debut album by New Order, released on 13 November 1981 by Factory Records. The album was produced by Martin Hannett who also produced the previous Joy Division albums and releases. At the time of its release, the album was not particularly well-received by critics or audiences, only peaking at number 30 on the UK Albums Chart. However, retrospective critical reception has been very positive.

After the suicide of Joy Division's singer Ian Curtis in May 1980, and the subsequent shock for those surrounding him, remaining members Bernard Sumner, Peter Hook and Stephen Morris elected to carry on, albeit under a new name – New Order. With the exception of two songs, "Ceremony" (first played live at Joy Division's very last gig, a bit more than two weeks before Curtis's death) and "In a Lonely Place" (unreleased, but demoed in the studio), all the material played would be new.

A couple of songs on Movement stem from the initial songwriting session the band undertook in the summer of 1980.

Bernard Sumner took the main vocalist role with Peter Hook as back-up though the latter sang lead on "Dreams Never End" and "Doubts Even Here”.

Musically the album situated in between Joy Division's post-punk sound and the synth-pop style that would happen to define New Order and influence pop music for decades".[10]

In 2008 and 2015 the album was remastered and released in different formats (Digital/CD/12”).

References to Ian Curtis appear on the songs "ICB" (rumored to be an acronym for 'Ian Curtis Buried', but confirmed by Peter Hook in a 2013 interview) and "The Him".

The album cover was designed by Peter Saville and is based on a poster by the Italian Futurist Fortunato Depero.

The shape created by the top three lines is an 'F' (lying on its back), which refers to Factory Records/Factory Communications Limited and the bottom two lines create an 'L' (lying on its front), the Roman numeral 50, the original catalogue was FACT 50.

Movement - Tracklist

Dreams Never End 3:13
Truth 4:37
Senses 4:45
Chosen Time 4:07
ICB 4:33
The Him 5:29
Doubts Even Here 4:16
Denial 4:20

DISCOGS

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Music reviews

08
12
NEON TZIGANE
Del Wesh
07
12
FROSTTIDE
Decedents – Enshrined
06
12
MIREXXX
Vault
23
11
JO QUAIL
Exsolve
22
11
SADOMANCER
Dystopian Dawn
20
11
METROLAND
Memorabilia & Memorabilia The Remixes

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NEWS

13
12
Horses | Patti Smith’s Debut Masterpiece 43 Years On!
12
12
This weekend, BIMFEST 2018 kicks off with Covenant, Leaether Strip, Light Asylum, Clock Dva & Agent Side Grinder amongst others!
12
12
Out Of Line weekender line-up almost complete!
12
12
British enfant terrible Raymond Watts / PIG releases his BLACK MASS EP, covering WHAM!, Elvis Presley and John Lennon!
10
12
On this day, 39 years ago John Peel broadcasted Joy Division's 2nd Peel Sessions!
09
12
SID VICIOUS, A Christmas Story | 41-Years Ago The Pistols Deliver Christmas

Concert reviews

16
11
HEILUNG
Live at The Islington Assembly Hall
06
11
INCONCESSUS LUX LUCIS
30
10
SERPENTYNE
European Tour 2018
24
09
MODELE MARTIAL - AUTOPSIE D'UNE OMBRE - IAMTHESHADOW
B52 - Eernegem - 14/09/2018
14
08
WAVE GOTIK TREFFEN
Review from WGT 2018, Leipzig, Germany
10
08
GOLDEN EARRING + THE KIDS
Live at Zulzeekse Feesten, Kluisbergen - Belgium - 28.07.2018

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INTERVIEWS

10
12
THE BLADES
Too Late To Stop Now! | The Return Of The Blades - An Interview With Paul Cleary
05
12
NOIRE ANTIDOTE
'Negative etiquette' resemblance the negative sides of human behaviour but more translated into a feeling.
24
11
DOPPELGANGER
'We are goths, and we only remember the sad stories :)'
22
11
PAUL LEARY (THE COCKY BITCHES,BUTTHOLE SURFERS)
'My mind has a jukebox that I cannot unplug.'
19
11
THE NAMES
We're lucky to have everyone still alive and well, unlike many of our friends of Factory records.

PHOTOS

13
12
DIVE
Magasin 4, Brussels, Belgium
13
12
HA;PEOPLE 3 55
Magasin 4, Brussels, Belgium
03
12
WHISPERING SONS
Sinner's Day Genk
03
12
JOHN CALE
Sinner's Day Genk
03
12
RED ZEBRA
Sinner's Day Genk
03
12
GANG OF FOUR
Sinner's Day Genk
02
12
FISCHER Z
Sinner's Day Genk

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VIDEO CLIPS

13
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GESAFFELSTEIN
Pursuit (Official Video - Not Blurred)
12
12
E-SOCIETY
E-Society
11
12
FUNKER VOGT
Feel the Pain
10
12
THE VIOLENT YOUTH
Rabota (my life is a job)
09
12
0KONTROL
Lullaby
08
12
DICEPEOPLE
Somebody to Love
08
12
RAMPLINGG
Set My Heart