tempobet yeni adresi
like this interview
20/01/2018 : KMFDM - Sascha Konietzko Gives Us The Latest On KMFDM 20/01/2018 : KMFDM - Sascha Konietzko Gives Us The Latest On KMFDM 20/01/2018 : KMFDM - Sascha Konietzko Gives Us The Latest On KMFDM 20/01/2018 : KMFDM - Sascha Konietzko Gives Us The Latest On KMFDM 20/01/2018 : KMFDM - Sascha Konietzko Gives Us The Latest On KMFDM

KMFDM

Sascha Konietzko Gives Us The Latest On KMFDM

20/01/2018, Marija BULJETA
photos: © Marija Buljeta


KMFDM is undoubtedly one of the most prominent bands in the history of industrial music. The group was founded and is lead by the German multi-instrumentalist and diverse artist Sascha Konietzko. KMFDM have been active since the 80s, first as a performance art project. Sascha collaborated with other multimedia artists to create the unique performances. Their first album "Opium" (1984) was released in a limited run of cassettes and distributed through the Hamburg club scene. It was re-released in 2002. Their second officially released album was "What do you know, Deutschland?" (1986). It was produced by Sascha in collaboration with his “partners in crime” En Esch and Raymond Watts. Immediately after their first USA tour with Ministry, Sascha moved to the USA, where the band gained a lot of recognition, Esch followed that move a couple of years later. Throughout the years KMFDM's line up changed many times; people were joining, leaving, reuniting, but there has always been someone who has always been there, and that is Sascha Konietzko. This September the band played in London; the concert was part of their KMFDM Hell Yeah UK tour, on which they performed together with Lord of the Lost, and I had the opportunity to see them live. In October they went on the US Hell Yeah tour with Ohgr. And, after a well-deserved rest, Sascha kindly agreed to answer a few questions for us.

1. Hello Sascha, and thank you for the opportunity to talk to you. I know how busy you were this year. You performed at Brutal Assault festival in the Czech Republic and Germany's M'era Luna festival as well as a show in Berlin in August, you toured the UK in September and then you had an extensive Hell Yeah US tour in October. Judging by your social media, the band rocked in each venue. The London show was packed and on stage KMFDM seemed like an unstoppable machine of creativity, energetic performance and enthusiasm. How do you feel about this entire touring experience, encompassing Brutal Assault, M'era Luna and the two countries?

Sascha: It was great fun actually. Especially the US tour was an absolute success, best one ever! The UK was great as well and the Euro festivals are just - the Euro festivals ;-) It's always a bit like a zoo doing them. But all in all everything went as good as it can get and then some.

2. You played at both European and USA goth/industrial festivals. This year you played at M'era Luna in Germany and Cold Waves in Chicago, USA. Can you tell us if there's any difference in the overall feel, atmosphere, the crowd? Where do you feel more at home when it comes to playing at festivals?

Sascha: Considering that I've lived in the US nearly 20 years and have spent most of the time since KMFDM's invention there, it's clearly been a homecoming of sorts having headlined the Chicago thing. I've lived in Chicago for something like 6 years and that's where the Wax Trax label was located and I just pretty much know everybody.

In Chicago and Los Angeles the crowd came for us, at the other festivals we were a band amongst many others.

3. You released Hell Yeah album this August – it’s among my favourite KMFDM albums, just for the record – and in it, you preserved not only the distinguishable electro-industrial sound, but also your societal and political lyrical context. However, you made a step further in the sound evolution; the album sounds fresh, dancy, and, at times, even funky. What was your musical and lyrical inspiration for this particular album?

Sascha: Hard to pinpoint, really. I think it was just the way it had to turn out, there wasn't all that much thought going into it beforehand. Contrary to what some believe, it is not an album written about the Trump bullshit, except of course, the song FAKE NEWS. We worked with Chris Harms from Lord Of The Lost, who also opened for KMFDM in the UK, he played (almost) all of the guitar stuff on the album and I afforded myself the luxury to work with one hell of a sound-engineer, B. Lawrenz, in order to make the recordings sound as good as possible, instead of brooding over the mixing process for months and months on my own, tweaking and tweaking with no end in sight, as I have in the past.

4. I am sometimes surprised by the names certain industrial music artists give as their early inspiration. I have already read that you were inspired by David Bowie and Marc Bolan, among others. Can you tell us how you were influenced by Bowie and the glam rock era?

Sascha: It was the music of my time, when I first actively began to listen to and buy music, that was the stuff that was edgy and cool. It's what you saw on TV in these weird playback shows like Disco 2000 and Musik Express and whatever they were called back here in Germany in the early - mid 70s...

5. How did you make the decision to move from Germany to the US? Did you feel the USA welcomed KMFDM more warmly than the European crowd? What was behind your decision to move back to your homeland again after so many years?

Sascha: Moving to the US was an absolute no-brainer after having experienced the enthusiasm people had for KMFDM during that gigantic tour we did with Ministry. I packed up my bags and moved straight to Chicago, lived at the Wax Trax label offices and jump-started KMFDM. We were widely celebrated in the US whereas over in Europe people wouldn't get it at all, and they still don't, really ;-)

6. I interviewed Raymond Watts a while ago. How did the two creative minds get together and what was your musical collaboration like?

Sascha: He had access to a recording studio and I had no money to rent one, so there you go.

We then worked for a while, then he relocated first from Hamburg to Berlin, soon thereafter to the UK and I was in the US. We reconnected in 1994 when I invited him to record with me in Seattle. Over the years we had our moments where things were going pretty well and then there were phases during which we both did our own stuff.

7. The line up kept changing over the years. You worked with so many renowned names, who participated either as band members or as guest artists. I was always interested in the creative process behind the group of people. How does it look when you work with so many people who have different ideas, backgrounds, influences, minds?

Sascha: It's like an orchestra, it won't work without a conductor. Seriously, it takes a lot of preparedness, a well organised crew of technicians to capture every potential outburst of unforeseen creative ejaculations in the studio.

8. Can you tell us about the current line up, besides you and Lucia? What I would like to know is how today’s KMFDM functions both regarding the studio work and live performances.

Sascha: Currently the line-up is rounded up by Andy Selway on drums and Andee Blacksugar on guitar, besides Lucia and me. As for how it functions exactly, it's something I have yet to experience since Andee is the newest link in the chain. Live performances with the four of us went flawlessly, as for the studio work, we are just very early on in the process of recording and writing new material together.

9. I am very much interested in your collaboration with Nivek Ogre. How did that come about?

Sascha: Ohgr and I have been friends since that legendary Ministry tour where he was a guest performer. We go back something like 27 years and he and his band opened for KMFDM during our recent US tour. He's a fantastic performer and a great man.

10. Nina Hagen made appearance as a guest singer on Adios. How was it to work with Nina?

Sascha: It was hilariously funny and wonderful. She's such a character, I absolutely adore her.

11. I am also a huge fan of the artwork on your albums. Can you tell us how you met Aidan Hughes, the man behind your cover art and how that collaboration started?

Sascha: Aidan and KMFDM were introduced by the owner of a very small record label, Skysaw Records, operating out of the Liverpool area, who did a UK release of WHAT DO YOU KNOW, DEUTSCHLAND and wanted to use different cover art than the original German release. We connected immediately and the rest is history. Funnily and totally coincidental, we became neighbours for a while in Seattle. I had bought this building and it turned out that he lived about 20 metres away from me on the other side of the block.

12. I heard that you were also a photographer. What exactly was your job as a photographer? Are you still interested in photography or visual art?

Sascha: It was a job, no less and no more than that.

13. Do you think that pointing fingers at artists and blaming them for the tragedies that happened because of the monstrous minds shows how easily the artist can be picked on? What were your thoughts about the tragic events and media turning them into “who's to blame, why not them”?

Sascha: What exactly are you referring to? Are you going "Columbine"? In that case all I have to say is that it's very shortsighted and irresponsible to blame music and art for the effects of mental illness combined with "wild-west" gun legislature.

14. After the 20th album, do you already have something new in the pipeline?

Sascha: Always! #21 coming up.

15. When are we going to see you live next? Any new dates?

Sascha: Nothing on the horizon as of now, new album is next, then we'll come out and play again. ;-)

Marija BULJETA
20/01/2018


Music reviews

09
08
RAT SCABIES
Rat Scabies - P.H.D.
09
08
REACTOR7X
And Chaos Bacame The New Order
01
08
ANNINA MELISSA
Exhibition of Death
31
07
CRIMEN
Silent Animals
26
07
VIOLENCE
Le Flux de la Nature
22
07
SEMIOTICS DEPARTMENT OF HETERONYMS
Semiotics Department of Heteronyms

NEWSLETTER

Subscribe to our weekly newsletter.

NEWS

10
08
Today, it’s exactly 31 years ago Nitzer Ebb released Join In The Chant!
08
08
James Ray (The voice from The Sisterhood) returns with brand new album, band and musical style change!
02
08
This month, 35 years ago, Nitzer Ebb recorded their first demo Basic Pain Procedure!
30
07
'Anything' movie: UK digital release on August, 6th!
25
07
Spacelab revisited! ISS calls Kraftwerk from outer Space!
25
07
'Locating Silver Lake' screening at Breckenridge Film Festival in September!

Concert reviews

14
08
WAVE GOTIK TREFFEN
Review from WGT 2018, Leipzig, Germany
10
08
GOLDEN EARRING + THE KIDS
Live at Zulzeekse Feesten, Kluisbergen - Belgium - 28.07.2018
16
07
COVENANT W/ STONEBURNER
Live @ Ivy Smokehouse, Washington DC, 15th April 2018
24
05
LES NEGRESSES VERTES
Live at De Casino, Sint-Niklaas - Belgium - 05.05.2018
19
04
SCORPIONS
Live at Vorst Nationaal - Belgium - 04.04.2018
19
03
FEVER RAY
Live @ AB - Brussels - 15.03.2018

GET A COPY OF OUR MAGAZINE
SEND TO YOUR HOME

INTERVIEWS

11
08
MICK HARVEY
Interview with Mick Harvey (The Boys Next Door, The Birthday Party, Crime & the City Solution, Nick Cave and the Bad Seeds, PJ Harvey)
07
08
RAT SCABIES (EX THE DAMNED)
'I never planned to make a solo record... It was something I was doing for fun.'
03
08
LIZARD SMILE
'I still see it as the expression of appreciation par excellence to buy a physical album. It still remains more ‘real’ … one way or another.'
29
07
SN-A
I Also Love Telling Stories Without Words
27
07
STIN SCATZOR
I never could have thought Stin Scatzor would ever release an album on DAFT Records!

PHOTOS

16
08
16
08
BAUHAUS
W-Fest Amougies
12
08
12
08
GARY NUMAN
Lokerse Feesten
01
08
GRAUSAME TOCHTER
Amphi
01
08
PERSEPHONE
Amphi
01
08
MAD SIN
Amphi

ADVERTISE
IN PEEK-A-BOO

VIDEO CLIPS

17
08
THE VISION BLEAK
Into The Unknown
16
08
DE/VISION
Brotherhood Of Man
15
08
SOLAR FAKE
Under Control
15
08
NEW ORDER
Restless
15
08
JO QUAIL
Gold (live)
15
08
SIXTH JUNE
Drowning
14
08
ASHRAM
Maria and the violin's string