tempobet yeni adresi
like this interview
25/05/2016 : THE ARCH - We feel comfortable on the dark planet under the gothic sky. 25/05/2016 : THE ARCH - We feel comfortable on the dark planet under the gothic sky. 25/05/2016 : THE ARCH - We feel comfortable on the dark planet under the gothic sky. 25/05/2016 : THE ARCH - We feel comfortable on the dark planet under the gothic sky. 25/05/2016 : THE ARCH - We feel comfortable on the dark planet under the gothic sky.

THE ARCH

We feel comfortable on the dark planet under the gothic sky.

25/05/2016, Didier BECU
photos: © Marquis(pi)X


The Arch released one of its best albums so far (perhaps simply the best): Fates, and that is of course a mighty reason to talk to the band.

I honestly think Fates is the best album you made so far. You have never been away of course, but I really do hear a band that is ready for a complete new start.
We feel grateful for your compliment. One might say, in a way, a new album filled with unheard songs, always can be assessed as a new start. But, it is just a next step on the road. However, you are right: it is a fresh start for us, because of the new collaboration with Kenny KGB. We are very happy with his skilled work on the mixing and mastering of Fates. His contribution is essential. Like Ludo Camberlin in our early years, but less dominant.

In a way I think Fates is a quite poppy album. In fact it is the very first time in my life I tend to sing some songs by The Arch when being alone. Was it a quest to go after that perfect three minute pop song, even if you don’t sound pop.
We don’t plan how a next album will sound. We just let it happen: songs are born out of jams without knowing what the results will be. Like rats, suddenly appearing in your house: will they be white, brown of black? So we have no idea yet, where the songs of our next album will float. We also believe that there are some exotic songs on Fates like Immerzu and Frozen Jungle. And that we have made some poppy stuff in the past.

The Arch often is categorized as goth rock. If you’d force me, I guess I would do the same, but I think you are so much more. Goth rock sounds as if you isolate The Arch. How would you describe it?
There is no control about it. We give birth to your songs, people press a stamp on it, et voilà: so it will be. But we have no problems to be categorized in the goth scene. We love that genre and are satisfied with the reactions we get. We feel comfortable on the dark planet under the gothic sky. We distillate songs, out of our inspiration and it has no sense to disagree with what people think of us.

On that album, there’s a track on which Ronny Moorings is featured. How did this happen?
We met Clan of Xymox by doing curtain-raisers for them. To us, Ronny (as well as the other Xymoxers) proved to be a charming personality. Monsters & I is a song with chromatic chord changes: one of the trademarks of Clan of Xymox. So the idea came to ask Ronny to perform some vocal tracks. He was in for it and did the job in a great way.

There are many unusual tracks on the album. Like Immerzu, a song in German. Can you tell us something about it?
The text is a poem of the German girl Pia, a friend of Ivan, who is quite fascinated by her. The music is built on a slow blues jam and we combined it with that poetry of Pia. We agree on the strangeness of the song: it is different wit its 3/4 beat. Actually, we play it to open our gigs.

The album is out on Why2Kmusic and digitally available on Trisol. I know you’re all dedicated music freaks, how important is a digital release for you?
Living in 2016, it is inevitable. Every release, vinyl, CD or on the web, will gain yields. Even illegal releases, down from the cellars of the internet.

Talking about The Arch isn’t always funny if we mention Belgium. For some reasons, The Arch is big in the underground scene but in Belgium itself it is hard to find a gig. A schizophrenic situation, do you have an explanation for it or do we just have to blame Belgium?
We are not the only ones. Once again: it just happens and so it will be. It is senseless to get nuts about that. But as a matter of fact, there is some response in Belgium. Last year, we played again on the Belgian Independent Music (BIM) festival. We do have our gigs in Belgium. We don’t consider it to be a problem.

I recently saw you on stage and in all honesty, I think The Arch live has another extra dimension. You exist for quite some time now, what is the most beautiful memory of your long career?
The Spinal Tap moments: spicy and crazy stories. They are just too long to write them down. Touring with a band really can be a burning anarchy.

Actually a long career, but I really do think that The Arch has another unique side. It started as a DIY-project with cheap material, which is completely different now. I mean, now you have a wide range of techniques, and it seems like The Arch can adapt itself...
You have to be open minded to technical evolutions. Following that evolution is not only necessary: it is fascinating. The time of the Portastudio 144 has gone. But from a technical point of view, we like the things we did on that 4-track cassette recorder in the eighties. However, we have to be prudent with all those new possibilities: we have to use them to crystalize the music out of our head, our phantasy. Nothing more.

It would be easier if you would turn yourself into a jukebox and hang on to the past. Thank God, you don’t, what do you think of all those bands who haven’t changed their set in twenty years, but still are able to pack venues?
Let it be and let them be. Our former member Wim Danzig is touring with Rodger Hodgson of Supertramp. He is still playing all those seventies songs, why not? We try to find some balance between old and new songs. By now, the accent is on the new work, because of the release of Fates.

Let’s end with the impossible question you need to answer. Pick your favourite Arch song!
Ice in your eyes? Spang? Immerzu? Bariton Baby, Ribdancer, Babsi ist tot? As a matter of fact, our favorite songs are the tracks we will make in the future.

Didier BECU
25/05/2016


Next interviews

HIDDEN IN TREETOPS • There is no such thing as depressive music. Music never is depressive. But a musician can express sadness or joy with music like a poet does in poems.
LABEL INTERVIEW: MESHWORK MUSIC • I don´t want to release the copy of a copy – if you know what I mean.
EXPONENTIA • I want my voice and the related effects to simulate an unreal creature.
COMBICHRIST • People seem to forget where this scene came from in the early 90's. This is not me walking away from the scene, this is me evolving to keep it alive, and not let it drown in its own repetitive boring vomit.
DIOXIDE • I have always been interested in the process, often more than the result, when it comes to electronic music.
SKEPTICAL MINDS • It’s like a voice telling you: “hey guyz... you started, now you have to continue...”
SADMAN • We love the idea of people listening to our music and standing for hours in front of a great painting.
FEW BITS • We really have only one rule in the group: love and fun.
NEW DARK AGE (PETER SLABBYNCK) • Oh, just listen to the records and let Adrian rest in peace.
ROBIN PROPER-SHEPPARD (SOPHIA) • This new album just has a sort of color that gives it a more happy feel.

Other reviews from THE ARCH
THE ARCH • Living healthy can be pretty stressful
THE ARCH • ‘The Game of Thrones’, inspired by the chaos of the Wars of Roses six hundred years ago in England, is actually still ongoing.
THE ARCH • In all those years we had lots of good times when we played gigs all over Europe.
THE ARCH • Yes, we are ambitious, we have to be. Otherwise there is no point continuing.
THE ARCH • Evolution doesn’t mean getting rid of our old stuff, but taking the best of the past with us, to create new and better songs.

Music reviews

11
07
CONTAINER 90
Friendship and love
10
07
ENZO KREFT
Control
09
07
HOCICO
Artificial Extinction
04
07
MECHANIMAL
White Flag Single
14
06
CABINET OF MILLIONAIRES
Theresa, Vol.3 Ep
13
06
DEF ROBOT
Makers Of Mountains

NEWSLETTER

Subscribe to our weekly newsletter.

NEWS

17
07
Electronic/Industrial Bass Artist SINthetik Messiah Announces The Release of Their Single 'Black Sheep'
16
07
Electronic Act THE BRUTE: Announces New LONESOME HERO/AND I WANT YOU Split Single & Video
15
07
New Peek-a-Boo Magazine #34 out now!
15
07
PINK TURNS ANNOUNCES REISSUES OF FIRST ALBUMS + TOUR 2019
14
07
'Hidden Figures' release their first single this August - debut album in progress!
13
07
Exclusive BEAUTY IN THE SUFFERING Performance Featured In New Horror Film, CLOWN MOTEL

Concert reviews

14
07
MIDNIGHT OIL
MIDNIGHT OIL Live @ Rock Zottegem - Belgium - 05.07.2019
15
01
PALAIS IDEAL & DAGEIST
B52 - Eernegem - 16/12/2018
14
01
STAR INDUSTRY, DAGEIST, KEZDOWN
EGW- ROCK, Jeugdhuis Asgaard
06
01
RITUAL SERVICE, MOTHER WITCH AND & DEAD WATER GHOSTS AND GOOSLA
Live at The Volume Club, Kiev, 7th December 2018
16
11
HEILUNG
Live at The Islington Assembly Hall
06
11
INCONCESSUS LUX LUCIS

GET A COPY OF OUR MAGAZINE
SEND TO YOUR HOME

INTERVIEWS

16
07
MARK DEUTROM (CLOWN ALLEY/THE MELVINS)
' I felt like I needed to make a solo-record at that time!'
15
07
STEVE DIGGLE (BUZZCOCKS)
'We were writing from the heart and soul!'
08
07
TODD TRAINER (SHELLAC)
'My attitude has always been to be original and unique!'
06
07
BOB BERT (PUSSY GALORE, LYDIA LUNCH RETROVIRUS, EX-SONIC YOUTH,...)
'One man’s noise is another man’s symphony!'
02
07
TEST DEPARTMENT
THE 80s WERE AN AMAZING TIME FOR MUSICAL DEVELOPMENT

PHOTOS

17
07
JOY/DISASTER
Blue Shell Köln
17
07
JOY/DISASTER
Blue Shell Köln
16
07
IAMTHESHADOW
Blue Shell Köln
16
07
IAMTHESHADOW
Blue Shell Köln
16
07
CRYING VESSEL
Blue Shell Köln
10
07
CEPHALGY
Parkhaus Duisburg
10
07
ALIENARE
Parkhaus Duisburg

ADVERTISE
IN PEEK-A-BOO

Articles

26
04
JOBRIATH
Talent To Burn - The Legend Of Jobriath
29
03
VARIOUS ARTISTS
A BRIEF HISTORY OF: THE SPECIALS, SKA AND TWO TONE
27
03
VARIOUS ARTISTS
A BRIEF HISTORY OF: KRAUTROCK AND THE GERMAN MUSICAL REVOLUTION

VIDEO CLIPS

18
07
AMBASSADOR21
FUCKALLSYSTEMS
17
07
THIS CAN HURT
Worlds Apart
16
07
RABIA SORDA
Deaf
15
07
GUS GUS
Deep Inside
14
07
CUBANATE
Kolossus
13
07
DEAD CAN DANCE
Anabasis
12
07
DIE KRUPPS
Goldfinger