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Interviews - July 2012
DARK POEM
We need to be free to make whatever we feel like making, sometimes we’re soft and sweet, sometimes we’re hard and heavy and often our songs have a ritual or tribal character. [EN]
FOR GREATER GOOD
...I feel our albums reflect us well as people. Eclectic, melancholic, not afraid of breaking the rules. [EN]
A.A.A.K.
There was a constant external ambiance of drills, road digging and heavy machinery that leaked through into some of the songs - it really is a buildingscape set of beats. [EN]Interviews - June 2012
ECHO US
My music confuses a number of people, probably because they are used to more conventional or genre-based music. [EN,NL]
SHE WANTS REVENGE
At the end of the day there is always longing, sadness, regret, and an analysis of male/female relationships. [EN]
JEAN-MARC LEDERMAN
Now is a great time for composers: it's all there. Sales suck for sure but maybe that's the new path for artists: forget about making a steady living from it and concentrate on the marvellous tool kit we can now use. [EN]
DARKMEN
To me it seems like Belgium is still stuck in the 80’s...We hope to play live in Belgium soon, and show them what good EBM sounds like! [EN]
EMPUSAE
Symbiosis for me, is kind of a turning point of what Empusae is. I needed this experiment as a person and as a composer. [EN]Interviews - May 2012
AMBASSADOR21
Our deep idea is EVERYONE has a RIGHT FOR RIOT - it's doesn't fucking matter 'why?', is it 'logical' or not. If you just want to - it's enough. Go on! [EN]
DE/VISION
I would tell anyone who starts a band the same thing: stick to your guns and never stop believing in yourself, no matter what negative things some people might say about your music... [EN]
SCHMUTZ
Schmutz is like a nice familynest you crawl into and you make music with guys you respect and have fun with. [EN]
SYNAPSCAPE
It's been almost exactly 18 years when we started Synapscape, so now it's grown up, can have a home by it's own and marry without our permission ;) [EN]
18 SUMMERS
Contradictions and inconsistencies, that is what 18 Summers is about: in life and in the songs! [EN]
ESPLENDOR GEOMETRICO
I stopped listening to electronic music in 1981. We quickly followed our own personal way of making music. [EN]
NORTHERN SADNESS
We wanted to create our own world, in the little world the gothwave-scene is. I think we’ve succeeded. People often tell us they can’t really compare our music to something else. [EN]Interviews - April 2012
SERPENTS
I think Serpents could have been bigger, if we had signed a CD/LP contract after publishing the first tape. It was the beginning of the dark wave and EBM movement in Germany, but we didn't. [EN]
VISION TALK
We will try to make the best synthpop album in years. That is our plan. Lets see if we can do that. [EN]
