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Interviews - March 2012
CHRYSALIDE
It was like an act of artistic terrorism. We had attention so we used it to spit on this fucking media chaos, it inspires us. [EN]
MILDREDA
Mildreda is like talking in my mother language again, as the dark electro tunes comes out very naturally… [EN]
A SPLIT-SECOND
We never had a decent promotional machine behind us, and a lot of the press was hostile. But the crowds always turned up, and we try to give them an unforgettable evening in return. [EN]
ESCAPE WITH ROMEO
I still feel angry against intolerant, antisocial and un-honest people. In fact I feel even more rebellion these days, than in the 80's. [EN]
EMBERS
The cool part is that our songs are appreciated by a wide range of people, we don’t restrict ourselves to a scene or something. [EN]
IC 434
It's strange that in a time where almost noone believes in God anymore, people seem to believe the most outrageous things! [EN]
I-M-R
A live set of I-M-R is like the dark side of a burn camp... Attracted by the heat and sucked into the darkness [EN]Interviews - February 2012
THE JUGGERNAUTS
Don’t expect us to play acoustic guitars, flutes or bagpipes and we will also not claim we have come up with a brand new style and sound! [EN]
THE ARCH
Evolution doesn’t mean getting rid of our old stuff, but taking the best of the past with us, to create new and better songs. [EN]
STORY OFF
No need to romanticize the 80’s too much, it was hard times back then as well and it wouldn’t be underground if it hadn't been so [EN]
CRASH COURSE IN SCIENCE
Music played on analog instruments has a distinct feel about it that some people prefer over a cleaner, more digitized sound [EN]
Interviews - January 2012
VITA NOCTIS
We are thrilled to be on the same stage with The Klinik again in Beveren. It's like a flashback come true! [EN]
